This page explains how to format speeches for publication by Lazy Bee
Scripts.
(This the way we want you to format your script. Other publishers may want
other things.) |
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Start with the Character Name |
- The character's name should appear at the start of every paragraph of speech.
- It should appear in Title Case (not all in capitals)
- It should be the same all the way through the script
- The character name should, if possible, be short whilst avoiding excessive use of
initials. (For example, "Fairy Godmother" can be conveniently abbreviated
to "Fairy" if there are no other fairies in your script, or to "Godmother" if there
are no other Godmothers.)
- Put a colon after the speaker's name. (Let me put this another way, the first
character after the speaker's name should always be a
colon.) Then put a single tab. Now you're ready to start the speech.
- If a speech is interrupted by a stage direction which
applies to other characters (which, by definition, is placed on its own line), then
when the speech resumes, the speaker's name should be restated.
- We will put the speaker's name in bold. (If you wish to do that, that's fine!)
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One Speech, One Paragraph |
- The general rule is that one speech should form one paragraph. A paragraph
ends with a "return". (So if you hit the return key before the end of a speech,
then you are doing something wrong!)
- If you want lines of speech after the first line (the one with the Character's Name)
to be indented, then you need to set this up as a Paragraph style with a "Hanging
Indent". (If you don't know how to do this, and you can't understand your
Word Processor's help on the subject, then don't try to achieve the same effect
by any combination of returns, tabs or spaces. It will mess your text up when
we reformat it, and we will get really cross.
- Exceptions to the "one speech, one paragraph" rule are:-
- Lines of verse (where it is normal to put in a return at the end of each line),
- Those occasions where a speech is interrupted by a stage direction which
applies to other characters (which, by definition, is placed on its own line,
in which case the speech resumes with a new paragraph, with a restatement of the
speaker's name), and
- Long monologues, where it is necessary to break a single speech into multiple paragraphs.
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Use Words Instead of Numerals |
- If your speech contains numbers, write them out in words instead of numerals
- This is a much more explicit way of telling the actors how you want them
to say the lines, and it looks much better on the page
- This is clearest if you talk about large numbers and currency amounts.
How do you want the actor to say $1140.50? English people would tend to say
"One thousand one hundred and forty dollars and fifty cents." Americans
tend to omit the "and", and have a greater tendency to group hundreds rather than
thousands, thus "Eleven hundred forty dollars, fifty". Which do you want your
character to say? Do you want them to say dollars or bucks? Fifty, or
fifty cents? Use words to make yourself clear
- The only significant exception is years, where writing 1945 is okay, unless
you write it at the beginning of a sentence, where it looks horrible.
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Emphasis |
- If you want a speaker to stress a particular word or phrase, then indicate
it by using italics. (That's all. Just italics.) Don't
use italics in speeches or stage directions for any other purpose.
- If you want a character to shout, then either use a stage direction - (shouting)
- or use UPPER CASE. In my opinion, the former is better, because the intention
is clearer
- Distinguish between emphasis and shouting. Almost any word in a sentence
can be stressed. Shouting tends to be whole phrases, words at the ends of
sentences or single word sentences (usually a name, a command or a curse!)
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Don't Invent Your Own Punctuation |
- The first rule is to aim for self-consistency
- All questions, even rhetorical questions should end in a question mark
- If you want a speech to tail off, or to be interrupted, use a row of three dots
(...) More than three does not add meaning, two just looks like a mistake.
- If an exclamation is interrupted, then the exclamation mark should come before the
dots. (The dots indicate a tailing off or a silence, and you can't exclaim
silence.)
- Dashes can be used as hyphens in word-concatenation, or they can be used in conjunction
with one space either side - this sort of thing - to separate words. Make
sure you use each one deliberately! (Using more than one dash in a row is
meaningless.)
- The semicolash is meaningless;- don't use it.
- Multiple exclamation marks and question marks don't add anything. One is enough.
If you want to convey more information about the way a line is to be said, then
use a stage direction.
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Simultaneous speeches (multiple characters talking at the same time) |
- Put the character names on
separate lines! (Never
put a list of characters on one line, such as "Jane and Fred: What?")
- After
the speaker's name, but a colon, a tab and a curly bracket - I mean one of these
}
- If two or more speakers say the same thing, then put the stage direction
(Together) after the } on the first speaker's line and start the speech
after the } on the last speaker's line.
- If two or more speakers say different things at the same time, then if they are
long speeches, it may be useful to add the stage direction (At the same time
as <speaker>.) after the }at the start of each line
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