Lazy Bee Scripts
One-Act Play Script Search Results


All the scripts described below can be read in full on the Lazy Bee Scripts web site (click on the titles).
However, all the scripts on this site are copyrighted. They may not be printed, quoted or performed without the permission of Lazy Bee Scripts.
Click on the "Price" links for details of the script prices and licensing arrangements.

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Scripts 21 to 30 of 69
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End Of The Pier by Karen Doling
RolesMinimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus.
Run TimeAround 50 minutes. [Estimated!]
MusicNone.
StyleOne act play, single set - a fortune teller's tent at the end of a pier!
SynopsisA gypsy called Lea (as all soothsayers are) reads people's fortunes on the end of the pier - at least, that's what the sign says, but she usually tells people the same old thing. Today, things aren't going to go as she planned, but the results will be strangely familiar...
PricePlease click on the Price Link to find the cost.
Click here to read the script or Click here for more details.

The Epic of Gilgamesh by Adrian Jarvis
RolesMinimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 28. No chorus.
Run TimeAround 75 minutes. [Estimated!]
MusicNone.
StyleFour thousand-year-old Sumerian epic brought to life. This play skilfully combines dance, mime and music with challenging acting and technical opportunities together with a gripping story, ideal for Secondary Schools, Drama Acadamies, and Youth Groups.
SynopsisKing Gilgamesh is convinced that he can find the secret of eternal life and his dramatic odyssey is brought to life as he wanders the mythological world in his quest for immortality. We travel with him as his travails become ever more arduous and he becmes embroiled in ever more dramatic conflicts.
PricePlease click on the Price Link to find the cost.
Click here to read the script or Click here for more details.

Fleas Can Bite by George Freek
RolesMinimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus.
Run TimeAround 65 minutes. [Estimated!]
MusicNone.
StyleDry comedy, on the boundary between a long one-act play, and a short full-length one. (It's in two acts.)
SynopsisA saga of unrequited love, insanity and blackmail, populated by a strange collection of patients, professionals and friends.
PricePlease click on the Price Link to find the cost.
Click here to read the script or Click here for more details.

Gate Thirteen by Tony Frier
RolesMinimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 10. No chorus.
Run TimeAround 48 minutes. [Estimated!]
MusicNone.
StyleA one act comedy, with a dark twist.
SynopsisA disparate group of travellers with various levels of flying experience await the departure of their flight home from Marrakech. Gary and Julie are ingeniously attempting to avoid excess baggage charges, Derek and Pauline are collecting as many freebies as they can and the mysterious Carrie is handcuffed to her seat.
PricePlease click on the Price Link to find the cost.
Click here to read the script or Click here for more details.

God's Minstrel by Joseph P. Ritz
RolesMinimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four of the characters are intended to be doubled by one actor (though they need not be). The roles of Clare's Cousin and the Soldier are optional.
Run TimeAround 70 minutes. [Estimated!]
MusicNone.
StyleYou can think of this either as a short two-act play, or a long one-act play. Single set.
SynopsisMixed in with a little tale from modern times, this is the story of how Francis of Assisi became a saint. A moving and honest telling.
PricePlease click on the Price Link to find the cost.
Click here to read the script or Click here for more details.

The Grass Isn't Always Greener by Pete Williamson
RolesMinimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus.
Run TimeAround 34 minutes. [Estimated!]
MusicNone.
StyleA one act comedy for older schoolchildren or youth groups, with simple settings, and some strong language.
SynopsisA group of teenagers engage in a version of the battle of the sexes. Their misconceptions about the opposite sex come vividly to life in a shocking series of events.
PricePlease click on the Price Link to find the cost.
Click here to read the script or Click here for more details.

Growing Up With Martin by Paul Richards
RolesMinimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus.
Run TimeAround 60 minutes. [Estimated!]
MusicNone.
StyleOne-act comedy play (three sets)
SynopsisMartin is twenty four, living in a rented flat with his girlfriend, and working at the bottom of the corporate ladder in an accounting firm run by his Mum and Dad. He's frustrated by his lowly position, but equally annoyed by the idea that he should have to exert himself to get on in life. In the course of one day we see him downtrodden, turn a corner and find a new goal, just to have one of the dearest things snatched from him.
PricePlease click on the Price Link to find the cost.
Click here to read the script or Click here for more details.

Hansel and Gretel... and Sadie by Steven Stack
RolesMinimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus.
Run TimeAround 25 minutes. [Estimated!]
MusicNone.
StyleA one act play, with an imaginative twist to the classic tale. A companion (same style, different tale) to Ted (Of Edible Houses, Risky Bargains, and Other Grimm Happenings)
SynopsisA quirky take on a classic tale. Hansel and Gretel have another child living with them - Sadie, who loves to read. This comes in handy when the children are taken deep into the forest and abandoned by the parents...
PricePlease click on the Price Link to find the cost.
Click here to read the script or Click here for more details.

The Honorable Knight by Stewart Boston
RolesMinimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 8. No chorus. Nothing remarkable in the characters (apart from the dragon, obviously).
Run TimeAround 30 minutes. [Estimated!]
MusicNone.
StyleA light comedy, playing on the traditions of the knightly stories. Split-stage set, with one permanent location and the other half of the stage doubling for two other locations.
SynopsisBefore leaving his castle for the last time, Sir Gawain of the renowned Round Table reluctantly reveals a tale of his exploits that shows him in a less than favourable light.
PricePlease click on the Price Link to find the cost.
Click here to read the script or Click here for more details.

The Horrible Hot Air Homicide by Ray Lawrence
RolesMinimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. Melodrama stereotypes - the wicked squire, the poor-but-hones heroine, etc.
Run TimeAround 30 minutes. [Estimated!]
MusicOne song (to a G&S tune). Sheet music for the song is supplied with the producer's copy of the script.
StyleMelodrama set in Victorian times, but written in the 21st century - so something of a send-up of the format.
Synopsis'The Horrible Hot Air Homicide' - or 'Fanny's Free For All' sees the wicked squire in pursuit of the poor heroine, Fanny. However, in fear that his past misdeeds will be exposed, the squire frames his rival for murder, then furnishes a fiendish fate for Fanny.
PricePlease click on the Price Link to find the cost.
Click here to read the script or Click here for more details.

Scripts 21 to 30 of 69
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