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| The Hound Of The Baskervilles by Richard Coleman |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 11. No chorus. The hound might be live or a special effect. (One other essential role takes no part in the action, but definitely needs to be there!) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act rhyming humorous play, freely interpreting the original story. |
| Synopsis | A 'Pantocrime' in rhyming couplets, re-telling the story by Sir Arthur Conan Doyle, with comedy. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
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A Human Write by Amy Sutton
Best Seller Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
| Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus.
Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
| Price | Please click on the Price Link to find the cost. |
| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| I Love You When It's Raining, Roy G Biv by Martin R. Collin |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 14. Chorus. The chorus covers a school class, a choir and a funeral congregation, so very flexible numbers!
The structure of the story implies a mixture of adults and children, but of course it could be performed by a youth company. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | A couple of public domain songs are suggested for use in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act play with various simple settings. |
| Synopsis | Roy is that inspirational teacher everyone remembers. He arrives at a small school in Ohio and immediately makes a mark on every pupil he comes into contact with. His death is sudden and unexpected but his spirit lives on as his pupils move into adulthood. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
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| An Indecent Exposure by David Pemberton |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy drama - in which the cast remain clothed. |
| Synopsis | A couple are keeping the park opposite their flat under surveillance in an attempt to gather evidence on the person who's been exposing themselves. But are they really playing tricks on one another? |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
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| Jackpot Joy by Karen Doling |
| Roles | Minimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | The Producer's copy of the script contains suggestions for four songs (with adjusted lyrics to one of them). Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act comedy play (with a few songs thrown-in). Contains mild swearing. |
| Synopsis | After apparently winning the lottery one night, Joy's life is plagued by sycophantic family members angling for a portion of her seven-figure jackpot. When Joy hides her winning ticket, others are determined to take matters (and the ticket itself) into their own hands! |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
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| Jane Eyre - A One Act, Musical Farce by Gerald P. Murphy |
| Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 11. No chorus. One of the characters is a dog. (This is a speaking role, although most of the words are Ruff.) |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | Scores for four songs and three instrumentals are included with the Producer's Copy of the script. |
| Style | Eyre on a G-string. A musical comedy treatment that follows Charlotte Brontë's story accurately (within the constraints of reducing 38 chapters to a single act). |
| Synopsis | The classic Brontë tale given a comic twist, reduced to one act and set to music! Unlike any other Eyre you've seen! |
| Price | Please click on the Price Link to find the cost. |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| Kids in Lurve by Bill Siviter |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 15. No chorus. Lots of flexibility for either doubling characters or splitting the narrator's role amongst several actors. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Rhyming play, delivering a rapid, modern and informal version of Shakespeare's 'The Taming of the Shrew'. Multiple scenes, but little required by way of set or props.
Set in the north-west midlands, but could easily be moved to your home town! |
| Synopsis | Bianca is sweet and pretty. All the lads fancy her. But standing in the way, there's Bianca's acid-tongued sister, Kate, and who can tame Kate?
Well, since there aren't many lads called Petruchio these days, the modern-day volunteer is Shane.
The course of true love never did run smooth (but that's another story). |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
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| The Lambton Worm by Timothy Hallett and Nicholas Richards |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 19. Chorus. Very flexible casting. There is one narrator role, but this could be shared out. Equally, the chorus could be 'all the actors'. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | A 40-page musical score is included with the Producer's Copy of the script. |
| Style | Short musical retelling of an English folk tale. (The music plays throughout, even though some of the narration is spoken rather than sung.) No real set requirements, but the ideal performance would put some effort into creating a fearsome worm! |
| Synopsis | The tale of the wild worm of Wearside and its grisly end.
It should be emphasised that 'worm' is used in its old sense of 'serpent' - so this is a story of knights fighting dragons. |
| Price | Please click on the Price Link to find the cost. |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
** CD with backing track for the whole musical The Lambton Worm by Timothy Hallett and Nicholas Richards. Plus simple rehearsal tracks for each individual section (accompaniment on piano with vocal line played on another instrument.)
** Complete recording of The Lambton Worm by Timothy Hallett and Nicholas Richards including all songs and the spoken narration.
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| Click here to read the script or Click here for more details. |
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| Language Lessons (II) Asking the Time by Nicholas Richards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 17. No chorus. One character is an offstage voice - could easily be doubled. |
| Run Time | Around 43 minutes. [Estimated!] May be separated into short scenes. |
| Music | None. |
| Style | A series of scenes put together in one act, or may be divided for short pieces. Minimal or no set requirements. |
| Synopsis | A second set of crazy scenes to help hopeless English persons gain a better degree of fluency, in a foreign tongue. This time Polly and Glott prepare the audience for asking the time in various countries and even outer space! |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
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| Laughter Lines by Frank Gibbons |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 38. No chorus. Most of the characters are adults in middle age or older. Some of the women are intended to be played by men (in gossipy, unglamorous middle-aged drag). |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of 18 comedy sketches (ranging in duration from 2 minutes to ten minutes). Few set requirements (although one sketch takes place in and around a bed). There are a couple of mild swearwords buried in there somewhere. |
| Synopsis | Sketches about life, death, relationships and cream cakes.
Most of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.)
There is no particular order to the sketches, but there are occasional common themes. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
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