Lazy Bee Scripts
One-Act Play Script Search Results


All the scripts described below can be read in full on the Lazy Bee Scripts web site (click on the titles).
However, all the scripts on this site are copyrighted. They may not be printed, quoted or performed without the permission of Lazy Bee Scripts.
Click on the "Price" links for details of the script prices and licensing arrangements.

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Scripts 41 to 43 of 43
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Set to and Build by Peter Appleton
RolesMinimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus.
Run TimeAround 35 minutes. [Estimated!]
MusicNone.
StyleOne-act comedy during which parts of the set are built on-stage - sort of.
SynopsisAn AmDram crew meets ahead of the new show to build the set. Arguments over creative vision versus available materials, colours and building techniques, not to mention accidents, strain relations.
PricePlease click on the Price Link to find the cost.
Click here to read the script or Click here for more details.

Seven Ages of Love by Robert Burns
RolesMinimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus.
Run TimeAround 30 minutes. [Estimated!]
MusicNone.
StyleOne act play with an interesting structure. (As our reviewer remarked, 'It's what you'd get if MC Escher was a playwright'.) Several locations, but can be done with indicative sets. Contains a mild swearword.
SynopsisMike's written a play about his failed love, telling the story in reverse for the benefit of his friend Phil. If you run a sad love story backwards, you end up with a happy ending, don't you?
PricePlease click on the Price Link to find the cost.
Click here to read the script or Click here for more details.

Tabbed by Bob Tucker
RolesMinimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 12. Chorus. The script is about a group performing a British Pantomime, therefore Widow Twankey is intended to be played by a man, and Aladdin by a young woman. The chorus is optional (the chorus part could probably be doubled by a couple of the principals.)
Run TimeAround 30 minutes. [Estimated!]
MusicNone.
StyleOne-act comedy, set in the middle of a (disastrous) pantomime performance.
SynopsisIt's Panto time again for the Witherington Over Mired Brook Amateur Theatrical Society (WOMBATS), but things aren't going well... Aladdin's had a nasty accident and had to be replaced at short notice, the script is illegible, the stage crew are in revolt and the lights and curtain aren't behaving themselves either. Can Widow Twankey hold things together?
PricePlease click on the Price Link to find the cost.
Click here to read the script or Click here for more details.

The Talky Bits by TLC Creative
RolesMinimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 37. No chorus. Many of the characters are written with a specific gender, but most can be changed!
Run TimeAround 35 minutes. [Estimated!]
MusicNone.
StyleA collection of ten comedy sketches requiring little in the way of set or props (the most complex sketch requires a table, chairs and a few pieces of paper.) Most could be run front-of curtain.
SynopsisTen comedy sketches with a theatrical theme, designed to be interspersed between other material in a drama and dance showcase. The sketches cover the theatrical process from pitching a show concept through to first night nerves.
Most of the sketches are available individually. This collection is available at a discount to the sum of the individual prices.
PricePlease click on the Price Link to find the cost.
Click here to read the script or Click here for more details.

Under the Hood by Damian Trasler
RolesMinimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus.
Run TimeAround 65 minutes. [Estimated!]
MusicNone.
StyleOne-act drama (on the lower boundary of two-act length). Simple sets.
SynopsisRose, an actor, is rehearsing the title role in a new psychological interpretation of Red Riding Hood under a hot-shot director. Meanwhile, her husband, Mark, is torn between the frustrations of his well-paid dead-end job and the uncertainties of his dream of creating his own business.
PricePlease click on the Price Link to find the cost.
Click here to read the script or Click here for more details.

What A Performance! by Trevor Suthers
RolesMinimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus.
Run TimeAround 20 minutes. [Estimated!]
MusicNone.
StyleA one act play set in a theatre (stage and dressing room). Some adult language.
SynopsisA small group of actors are in a small provincial theatre as their performance ends - the action follows them to the (shared) dressing room. Petty jealousies give way to their assessments of what acting and theatre are all about.
PricePlease click on the Price Link to find the cost.
Click here to read the script or Click here for more details.

Who's Hamlet by George Freek
RolesMinimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus.
Run TimeAround 50 minutes. [Estimated!]
MusicNone.
StyleA one-act farce in two acts. (I mean it's in two acts but is relatively short.) A farce, with misunderstandings galore and all the theatrical temperament you could wish for. All this comes with a simple set and small cast.
SynopsisA young actor takes the role of Hamlet from his ageing father.
PricePlease click on the Price Link to find the cost.
Click here to read the script or Click here for more details.

Your Play or Mine? by Barry Lambert
New
RolesMinimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus.
Run TimeAround 45 minutes. [Estimated!]
MusicNone.
StyleA one-act comedy with a single (writer’s study) setting.
SynopsisImpresario Larry Delpiero, a man of highly dubious reputation, accuses self-important playwright Edmund Parnell-Blake of plagiarism, threatening not only the writer's reputation but also his bank balance and general well-being. Karen Maxwell, Edmund's feisty PA,and Mrs Pond, his surprisingly gifted housekeeper, forget their own differences with their employer and rally round in an attempt to save his career. The arrival of fan and aspiring playwright Oliver Capron does nothing to ease Edmund's tension.
PricePlease click on the Price Link to find the cost.
Click here to read the script or Click here for more details.

Scripts 41 to 43 of 43
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