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| I Don’t Think I’ll Be Here Next Christmas by Dawn Cairns |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. One character (Laura) appears as an off-stage voice only. |
| Run Time | Around 41 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single setting. |
| Synopsis | Cantankerous pensioner Jean always spends Christmas with her son John and his wife Sheila. The mutual dislike between Sheila and Jean constantly bubbles under the surface and is reflected in the presents they give each other. Everything threatens to boil over after an incident involving sixpences in the Christmas pudding (and a toenail in the Bombay mix). Fortunately for Sheila, their daughter Laura comes to the rescue. The play features the same characters as You Won't Know I'm Here - though works perfectly well as a standalone piece. |
| Price | Please click on the Price Link to find the cost. |
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| I'm On A Train by Graham Jones |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A neat, simple monologue that could be comedy gold in the right hands. (Minimal set requirements.) |
| Synopsis | It's a tough day for businessman Tom Wright, as he races to Edinburgh in a last-ditch attempt to save his company. Sadly, things are not destined to go his way, and the phone calls he makes and receives on that journey reveal the scope of the disaster that unfolds. |
| Price | Please click on the Price Link to find the cost. |
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| Impatience and Improbability by Nic Dawson |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (hotel terrace) setting. A witty and clever intertwining of the mannered world of the eighteenth century and modern day mores - with a bit of farce thrown in. |
| Synopsis | This diversion in One Act, dedicated with respectful admiration to Miss Jane Austen - with humble apologies for any liberties taken - sees Julia providing eighteenth century elegance and ambience in her unique hotel. The idyllic, mannered world descends into infidelity and recrimination as the modern day intrudes. |
| Price | Please click on the Price Link to find the cost. |
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| The Importance Of Being Belinda by John Garforth |
| Roles | Minimum Male roles = 0. Minimum Female roles = 6. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 37 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (garden) setting. Adult themes and strong language abound! |
| Synopsis | The feminist Sapphire Theatre Collective is in final rehearsal for Oscar Wilde’s ‘The Importance Of Being Earnest’. Wilde’s script has been revised and updated to cater for an all female cast and political correctness by Belinda. The opening is in doubt as Belinda has been arrested for gross indecency on stage during a previous performance, but the show must go on! |
| Price | Please click on the Price Link to find the cost. |
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| The Importance Of Peaches by Tony Domaille |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single setting |
| Synopsis | The Southbury Players Committee is meeting to discuss the group's poor record of success. Members are looking for a big idea to revive the group's fortunes, but when all seems lost, salvation comes from an unexpected source. |
| Price | Please click on the Price Link to find the cost. |
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In a League of His Own by Mark Griffin
Finalist in the Cambridge Theatre Challenge (International play-writing competition) 2014 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. Three on-stage characters and an offstage (or recorded) soccer commentator. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play set in an Irish student flat (the main features of which are a couch and a TV set). |
| Synopsis | Soccer-obsessed student Eamo is unhappy with the progress of a local team because they're ruining his standing in the Fantasy Football league. And Eamo has a lot of money riding on the outcome. His flatmate, John, thinks Eamo should calm down, but then Mazza, a self-proclaimed legend, arrives to really stir things up. |
| Price | Please click on the Price Link to find the cost. |
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| In the Bag by Frances Bartram |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Whilst there is nominally one male role, this is an offstage voice with little to say, and could as well be recorded. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, single set - the back room of a charity shop (and, as you might expect, the props are largely charity shop bric-a-brac) |
| Synopsis | Maureen and Mary are volunteers in a charity shop and every day is much like the one before. But today, when they're going through new donations, they find some money. A lot of money. Just as they're deciding what to do with it, two new volunteers arrive. What to do? |
| Price | Please click on the Price Link to find the cost. |
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| In the Mood by Frank Gibbons |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (café) setting. |
| Synopsis | Jeanie's little café is struggling to survive and a pending family problem could easily prove to be the last straw. Also, her apparent reluctance to tackle issues such as poor hygiene, inferior cooking, power supply malfunctions and a mischievous deaf cat isn't helping the situation. |
| Price | Please click on the Price Link to find the cost. |
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| An Indecent Exposure by David Pemberton |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy drama - in which the cast remain clothed. |
| Synopsis | A couple are keeping the park opposite their flat under surveillance in an attempt to gather evidence on the person who's been exposing themselves. But are they really playing tricks on one another? |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
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| Inspector Quaker of the Yard by Peter Stallard |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play - a spoof detective story. |
| Synopsis | Cecil has gone missing (from his position on the mantlepiece) and Lady Boulder has to find him - and his urn. The stage is set for
Inspector Quaker of the Yard in The Return of the Cecil Vessel. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
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