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| Hound Dog by Ginny Davis |
| Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | 10 tracks suggested to be played as background music at certain points in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A comedy presented as three acts (though could be performed as one) with a single living room set. |
| Synopsis | Linda is determined to adopt a mistreated dog she encounters on holiday in Greece, much to the consternation of not only of her husband and two teenage children, but also family dog Jack, who has a lot to say. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
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| The Hound Of The Baskervilles by Richard Coleman |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 11. No chorus. The hound might be live or a special effect. (One other essential role takes no part in the action, but definitely needs to be there!) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act rhyming humorous play, freely interpreting the original story. |
| Synopsis | A 'Pantocrime' in rhyming couplets, re-telling the story by Sir Arthur Conan Doyle, with comedy. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
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| How Did That Get In My Locker? by Andrew M. Frodahl |
| Roles | Minimum Male roles = 7. Minimum Female roles = 8. Minimum total with doubling = 14. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 63 minutes. [Estimated!] |
| Music | None. |
| Style | A one act school play - chiefly American in theme and content, though could be adapted for other audiences. |
| Synopsis | When prom queen Emily goes missing and her bra turns up in Dullon Bland’s locker, only teen PI Ithaca Shue can help him. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
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| How Idol We've Become by Christine Harvey and Anna Kidd |
| Roles | Minimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 16. Minimum total without doubling = 16. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | It's a talent show, so the contestants perform brief musical pieces (which are left entirely to the discretion of the production). Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Comedy for kids, based around a TV talent show. Single set (the show studio). |
| Synopsis | Comic take on TV talent shows in which the cruel judges get their comeuppance through an unexpected twist. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
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| Howard Does His Best by Geoff Parker |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. The 10 'soldiers' are gender non-specific. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy suitable for performance by teens and chldren. |
| Synopsis | At the school dance, Howard, egged on by Wayne and Dave, sets out to cross the dance floor to ask Chardonnay (the most beautiful girl in the school) for a dance, but on the way various bits of his body begin to let him down. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
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A Human Write by Amy Sutton
Best Seller Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
| Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus.
Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
| Price | Please click on the Price Link to find the cost. |
| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Humbug by Geoff Bamber |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 18. Chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Charles Dickens' A Christmas Carol presented as a short comedic play for kids. |
| Synopsis | When Jacob Marley dies he keeps his promise to come back and haunt his mean-spirited business partner, Ebenezer Scrooge. Scrooge has a particularly parsimonious attitude to Christmas and this reflects itself his treatment of his long-suffering employees, Bob and Molly Cratchit. In case Jacob's efforts to get Ebenezer to change his ways don't meet with success, he enlists the help of three ghostly friends. Will Christmas still be humbug or will Ebenezer see the light? |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
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I Am Hamlet by Richard James
Performance by Portree ADS won the Wakefield Quaich Award for Presentation, Scottish One Act Festival, 2011, Performance by Thurso Players won Best Play award at the SCDA One Act Play Festival, 2012, |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy thriller, single bare-stage set. |
| Synopsis | An amateur actor auditions for the lead role in a local production of Hamlet. There is some fun to be had as the director puts him through his acting paces, but slowly we learn that the actor has more in common with the Prince of Denmark than meets the eye... |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
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I Believe In Angels by Tony Domaille
Production by Octopus Youth won the Bristol One Act Festival Best Youth Play award 1994. Production by Octopus Youth was Runner up in the Five Counties One Act Festival 1994. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play, suitable for youth theatre, with a single (garden of remembrance) setting. |
| Synopsis | A group of teenagers meet to have a séance and call up the spirit of Steve, their friend who has died. Between them they confront their grief, fear, and what they can and cannot believe. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
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I Don’t Think I’ll Be Here Next Christmas by Dawn Cairns
Best Seller |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. One character (Laura) appears as an off-stage voice only. |
| Run Time | Around 41 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single setting. |
| Synopsis | Cantankerous pensioner Jean always spends Christmas with her son John and his wife Sheila. The mutual dislike between Sheila and Jean constantly bubbles under the surface and is reflected in the presents they give each other. Everything threatens to boil over after an incident involving sixpences in the Christmas pudding (and a toenail in the Bombay mix). Fortunately for Sheila, their daughter Laura comes to the rescue. The play features the same characters as You Won't Know I'm Here - though works perfectly well as a standalone piece. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
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