|
| Close Family by Iris Winston |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A powerful short drama giving us a sensitive take on the socially unacceptable subject of incest. Stage split between two domestic locations. |
| Synopsis | Janet, a young university student, is looking forward to her return to university after the summer break. She has exciting plans to move out of the halls of residence in Vancouver to live with her divorced father, Peter who has set up home there with his new partner, Janet’s pregnant Aunt Anne. Back home in Ottawa, Peter's divorced wife Carole is horrified to discover Janet's plans and does her utmost to dissuade her daughter from joining the incestuous home. Janet is insistent that her move to her father's house is in her best interests until she arrives and to her dismay the horror of her mistake is revealed. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
|
|
| Coming Home by Roger Woodcock |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The main characters are an aged father and his son. The Tea Lady is a very brief cameo. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play, set in a private room in a nursing home. (Which could be indicated with the minimum of detail.) Contains mild swearing. |
| Synopsis | Barry's Dad is in hospital, his mind slipping back and forth through time. Barry needs him to sign some forms, but he can't help but be interested in spectres from the past that he's not heard of before. Until one secret catches him by surprise and changes everything. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
|
|
| Corner Property by Iris Winston |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. All three characters are written male. The character with the pack would be the easiest to change. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play. Single set (with no requirements - could easily be played front-of-curtain. Contains swearing. |
| Synopsis | Joe and Peter, two former soldiers, beg for change on a street corner and watch the world pass them by - whilst underneath, there's a power struggle going on. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
|
|
Covered by Rachel Ihasz
New |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 9 minutes. [Estimated!] |
| Music | None. |
| Style | Short play featuring three teenage girls in a single woodland camp setting. |
| Synopsis | Three friends are sharing their monthly camping trip but Trace feels left out. When Erin leaves, she confronts her old friend Marcy but learns more than she was prepared for. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
|
|
Daily Habits Mask Pain by Mildred Inez Lewis
Finalist in the Sky Blue Theatre International play-writing competition, 2013 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play with a single (living room) set. |
| Synopsis | Greta and Harry struggle with their differing feelings about their jailed son and his heinous crime. Their daily routines help them through their pain and help re-establish their fractured relationship. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
|
|
| Dance Before Dark by Karen Ankers |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 19 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act drama with a single, simple setting. |
| Synopsis | In a future world Anna has been imprisoned in solitary confinement for insisting that because of human abuse of the planet the world will end when the last leaf falls. Against regulations Robert, her guard, engages in conversation with her and they soon realise that they have more in common than they thought. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
|
|
| The Date by Franco Ambriz |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Filomena may be dead, but she has a speaking part! |
| Run Time | Around 15 minutes. [Estimated!] First staged reading ran to 25 minutes. |
| Music | None. |
| Style | A powerful, intriguing, American one act drama with a single (apartment room) set. Some strong, but appropriate language. |
| Synopsis | A psychological drama digging into a family's past and its effect on their present. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
|
|
Dating by Jonathan Edgington
A winning entry in the Chesil Theatre's 10x10 play writing competition, 2010. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play. Single (minimal set representing a corner of a wine bar). Lots of character work built from a very short script. |
| Synopsis | Eve and her friend Hope are comparing war stories of dating, even though Hope already has her man sorted. Just as Eve seems to have given up, she literally runs into Peter, an associate of her ex-husband. But is he too good to be true? |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
|
|
| Death Threats by Ashley Harris |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 19 minutes. [Estimated!] |
| Music | None. |
| Style | A short, one act thriller. Some strong language. |
| Synopsis | Katherine and Graham have taken a cottage in the country, but a threatening letter addressed to Katherine has found them anyway. She persuades him to call the police for help, but Constable Roberts has a surprise for them. |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
|
|
| Difficult People by Anton Chekhov, adapted Gerald P. Murphy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Two parents and their student son. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen minute play, single set, simple props, adapted from a short story by Anton Chekhov. |
| Synopsis | A family disagreement over how the money should be spent - or is it? |
| Price | Please click on the Price Link to find the cost. |
| Click here to read the script or Click here for more details. |
|