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| As The Clock Struck Ten by Tony Frier |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 11. Minimum total without doubling = 12. No chorus. Opportunity for different actors to portray the different ages of each character. Script length can be cut to 52 minutes for the purpose of drama festival entry, by cutting Scene 5. |
| Run Time | Around 58 minutes. [Estimated!] |
| Music | Intermission music suggestions. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A powerful drama based on a true story. Various settings and time periods. |
| Synopsis | A dramatisation of the true story of Donnie Merrett, who at the age of 17, shot his mother after she found out he had been forging cheques in her name. On release from prison in 1945, he joined the Royal Navy Reserve in Germany before returning to a life of crime and debauchery, eventually fleeing before he can be court martialled. Returning to London to the old folks home run by his wife and mother-in-law, he demands money to continue funding his habits. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Attic Room by Elizabeth Anne Wells |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. One male character is offstage voice only. |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama on a single set, an attic in WWII-era Vienna. |
| Synopsis | Hanna, a young Jewish girl, hides from the Nazis in the house of an Austrian family. When soldiers begin to search the street, the family rush to decide what is right and wrong. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Being Rose by Richard James |
| Roles | Minimum Male roles = 1. Minimum Female roles = 6. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Requires 5 actresses of varying ages to play the title character. Every male character is intended to be played by the same actor, and every female character (aside from Rose) by the same actress. |
| Run Time | Around 39 minutes. [Estimated!] |
| Music | None. |
| Style | A powerful one act play with various settings. |
| Synopsis | Rose looks back on her life from old age but as we see her memories replayed before us, differences emerge between her stories and reality. As her confusion increases, a doctor's diagnosis explains all. In this emotional look at the devastating effects of dementia, Rose is able to recollect momentous emotional events in her life which are vividly and evocatively played out on stage. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Bill, Emmie and the Queen of Tonga by Philippa Roberts |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Characters are two adults plus one with a playing age of late teens to twenty and one with a playing age of a younger teenager. (Could be done by a mixed company of adults and younger actors or by a youth theatre company.) |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | A short play in which a small piece of real history illuminates a slice of family life. Single (simple domestic) set. |
| Synopsis | A couple have traveled from Tonga to see their own queen come to England, and to make sure that their niece and nephew watch the coronation of Queen Elizabeth the Second on TV while their parents are in London. Unfortunately they are much more interested in the Tongan queen than in Elizabeth. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Bye Bye Miss Amelia Pye by Patricia Gay |
| Roles | Minimum Male roles = 6. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 11. No chorus. Three characters are portrayed in both 1959 and 2009. |
| Run Time | Around 94 minutes. [Estimated!] |
| Music | None. |
| Style | A full length detective thriller with a single simple setting. Action slips between 2009 and 1959. |
| Synopsis | In 1959, in the remote Longmoor Manor, a young girl called Amelia Pye was found murdered. Arthur Pye, an ex-commando turned communist was the prime suspect. However, his guilt was never proven. In 2009 the long-married Charlotte and Edward Colville play host to the obnoxious Selena Harper and her mollycoddled son Hadley. Hadley, with his unhealthy fascination with murder, fancies himself as an amateur sleuth, and sets out to solve the mystery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Cottage by John Dowsett |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] The author estimates the run time at 80 minutes. |
| Music | None. |
| Style | A drama set in the 1960s. Structurally in two acts, but on the boundary between one-act and two-act length. |
| Synopsis | Alex’s cottage was once a cosy family home, but since the death of his wife, he’s started to lose his grip on the place. Now his sons see an investment opportunity, if they can persuade him to move out. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Der Vordere Platz (The Forward Place) by Henry P. Gravelle
Winner - Avalonia monologue competition, November 14, 2017. 'Captains monologue Der Vordere Platz' |
| Roles | Minimum Male roles = 11. Minimum Female roles = 2. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 21 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama set in a submarine and a bedroom. US English. Some adult content. |
| Synopsis | The crew of a WW2 German U-boat under enemy fire contemplate their bleak future. Each individual battles to find his own ‘forward place’ and one of them leaves a surprising final legacy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| The Girls Are Back in Town by Jonathan Edgington |
| Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 53 minutes. [Estimated!] |
| Music | One public domain song is suggested in the producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act drama set in both the present day and WW1. Seven different settings, though all can be portrayed with minimal furniture. |
| Synopsis | Four iconic suffragettes are mysteriously transported to modern-day London to finish what they started. 100 years earlier, as Alan learns the horrors of life on the Western Front, his girlfriend Beatrice carries out important work for the suffragettes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Keep Smiling Through by Suzan Holder |
| Roles | Minimum Male roles = 14. Minimum Female roles = 15. Minimum total with doubling = 33. Minimum total without doubling = 33. Chorus. Chorus size at Producer's discretion |
| Run Time | Around 75 minutes. [Estimated!] Variable timing possible with songs used |
| Music | Well known songs from the wartime era. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A play for schools, with songs, set in a theatre in Britain in World War 2. |
| Synopsis | A Theatre Company preparing and presenting a variety show evokes life in wartime Britain through drama, song, dance and some pathos. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Lennon and Buddy by Clive David Lloyd Williams |
| Roles | Minimum Male roles = 6. Minimum Female roles = 2. Minimum total with doubling = 9. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 41 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on two (living room/backstage) sets. |
| Synopsis | Buddy Holly and the Crickets perform at the London Palladium, and in Liverpool, John Lennon sees the performance on a friend’s TV set. He boasts that his band will surpass Buddy Holly. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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