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Hook and Peter Pan - How it all began by Giles Scott, Helen Dooley and Bob Walsh
Cape Times Awards for Amateur Theatre, "Best Musical" 2003 |
| Roles | Minimum Male roles = 12. Minimum Female roles = 8. Minimum total with doubling = 20. Minimum total without doubling = 35. Chorus. This is not a panto, but it would be possible for Peter Pan and some or all of the lost boys to be played by girls. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | Piano and vocal scores for Overture and 15 songs by Helen Dooley and Bob Walsh are supplied with the Producer's Copy of the script. |
| Style | Full-length musical which could be played by a youth company, by adults or by a mixture.
The production notes include extensive explanations of how to fly! |
| Synopsis | Everyone knows the story of Peter Pan. But how did the Boy Who Never Grew Up learn to fly? How did Hook lose his hand? How did the croc swallow the clock? This enchanting musical provides the answers! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| The Horrible Hot Air Homicide by Ray Lawrence |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. Melodrama stereotypes - the wicked squire, the poor-but-hones heroine, etc. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | One song (to a G&S tune). Sheet music for the song is supplied with the producer's copy of the script. |
| Style | Melodrama set in Victorian times, but written in the 21st century - so something of a send-up of the format. |
| Synopsis | 'The Horrible Hot Air Homicide' - or 'Fanny's Free For All' sees the wicked squire in pursuit of the poor heroine, Fanny. However, in fear that his past misdeeds will be exposed, the squire frames his rival for murder, then furnishes a fiendish fate for Fanny. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Horror-scopes by David Lovesy |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 2. No chorus. The male role is a phone-in voice. This might be better done live but it could conceivably be recorded. |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | Two minute comedy sketch with no specific requirements for set or props. (A couple of comfortable seats would help.) |
| Synopsis | Tony calls the astrology section of a chat show and gets to learn a bit more than he expected about his future... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hot Air by Mary Portalska |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | None. |
| Style | A funny and fast sketch. Easy to stage with something resembling the front of a hot air balloon basket as a set - this could be as simple as a table with a bit of cloth, or a cardboard cut-out. |
| Synopsis | When their hot air balloon takes off without a pilot, two bickering sisters find themselves adrift. And then they find the pilot, dangling on a rope below the basket. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hotel Casablanca by S. J. Edwards |
| Roles | Minimum Male roles = 4. Minimum Female roles = 9. Minimum total with doubling = 18. Minimum total without doubling = 20. No chorus. |
| Run Time | Around 29 minutes. [Estimated!] |
| Music | One song Is suggested in the Producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act comedy on 4 minimal sets, suitable for youth theatre. |
| Synopsis | The Hotel Casablanca is unfortunately short on staff, just as Lady Chalfont arrives, trying to protect her necklace from a jewel thief. But will the thief be spotted in amongst the James Bond conventioneers and detective Sam Shovel? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hound Dog by Ginny Davis |
| Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | 10 tracks suggested to be played as background music at certain points in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A comedy presented as three acts (though could be performed as one) with a single living room set. |
| Synopsis | Linda is determined to adopt a mistreated dog she encounters on holiday in Greece, much to the consternation of not only of her husband and two teenage children, but also family dog Jack, who has a lot to say. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Hound Of The Baskervilles by Richard Coleman |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 11. No chorus. The hound might be live or a special effect. (One other essential role takes no part in the action, but definitely needs to be there!) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act rhyming humorous play, freely interpreting the original story. |
| Synopsis | A 'Pantocrime' in rhyming couplets, re-telling the story by Sir Arthur Conan Doyle, with comedy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| An Hour You Won't Get Back by tlc Creative |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 41. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of comedy sketches. |
| Synopsis | Nineteen sketches, each running between 1 and 5 minutes. No particular theme other than a desire to make the audience laugh! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| How Did That Get In My Locker? by Andrew M. Frodahl |
| Roles | Minimum Male roles = 7. Minimum Female roles = 8. Minimum total with doubling = 14. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 63 minutes. [Estimated!] |
| Music | None. |
| Style | A one act school play - chiefly American in theme and content, though could be adapted for other audiences. |
| Synopsis | When prom queen Emily goes missing and her bra turns up in Dullon Bland’s locker, only teen PI Ithaca Shue can help him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| How Idol We've Become by Christine Harvey and Anna Kidd |
| Roles | Minimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 16. Minimum total without doubling = 16. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | It's a talent show, so the contestants perform brief musical pieces (which are left entirely to the discretion of the production). Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Comedy for kids, based around a TV talent show. Single set (the show studio). |
| Synopsis | Comic take on TV talent shows in which the cruel judges get their comeuppance through an unexpected twist. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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