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| Five Minutes by Mike Plumbley |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Two adults and two children (could be played by four kids.) |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Very short play. Single set, simple props. Part of the Emotions collection of shorts. |
| Synopsis | Two teenagers are out late at night in the rain, they've missed the last bus and the only phone they have can't get a signal. Both their single parents are worried but can't agree on action. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Flag by Neil Walden |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Easy-to-stage one-act drama for three actors in one simple office set. |
| Synopsis | A school in 1930s England is set to welcome an ambassador from Nazi Germany, whose child is one of the pupils. Headteacher Mrs Mayhew wants to fly the Nazi flag for the visitor's arrival, but young teacher Miss Tait raises an objection.
A good period drama with a sharp focus on an area of pre-WW2 history that's often overlooked - how a lot of British people were generally welcoming towards the Nazis, or at least apathetic about their politics, in the years before the war. It also has some relevance to the contemporary debates around flags. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Floor 13 by Young Theatre, edited by Helen Sharman |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act play, exploring character and motivation. Contains mild swearing. |
| Synopsis | Four different characters are stranded on the thirteenth floor by an uncooperative lift. There are no stairs or other exits. How did they get here? Where should they go? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Florist by Iris Winston
Winner of the Ottawa Little Theatre national playwriting competition. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act play. Single set (florist's shop). |
| Synopsis | George Bernard Shaw drops into a Flower shop run by a lady called Liza and they talk of her old friends, and the life she has led. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Football Manager by Damian Trasler |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Because the writer is English, the manager is the manager of a football (soccer!) team - but it could just as well be another team game. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | An allegorical sketch about Advent! (Minimal staging requirements) |
| Synopsis | A football manager has a novel approach to the game. A play with an Advent theme. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| For Both of Us by Peter Vincent |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The two characters are an ageing mother and her (adult) daughter. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Short play. Minimal set, minimal props. |
| Synopsis | Lisa tries to deal with her mother's increasing symptoms of Alzheimer's disease. A story of love, loss and compassion. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| For Sale - Baby Shoes - Never Worn by Damian Trasler |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 4. No chorus. The work is divided into three pieces, each for 1M, 1F. In theory the same pair of actors could play the roles in all three - one member of the couple in the first part appears in each of the succeeding parts. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | A sort of triptych for the stage. Three linked short plays, with minimal sets - essentially three stage blocks and a few props. |
| Synopsis | The story goes that Ernest Hemingway was challenged to write a novel in six words. His response was 'For sale - baby shoes, never worn.' Damian Trasler takes each part of that phrase as the starting point of a short play - three stories in the life of a young couple, not necessarily going in the direction you might expect. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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For The Greater Good by Aviva Philipp-Muller
Finalist in the Sky Blue Theatre International play-writing competition, 2013 |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play. |
| Synopsis | Charles and Jonah share their memories of a single day, a day they experienced in very different ways, though at the end they connected. A powerful piece about the Holocaust. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Forgive Our Foolish Ways by Shari Gledhill |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama in a simple setting. |
| Synopsis | Carl seeks sanctuary in a church on a dark and stormy night, to escape the merciless taunting of his controlling girlfriend Nancy. Father David sits with Carl, trying to ease his troubled mind, sharing stories of his own journey. Carl opens up, but his dark secret may be a confession too far. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Forty-Minute All's Well That Ends Well by Shakespeare, abridged Bill Tordoff |
| Roles | Minimum Male roles = 10. Minimum Female roles = 6. Minimum total with doubling = 16. Minimum total without doubling = 22. Chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'All's Well That Ends Well', with the original text cut down to 40 minutes or so.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | Following the death of the Count of Rousillon, his teenage son, Bertrand inherts his estate and departs for the French court with dreams of military glory. He leaves behind Helena, daughter of his father's physician, and desparately in love with Bertrand. Helena follows Betrand to Paris where she uses her father's medicines to cure the sick king. The king grants her a reward, and she claims marriage to Bertrand. He wants none of it, and heads off to war. How can Helena win him back? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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