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| Emma by Jane Austen dramatised by Michael Baulch |
| Roles | Minimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 11. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 150 minutes. [Estimated!] A slick production should be able to reduce this considerably! |
| Music | None. |
| Style | Full-length period drama. Three locations created by simple variations on a single physical set. |
| Synopsis | Dramatization of Jane Austen's work, capturing the essence of the period as we see Emma's intriguing matchmaking unfold and her own marital future fulfilled. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Emotions by 10 x 10 Writers |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 42. No chorus. The characters are a mixture of adults and children of various ages, intended to be played either by that mixture or by youth theatre groups. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of eleven short plays. Basic sets, a few simple props. |
| Synopsis | The collection was commissioned for a Youth Theatre workshop.
Each play is for four actors or fewer, playing a mixture of adults and children, and intended - as you might deduce from the title - to demonstrate emotions.
The plays are not designed to be performed in any particular order. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Emotions 2 by 10 x 10 Writers |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 34. No chorus. The characters are a mixture of adults and teenagers, intended to be played either by that mixture or by youth theatre groups. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of eight short plays. Basic sets, a few simple props. (Some of the scripts include swearing, as do some teenagers.) |
| Synopsis | Scripts designed for Youth Theatre groups.
Each play is for six actors or fewer, playing teenagers or a mixture of adults and teenagers, and intended - as you might deduce from the title - to demonstrate emotions.
There is no particular order to the presentation of the scripts |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The End of the Pier by Richard James |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Three generations - target ages, 20, early 40s and early 60s. (Whilst this is intended to be played 'to age', it might be within the compass of the older echelons of a youth theatre group.) |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Single set (enough to suggest the location). |
| Synopsis | An exploration of the relationships and struggles of three generations of women. Cynthia has experienced a betrayal that changes her life dramatically and her daughter Mandy is determined to stay strong and pull her family back together. Billie, Mandy's daughter, is preparing to leave for university but has a secret to reveal before she goes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| End of the Road Pub - a play about Hell by David Webb |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The characters are written as Australians, though there is no reason that they couldn't come from other places. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play with a Christian perspective on the riskier areas of the afterlife. (Single public bar setting, simple props.) |
| Synopsis | Marty and Jim stagger into a pub after a nasty car crash. They have a drink to steady their nerves but soon notice something strange about the pub. It turns out that crash was nastier than they thought and they've got their own lock-in, forever! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Epic of Gilgamesh by Adrian Jarvis |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 28. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Four thousand-year-old Sumerian epic brought to life. This play skilfully combines dance, mime and music with challenging acting and technical opportunities together with a gripping story, ideal for Secondary Schools, Drama Acadamies, and Youth Groups. |
| Synopsis | King Gilgamesh is convinced that he can find the secret of eternal life and his dramatic odyssey is brought to life as he wanders the mythological world in his quest for immortality. We travel with him as his travails become ever more arduous and he becmes embroiled in ever more dramatic conflicts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Escape From Garden Grove by Mathilde Dratwa |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Characters of different ages |
| Run Time | Around 16 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy duologue set on a bus stop bench. Set in America, but with a universal theme. Includes (appropriate) strong language. |
| Synopsis | Teenager Sophie and her grandmother Faye are about to set off on an adventurous trip. With pathos and comedy, and her sagacity, Faye helps Sophie see the world in a different light. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Even Numbers by Tony Domaille
Best Seller Winner of the Derek Jacobi Award for New Playwriting 2023. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Dr Vincent is written male, but could be played female. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | Multi-award-winning thriller with strongly written dialogue and good roles for three actors. One-act, one set (prison consulting room) with a scene in a prison cell created purely by lighting. |
| Synopsis | Mary-Ann has poisoned and killed five people and Doctor Vincent must make an assessment of her mental state for the court. In trying to establish if she is insane, or just plain evil, a shocking truth is discovered. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Everything's Coming Up Roses by Cheryl Barrett |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A romantic comedy sketch. |
| Synopsis | Hayfever sufferer Rose has been advised to relieve her work stress by sitting and smelling the roses. Her visit to the park does little to relieve her stress until she meets gardener Brad and romance blooms. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Everything's Eventual by Kieron Toner |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Episodic drama with a single coffee shop set - which can just be tables and chairs (with the counter implicitly offstage). |
| Synopsis | It's a normal sort of evening in Sally's café, although some of the clientele are a trifle unusual. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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