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| In Profile by Gill Medway |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A light-hearted short with good roles for 2F, 1M. Easy to stage (two locations in one set, but just created by furniture and lighting) and could fit easily into a programme of shorts. |
| Synopsis | Emma hopes to find the perfect partner for her brother Chris. So when she hijacks his laptop and starts chatting to Sally, what better way than to pretend to be him? This could be Emma's best effort at matchmaking since Jane Austen. But when Chris gets home, he's not amused. He thought she was only dog-sitting. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In Sanity by Eleanor Hough |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for two men. No set. The props are all coats. |
| Synopsis | There are two men, of that we can be sure. Everything else is subject to negotiation. They may be involved in a murder and trying to flee the scene, but first one of them has to figure out how to drive, and if they're friends, or lovers or brothers or even who they are. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In The White Time by Tony Frier |
| Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 25. No chorus. |
| Run Time | Around 62 minutes. [Estimated!] Structurally in one act, but could be performed as a full evening's entertainment. |
| Music | None. |
| Style | A Victorian historical drama, based on a true murder case |
| Synopsis | As a young teenager Mary Wheeler had witnessed her father being convicted and hanged for murder. The trauma resulted in her having intermittent blackouts which she termed her ‘White Time’. Mary invites her lover's mistress Phoebe around one afternoon, leading to her disappearance. Mary is trialled for murder, and only a mysterious letter may reveal the truth of the case. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In Through The Exit by Karen Fitzsimmons |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | Short sketch for a youth theatre group. No set. A few props. |
| Synopsis | A clever, circular ghost story! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In Whose Eyes? by George Kappaz |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. Justice Peter and Abaddon are written male and Gabriella female, but casting that way is not essential. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | The Producer's Copy for the script suggests a couple of pices to be played over the opening of two of the scenes. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act drama in a single, simple courtroom set. Historical images are intended to be projected during the show. The script has two endings, determined by the audience. |
| Synopsis | In a court where everything is at stake, the life and actions in the colourful career of Major Charles Derudio are challenged and defended. Are his reasons for the lives he has taken sufficient to earn forgiveness? His final destination hangs in the balance. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Inn Keeper's Chalice by Mike Sparks |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act Easter play (designed to be staged simply, possibly in a church). |
| Synopsis | The day after a party books their function room for a Passover feast, an Innkeeper and his wife struggle with the clearing up while being interrupted by various people, most of whom have a connection with a man executed that day... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| An Inn Keeper's Tale by Mike Sparks |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Modern version of a medieval mystery play. Single, minimal set, basic props. |
| Synopsis | An Innkeeper relates the strange events surrounding a local crucifixion. Various members of the Easter Story drop in to give their view of the events. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Innkeeper and the Donkey Man by Mike Sparks |
| Roles | Minimum Male roles = 5. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play from a New Testament parable, relying on minimum props and no scenery, so could be performed instead of a sermon or as a precursor to a discussion. |
| Synopsis | The story of the Good Samaritan told from the point of view of the man who owns the inn where the Samaritan brings the robbery victim. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Innkeeper's Christmas by Mike Sparks |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. An Innkeeper tells us of the frantic time he and his staff have had during the Roman Census in Judea. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Modern version of a medieval mystery play. Single, minimal set, basic props. |
| Synopsis | An Innkeeper tells us of the frantic time he and his staff have had during the Roman Census in Judea. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Jamie Freel's Halloween by Olivia Arieti |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. 'Fairies' may be played by m or f, or a combination. |
| Run Time | Around 16 minutes. [Estimated!] |
| Music | None. |
| Style | A short adaptation of an Irish folk tale, with two simple settings. |
| Synopsis | In this adaptation the wicked fairies kidnap Gracie, to imprison her in the castle. Jamie intervenes, and as a ransom Gracie is struck deaf and dumb. With a little magic and many travails, Jamie is at last able to re-unite Gracie with her parents. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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