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| Carnival by Nicholas Richards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 17 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act drama, in which the characters are really unsure of their future... |
| Synopsis | It's the day before a huge, unstoppable cataclysm. Some are singing, some are crying, some are partying. Moby and Jill are spending the evening with their friends Corinna and Daval. If the world doesn't end tomorrow, it will never be the same - so why not sing and be with your friends? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Carrie's Lions by Amelia Armande |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 11. No chorus. 'Carrie' appears in three guises - as a narrator/protagonist, as a child and as an adult. 'Michael' appears as narrator/protagonist and as an adult. There are two small non-speaking roles. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A short play with plenty of technical and acting challenges! Whilst it is not formally divided into scenes, there are five locations - indicated symbolically by props and furniture. |
| Synopsis | Through a series of conversations with her guardian angel, Carrie tries to come to terms with the death of her father. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Case of Good Intentions by Peter Stallard |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act light comedy play, set in a Welsh pub on Chrismas Eve. Simple props. Contains mild swearing. |
| Synopsis | A motley group are assembled in the bar room of the Black Pig on Christmas Eve. They discuss Turkeys, drinking and Christmas, and then a mysterious stranger enters their lives, and subsequently leaves something behind which changes everything for everyone. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Casual-ty by Jack Burgess |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Five-minute sketch spoofing surgical soap opera. (Part of the Acting Funny collection of sketches.) |
| Synopsis | An operation is in progress, and the outlook for the patient is bleak... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Casualty Chaos by Karen Doling |
| Roles | Minimum Male roles = 9. Minimum Female roles = 5. Minimum total with doubling = 14. Minimum total without doubling = 22. No chorus. |
| Run Time | Around 105 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy play which doesn't rely on traditional doctor gags for laughs, instead creating plausible but zany situations which work well in the established 'almost real' world. Single split-stage set. |
| Synopsis | It's a busy few days in the Accident and Emergency department - they're short of Doctors but long on impatient patients. People are plastered, the sole doctor is plagued by rats and can't finish his knitting, and the devastating fire just slows things down a little. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Cat and the Dog by Victor Callen |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | This is, essentially, a talking heads piece, but since the heads are those of a cat and a dog, the comedy could be enhanced by costume or make-up. (Some animal content.) |
| Synopsis | A simple conversation piece between a cat and a dog about the relative merits and disadvantages of their places in life and the household. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Catapult by David Lovesy
Best Seller |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 3. No chorus. Two on-stage characters and an offstage voice. Roger and Geoffrey are written male but gender is unimportant and names can be changed to fit the gender of the available actors. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch with no set requirements. |
| Synopsis | Two medieval peasants try out a new, quick, cheap form of transport. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Catch As Catch Can by George Freek |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act play, in a single set. A comedy, which is not what one expects from Othello. |
| Synopsis | An alternative history of Othello, playing with our preconceptions of Shakespeare's characters. A worldly wise Iago is giving advice about women to a distraught Cassio, who cannot bear to see Desdemona married to Othello. But Iago's wife seems to be openly flirting with the General, and Desdemona isn't happy... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Catching Up by Frank Gibbons |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Whilst the two characters are women, they might be played as women by men in non-glamorous drag. (British people with long memories are invited to contemplate Les Dawson in this context.) |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch, set on a shopping centre bench. |
| Synopsis | A couple of 'mature' ladies meet in a shopping centre. Gossip follows. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Cause for Division by Stewart Boston |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Full length historical drama (with plenty of both). Single (period Scotish cottage) setting. Contains a small amount of mildly offensive language. |
| Synopsis | David is a fiery son of Scotland, ready to serve Prince Charles Edward Stuart (Bonnie Prince Charlie) in the Jacobite uprising. His father John has a business to run and throws him from the house. Alexander is the elder son who stands by his father but doesn't turn his back on his rebel brother. A family at war in 1745. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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