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| The Highwayman by Martin Sims |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | One-act ghost story. Single set of just a woodland camp fire. |
| Synopsis | Two strangers meet by the road one dark and cold night in 1750. They talk of the legend of Black Tom, the ghostly highwayman said to haunt the area, and soon they are plagued by phantom noises and fears. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Zip file containing two sound effects (with two options for one of them) for 'The Highwayman' by Martin Sims
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| Click here to read the script or Click here for more details. |
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| Holding Up A Mirror by Wally Smith |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute play. No set requirements (unless three chairs count as a set - in this case, I would count them as props). Contains mild swearing. |
| Synopsis | A discussion about theatre and the nature of drama... but are you watching them, or are they watching you? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Hologram by Jonathan Edgington
Selected for and performed at DK Delight Production's DELIGHT NIGHT 2 playwriting festival in London in 2019. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 9 minutes. [Estimated!] |
| Music | The producer's copy of the script suggests one piece of incidental music. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A very short play set at a bar in a restaurant. |
| Synopsis | Pensioners William and Barbara are on a blind date. Things are a little frosty until William demonstrates a new app on his phone which gives them a glimpse of their past - or is it their future? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Home, Sweet Home by Adam Croft |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. Three on-stage characters and an off-stage voice. |
| Run Time | Around 78 minutes. [Estimated!] |
| Music | None. |
| Style | Drama in two acts in a single living-room setting. Contains (appropriately) strong language. |
| Synopsis | Richard and wife Claire act as Samaritans as they give homeless Boz a bed for the night in their garage. Their act of kindness rebounds as Boz gradually makes himself at home and Claire is left with a life changing dilemma. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Honeyrose and Hayseed by Ged Quayle |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. In the original draft, Agg was written female and Enna male, but it doesn't really matter. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A horror short, with a fun twist on expectations. (Contains considerable levels of gore.) |
| Synopsis | In a seemingly post-apocalyptic Britain, two young people talk of the terrible dangers they face - and of a forbidden trip to a city. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hope - A Monologue by Frank Flynn |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act monologue. Single outdoor set (which can be implied rather than fully built). Written in Canadian English. |
| Synopsis | Young mother Hope waits in the park for a meeting that will change her life. She tries to comfort her tiny baby, though she has no new clothes, nor food for her. A very emotive piece. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Horseplay by Graham Jones
The precursor full-length version of this play won the Drama Association of Wales playwriting competition in 1980. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Compelling one-act drama. Single set - just a committee room table and chairs. Contains adult themes. |
| Synopsis | After a post-match celebration, three rugby players are accused of raping a girl. Through the old boys' network, the matter is dropped, but the club barmaid won't let it rest. Thanks to her persistence, one of the other members starts to see things in a different light too. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hot and Sweet by Liz Dobson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Single domestic set. |
| Synopsis | Janet is trying to persuade her mother Ivy, who is suffering from the first stages of Alzheimer's, to come and live with her. Janet's concerns are increased when she hears about a con man operating in the area. Ivy refuses to consider her daughter's request, stating that her late husband Harry will protect her. Janet responds by saying to her mother, 'He can’t look after you if he's not here'... but can he? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| How Did That Get In My Locker? by Andrew M. Frodahl |
| Roles | Minimum Male roles = 7. Minimum Female roles = 8. Minimum total with doubling = 14. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 63 minutes. [Estimated!] |
| Music | None. |
| Style | A one act school play - chiefly American in theme and content, though could be adapted for other audiences. |
| Synopsis | When prom queen Emily goes missing and her bra turns up in Dullon Bland’s locker, only teen PI Ithaca Shue can help him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| How Things Turn Out by Bob Hammond |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Three principal female roles and two small roles (1M, 1F). |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | An engaging single set one-act drama with good dialogue, this digs deep into the apparent relationships between three women before a couple of well-placed reveals make us reassess them. |
| Synopsis | Judith and Sarah have been invited to a meeting with the solicitor of their sister Pauline, and don’t know why. Pauline’s neighbour and best friend Lisa is also invited. As the three wait to be called in to the conference room, tensions simmer. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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