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| Sweet Dreams by Peter Appleton |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act twisted psychological drama, verging on the melodramatic. |
| Synopsis | Plagued by nightmares after a mysterious accident, Anne has trouble telling reality from her dreams. Is her fiancé alive or dead? Is her father helping her, or holding her prisoner? Can she even trust her oldest friend? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Take-Away by Pat Edwards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Two older teens and two middle-aged characters. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play of shorter length, split set - in two flats with a lift, set between them. |
| Synopsis | Gail and Josh share a flat, but their relationship has soured - Josh is harsh and demanding, and Gail is quiet and compliant. The Barnstables live in the flat across from them, an older couple with a happy marriage. But no one seems happy with the way things are between Josh and Gail - not even Josh. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Taming of the Shrew [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 9. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Shakespeare's play efficiently cut down without damaging the flow of the story. A comedy in the renaissance sense of ordinary people, witty dialogue and a happy ending.
Contains Shakespearean insults. |
| Synopsis | Bianca has many suitors, but her father won't let her marry until he has also given away the hand of her hot-tempered and uncontrollable elder sister Katharina. While Lucentio concocts a plan to win Bianca as his wife, Petruchio decides to wed Katharina and subdue her shrewish nature. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Team Building by Liz Dobson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 5. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 33 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play with an all-female cast. |
| Synopsis | When new boss Carter insists on a team building day comprising a run through a wood, one group of employees is less than impressed. The reluctant women soon find ways to avoid joining in, but eventually find that unity can be achieved. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Tempest [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 7. Minimum Female roles = 1. Minimum total with doubling = 11. Minimum total without doubling = 13. No chorus. The character list, like all of Shakespeare's work, is male-heavy. That has not prevented excellent productions by majority female casts! |
| Run Time | Around 61 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of Shakespeare on the boundary between a one-act and a full-lengh play. All words remain Shakespeare's, with one short speech added by the abridger to facilitate a character exit. |
| Synopsis | Since being usurped as Duke of Milan by his brother, Prospero and his daughter Miranda have lived on a deserted island. With the help of the spirit Ariel, he causes a tempest that shipwrecks his passing enemies. He aims to regain his dukedom and marry Miranda to Ferdinand, son of the King of Naples. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| There's Always Time For Dancing by Helen Boyce |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | One song, to be played over the closing dialogue, is suggested in the producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act drama on a single (living room) set. |
| Synopsis | After a lovely church service, Michael and his wife relax at home. He does his best to make her laugh, encouraging her to dance with him, though she’s tired. But a persistent noise distracts her, and leads her to a sad discovery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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These Are The Days by Shari Gledhill
TOPs (The Oldland Players) won 1st place at the Bristol One Act Drama Festival 2024 for their production of 'These Are The Days'. The group also won awards for Best Actress, Best Director, Best Lighting and the Audience Award. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 24 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act dramatic duologue with no set required. |
| Synopsis | Married couple Matt and Vicki re-live their relationship from its unlikely beginnings to its poignantly tragic end. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| They Called Her Tante Anna by Elisabeth Marrion |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 53 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act historical drama suitable for educational use. Three simple settings. |
| Synopsis | From December 1938 until the outbreak of WWII, ten thousand Jewish children were evacuated from Nazi Germany to England on the Kindertransport. This is the story of some of those children. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Thick and Thin by Johnny Grim |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play - the philosophy of the relationship between sport and life. The characters are in stadium seats, so could be a very simple set. Contains very strong language. |
| Synopsis | Three football (soccer!) fans are watching the fourth rematch in a cup game and discussing the benefits of tactics, the importance of buying season tickets over paying rent, the influence of women and what to eat during the match. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Thirty Minute Merchant by Shakespeare, abridged Bill Tordoff |
| Roles | Minimum Male roles = 8. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'The Merchant of Venice', with the original text of two hours and more cut down to 30 minutes.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | Bassanio is broke and needs ready money so that he can court Portia, a beautiful Heiress. He goes to his friend Antonio - the merchant - for a loan, but all Antonio's money is tied up in his shipping ventures. On the strength of his business, Antonio borrows from Shylock, the money lender, but when Antonio's vessels are lost at sea, Shylock calls in the loan. A court case follows, heard by an unexpected stand-in judge.
An introduction to Shakespeare for primary schools. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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