|
| Without Trace by Mark Seaman |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act thriller with adult themes. |
| Synopsis | Sixteen year old Amy Mason is missing from her family home. Her parents, Claire and Brian, are discussing Amy's disappearance and their relationship with her as they wait for the police to arrive. Is it just the rebellion of a frustrated teenager that has led to Amy leaving, or is there a more sinister reason for her disappearance? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Wood by Pete Benson |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | Surreal comedy. |
| Synopsis | Woody's got lots of friends and they all like him, even though he's hard to get on with at times. Also, he's a woodlouse. Sadly, he can't swim, and the gasman has just dropped him in the fish tank.
After that, things get stranger. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Working Man by Peter Nuttall |
| Roles | Minimum Male roles = 7. Minimum Female roles = 2. Minimum total with doubling = 11. Minimum total without doubling = 21. Chorus. Eleven principals (including one child) plus chorus. |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | The Producer's Copy of the script is accompanied by piano and vocal scores for one instrumental and six songs. |
| Style | Full-length musical play inspired by the paintings of Alexander Millar, set on Tyneside in the heyday of the shipyards. |
| Synopsis | Johnson's shipyard is under new management, but the new boss is unpopular - he's stopped the beer allowance, for one thing. The men strike, but are sacked. They need to find a better way to get him to change his mind. What about going back to workwithout pay? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Backing tracks for the opening instrumental and six songs from Working Man by Peter Nuttall.
** Opening instrumental and vocal demo tracks for the six songs from Working Man by Peter Nuttall.
** Ten high resolution images of paintings from the Working Man collection by Alexander Millar for projection during performances of Working Man by Peter Nuttall
|
| Click here to read the script or Click here for more details. |
|
|
| You Should Have Told Me by Iris Winston |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Could be played by a mixed-age group or as a youth theatre piece. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A fifteen-minute drama for young audiences. (An issue-driven piece which might be used as a lead-in to classroom discusisons.) |
| Synopsis | Teri is excited at the prospect of being a bridesmaid at her aunt's wedding. Joy turns to misery when she finds out that she is adopted and learns the truth about her relationship to the bride. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|