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| Soldjer by Pete Benson |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 20. Minimum total without doubling = 30. Chorus. Mixed-age cast, with the central character played at various ages. The chorus is flexible, but the author recommends five principals plus a minimum of 15 in the chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Drama. Structurally in two acts, but in length on the boundary between one-act and full-length. No set as such, but requires some specific staging. |
| Synopsis | Mike struggles against his contradictory upbringing - a father who encouraged him to question and learn about everything but faith - and finds his whole life affected. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Spasm by Tony Best |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 10. Chorus. Flexible chorus size |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | A play in five short acts. |
| Synopsis | Based loosely on the short story by Guy de Maupassant, the play explores manservant Prosper's journey to heaven, and his discovery that his heaven may become his hell. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Storm in a Spell Book by Gill Medway |
| Roles | Minimum Male roles = 7. Minimum Female roles = 4. Minimum total with doubling = 20. Minimum total without doubling = 20. Chorus. |
| Run Time | Around 37 minutes. [Estimated!] |
| Music | No music is included, but points at which songs could be added if desired are suggested. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act comedy based on Shakespeare's The Tempest, with various settings. Suitable for performance by children. |
| Synopsis | Survivors of a shipwreck find themselves on the island inhabited by Prospero, the rightful Duke of Milan, who's used his magic to bring them here and plans to regain his title. All manner of magic and confusion ensues. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tabbed by Bob Tucker |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 12. Chorus. The script is about a group performing a British Pantomime, therefore Widow Twankey is intended to be played by a man, and Aladdin by a young woman. The chorus is optional (the chorus part could probably be doubled by a couple of the principals.) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy, set in the middle of a (disastrous) pantomime performance. |
| Synopsis | It's Panto time again for the Witherington Over Mired Brook Amateur Theatrical Society (WOMBATS), but things aren't going well... Aladdin's had a nasty accident and had to be replaced at short notice, the script is illegible, the stage crew are in revolt and the lights and curtain aren't behaving themselves either. Can Widow Twankey hold things together? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Tale of a Nail by Nicholas Richards
Performance by Central High School finished as runner-up in the Maine Principals Association drama competition 2014 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 25. Minimum total without doubling = 25. Chorus. Whilst Mr Gauche, for example, is given a gender, it isn't really key to the plot! Many of the characters, are, when all's said and done, anthropomorphic personifications of cells and micro-organisms. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One act play set in the imagination of a character fighting off an infection, where the protagonists - germs and blood cells - act-out their roles. Fantasy, but with a lot of educational value. |
| Synopsis | When Mr Gauche accidentally hammers a nail through his thumb, he only wants medical help from the Doctor, but he gets a thorough lesson in the body's defence mechanisms anyway. A musical version is available here. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Thirty-Minute Julius Caesar by Shakespeare, abridged Bill Tordoff |
| Roles | Minimum Male roles = 14. Minimum Female roles = 2. Minimum total with doubling = 16. Minimum total without doubling = 28. Chorus. The chorus is flexible - there is a crowd, and unnumbered soldiers and servants. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'Julius Caesar', with the original text of two hours and more cut down to 30 minutes.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | Fresh from military conquests, Caesar returns to Rome in triumph. His friend, Mark Antony, offers him a crown. The Roman senate takes offence at this - the senators want to maintain the republic, rather than have Rome submit to a single ruler. Thus is born a conspiracy against Caesar, leading to his murder on the Ides of March and setting up a confrontation between Caesar's supporters and the conspirators. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
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A Train Ride Away by Frank Gibbons
Performance by Aiken High won The Garcia Theater Project, North Augusta 2010. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 10. Chorus. Characters are mainly adults with one young child. Could all be played by children. The chorus is optional, but there are several scenes where crowds would create atmosphere. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Intended to have figurative sets (possibly just lighting transitions), rather than realistic depictions of the locations. Props could be real or indicated by mime. Includes mild swearing. |
| Synopsis | The story of a family of Hungarian Jews being transported to Auschwitz-Birkenau in the holocaust of 1944. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Vanity of Dorian Gray by Valerie Goodwin |
| Roles | Minimum Male roles = 3. Minimum Female roles = 8. Minimum total with doubling = 11. Minimum total without doubling = 20. Chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | The producer's copy of the script includes suggestions for 5 (public domain) songs. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Seventy-five minute adaptation of the Oscar Wilde novel, peppered with Victorian and Edwardian music hall songs and comedy. |
| Synopsis | The hedonistic young man Dorian Gray makes a wish that his portrait would age instead of himself, and the wish comes true. He takes advantage of his eternal youth to court and then dispose of a never-ending line of young women, but four decades later, his sins catch up with him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Voices On And Off by Pat Edwards |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 10. Chorus. The Inner Voices characters may be offstage, but also could appear on stage. Claudia and Percy have actions rather than words. The Chorus do not speak or sing. |
| Run Time | Around 21 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act comedy, with quick scenes, and two simple settings. |
| Synopsis | Terry and Ceri are members of the local amateur dramatic society and soon become attracted to each other. Their blossoming relationship is helped, although sometimes hindered, by their inner voices which continue throughout the action. And then there is Claudia... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Weir of Hermiston by David McVey from Robert Louis Stevenson |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. Chorus. Characters are adults, plus one boy with a playing age of around 10, as the young Archie Weir. The chorus (non-speaking townspeople, servants, etc.) is optional. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama, focusing on the relationship between Archie Weir and his tyrannical father. Adapted from an unfinished novel by Robert Louis Stevenson. Uses broad Scots (though omitting the less fathomable language from Stevenson's draft.) |
| Synopsis | Archie Weir is the son of the Lord Justice Clerk and in training to be a lawyer himself, though he is fearful of his hard father. Following advice from a family friend, Archie watches a trial held by his father and is horrified at the old man's apparent glee at hanging the poor wretch. He speaks out in public against the death penalty and is exiled to the family's country estate. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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