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| Going Digital by E. C. Chapman |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | A monologue set in an armchair surrounded by remote controls. |
| Synopsis | Patricia, in her eighties, struggles to adapt to the increasingly complex technology which threatens to leave her generation behind. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hearts and Minds by E. C. Chapman |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | Monologue, set in a Northern Irish kitchen. |
| Synopsis | Ulsterman Michael grew up in the Troubles and fears his beloved Belfast has failed to learn the lessons of the past. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Is That You, Clint? by Geoff Parker |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy monologue with a simple set. |
| Synopsis | Brenda muses about the obscene phone calls her social worker, Shardonnay - with an S - has been receiving. And then about her own calls, after a date-disaster and a no-show, and would it be Clint? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Keeping It Clean [Monologue] by Gill Medway |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy-drama - a prose monologue - with a minimal set. |
| Synopsis | Cleaner Violet tells the tale of her client Miss Gresham who clearly is not as innocent or as prim and proper as she appears but the lascivious goings on next door are not what they seem. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Kit Kat Man by James Addis |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | An efficient spy drama - like a compact Le Carré. Realistic dialogue leading to a surprising but well-planted twist.
Simple set - another chance to wheel-out the park bench. |
| Synopsis | Moscow, near the end of the Cold War. Paula Wilson seeks to coax the defector Gerald Soames back to Britain, ostensibly as a means of undermining the intelligence Soames has given to the Soviets. In reality, her motives are more sinister. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Knock by Elisabeth Marrion |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | Dramatic monologue. |
| Synopsis | Alma Zenick moved from Germany to England in the 1870s to work as a furrier. Decades later, in the first year of World War One, she awaits news of her sixth son. The other five have died in action, and she dreads receiving bad news about her last boy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Let Me Finish! by Janet S. Tiger |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Short drama. |
| Synopsis | Liz is escorting her elderly father home after a hospital appointment. A debate about what to have for lunch turns into a shocking revelation about the family history. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Library by Shari Gledhill |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama with a single (library) setting. |
| Synopsis | Mature student Miranda is trying to catch up on her law assignment but is constantly distracted by Dan, a mysterious stranger. As their relationship develops over the library table, it becomes apparent that Dan knows more than first seemed, and then he claims to bring a message from Miranda’s dead husband. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Lie Detector by Peter Yates |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Thorpe and Beaulieu are written male and female respectively. That could, at a pinch, be altered. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A neat sketch (a long skit, or a short play), with an excellent twist. Single very simple (interrogation room) set. |
| Synopsis | It's not easy finding the truth, and Miss Beaulieu (if that is her real name) isn't having an easy time of it. Mr Thorpe is running rings around her and her lie detector, making her wonder if she needs a holiday. And with lies, things are not what they seem. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Lost and Found by Mike Smith |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The characters are labeled 'boy' and 'girl' because they have to be called something. This does not imply anything about their ages. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Very short play, structured in two acts (because there are definitely two phases to the action - with and without suitcase), but actually a bare stage or front-of-curtain script. Very snappy dialogue. Contains mild bad language. |
| Synopsis | Someone has lost a suitcase, and someone has found a suitcase. The pair meet up, trying to determine if the suitcase found is the same as the suitcase lost, despite mutual suspicion. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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