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| The Boardroom by J W Hughes |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | Satirical Drama in a single set. |
| Synopsis | The latest update to the TFP system did not quite go to plan - client companies lost a lot of money and the boss is furious. A scapegoat needs to be found, quickly, and the company's five most culpable underlings will have to decide amongst themselves which one's career is to be offered in sacrifice. But when the longest serving employee indicates his intention to take the fall on behalf of everyone else, suspicions are heightened, and rightly so, for there is a life-changing leaving settlement up for grabs. Confrontations and accusations abound in this one-act play, which takes a satirical look at middle-management meetings and the fluctuating personal agendas of their attendees. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Body Confident by E. C. Chapman |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Short dramatic monologue, with no set requirements (assuming that a pilates mat counts as a prop rather than set). |
| Synopsis | Caroline, a Pilates teacher, attempts to counter ugly rumours which threaten to destroy her reputation and luxury lifestyle. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Bottle by John Chambers |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Two men and one teenager. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, two (simple) hospital sets (one with a practical cubicle door). Contains strong adult themes and extremely offensive language from the rebellious teenager. |
| Synopsis | Tom and his stepfather Clive are in the intensive care ward, waiting for news of Tom's mother, who has been viciously beaten. Clive calls Tom's real father Paul, who comes to join them. The three argue about blame, love and life, but can the two men handle the truth about who really beat Tom's mum? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Break Up by Jamesine Cundell Walker
New |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 9 minutes. [Estimated!] |
| Music | None. |
| Style | Short drama set on and around a bench. (An individual short play from the Chance Encounters collection.) |
| Synopsis | Alex and Bobby meet for a post hoc review of their relationship. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Brenda the Bunny by Gerald P. Murphy |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy sketch. |
| Synopsis | A 'blind date' situation of incompatibility. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Brief History Of The United States by Andrew Yates |
| Roles | Minimum Male roles = 8. Minimum Female roles = 7. Minimum total with doubling = 15. Minimum total without doubling = 45. Chorus. Slick changes would be required if only minimum cast available. |
| Run Time | Around 54 minutes. [Estimated!] Dependent on using all music suggested |
| Music | Song suggestions are provided with the Producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | An assembly presentation play with eight songs. |
| Synopsis | A fast moving dramatisation of the rise of the USA, from the early days of discovery and colonisation through industrialisation and two World Wars up to the present day. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| Brief Lives by Andrew Beattie |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 47 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama for young actors. Traces of black comedy and strong language. Two simple settings. |
| Synopsis | Two teenage boys are presented with a difficult situation when, arriving for his regular music lesson, one of them discovers the dead body of his elderly music teacher. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Bright - A Play About Heaven by David Webb |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play with a Christian theme delivered in a direct style. No specific set - requires only a bench. |
| Synopsis | A man suffering after his second heart attack meets a friend in a beautiful garden, where the air makes him feel better than the doctors have managed. Then he remembers that friend was badly hurt in an accident and begins to realise where he is. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Brilliance in the Room by Phil Porter |
| Roles | Minimum Male roles = 9. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 105. No chorus. An ensemble piece designed for a cast of 12 or more, each playing multiple roles. |
| Run Time | Around 102 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length sweep of Dickensian vignettes, with an ensemble of actors playing multiple characters. No specific set, but props are manipulated to convey locations. |
| Synopsis | A dreamlike convergence of Dickens’ characters and situations swirl about the stage, in a celebration of the author’s works. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Broken by Robert Scott |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. The 2 male roles are very minor. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act thriller, with a single - old dining room - setting. |
| Synopsis | Lucy receives a mysterious email inviting her to a house that turns out to have been abandoned for years. Waiting there is her former mother-in-law, who still blames Lucy for the death of her son. But there are more surprises to come... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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