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| Disloyalty by Liz Dobson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 26 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama |
| Synopsis | After twenty years of marriage Chris is unimpressed when her husband Gary buys her a present of an exercise mat. Having used every excuse possible to delay her exercise session, including housework and a coffee with her best friend Lou, she feels duty bound to give it a go and feel the burn. It is during this exercise session that Gary arrives home and drops the bombshell. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Don't Touch the King by Anna Russon |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama with a single (living room) setting. |
| Synopsis | Recovering from psychiatric difficulties, Danny finds solace in playing chess with his friend Aiden. As the game progresses, it becomes clear that Aiden is not the person Danny thought he was. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Donor by Jamesine Cundell Walker
New |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Short drama from the Three Little Words collection. Single set, furniture only (the park bench again). |
| Synopsis | The Donor: Graham is at his mother’s funeral when his ex-wife Cassie makes an appearance, with an unexpected request. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Duffy's Law by Louise Wade |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. The intention is for adults to play the adult characters and also their younger selves. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama, an exploration of childhood relationships and their adult echoes. Minimal set - various locations created with just a few stage blocks. |
| Synopsis | Tom and Duffy have been friends since childhood, with Duffy taking the role of Sherriff to Tom's Deputy. Tom used to be the Outlaw, until a girl called Poppy joined their game one day... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Dutch Courage by Elizabeth Bell |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A poignant monologue with a single (bedroom) setting. |
| Synopsis | Maggie is preparing to leave for Holland where her husband Geoff, at his own request, will enter a euthanasia clinic. Her feelings and emotions bubble under the surface and gather tension as the transport arrives. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Emma by Jane Austen dramatised by Michael Baulch |
| Roles | Minimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 11. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 150 minutes. [Estimated!] A slick production should be able to reduce this considerably! |
| Music | None. |
| Style | Full-length period drama. Three locations created by simple variations on a single physical set. |
| Synopsis | Dramatization of Jane Austen's work, capturing the essence of the period as we see Emma's intriguing matchmaking unfold and her own marital future fulfilled. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Establishing Relations by David Craig Smith |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Playing ages: two parents, two in late teens. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Single domestic set. Contains mild swearing. |
| Synopsis | John's very excited to be bringing Stella home to meet his Mum and Dad, but he's amazed by his Dad's reaction. Dad wants John to give Stella up, straight away, but naturally John wants to know why... Until he finds out. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Everything's Coming Up Roses by Cheryl Barrett |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A romantic comedy sketch. |
| Synopsis | Hayfever sufferer Rose has been advised to relieve her work stress by sitting and smelling the roses. Her visit to the park does little to relieve her stress until she meets gardener Brad and romance blooms. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Fear is a Reaction, Courage is a Decision by Liz Dobson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. The interesting, unconventional set-up of the collapsed shop allows for a different way into the theme of abusive relationships. Could make a powerful festival piece. |
| Synopsis | When the roof of a camping shop collapses, the customers and staff are trapped among the rubble, injured and in darkness. It falls to panic-stricken but uninjured Donna to care for the others, but her selfish boyfriend Jason just wants her to care for him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Feeding the Pigs by Hilary Mackelden |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | An enjoyably grim monologue. |
| Synopsis | Mara has killed her husband and needs to get rid of the body. She takes him, at dead of night, to a pig farm ten miles away to feed him to the pigs. She succeeds, but makes a potentially damning mistake. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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