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Nighthawks by James Skivington |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 44 minutes. [Estimated!] |
Music | None. |
Style | An easy-to-stage one-act comedy-drama on a single cafe set. Gentle but witty comedy with effective character development. Some adult themes. |
Synopsis | Cathy is about to close her café for the night when three customers show up - Erin, who’s young, poor, and very pregnant, Phil, a goth with an acerbic wit, and Fiona, who's having the worst day of her life. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Nightwalking by Frank Canino Won third place in the Cambridge Theatre Challenge (international play-writing competition) 2014 |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 20 minutes. [Estimated!] This is right at the lower time limit for one-act play festivals, but a brilliant festival piece. |
Music | None. |
Style | Chamber theatre piece - black-box set, with a stepladder as the sole piece of furniture. The actors communicate through interior monologues and movement. |
Synopsis | A young wife discovers that her husband is going out at night, when he thinks she is asleep. What should she do? What will she find if she follows him? What will become of their relationship if she follows him or if she does not? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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No Joy! by Barry Lambert |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 6 minutes. [Estimated!] |
Music | None. |
Style | A dramatic sketch set in a railway platform cafeteria. |
Synopsis | When Joy chances to meet Bill, her estranged husband of many months, in a railway station cafeteria, they both learn that events have moved on in the life of the other. But which of them is now faring the better? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Nor Hell A Fury by Elizabeth Poynter |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 48 minutes. [Estimated!] |
Music | None. |
Style | One-act drama, single conservatory set. |
Synopsis | Claire is infatuated with her friend and handyman Scott, but is unable to tell whether he feels the same way about her. Her obsession leads her down a dark path. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Not In My Lunch Hour by Amir Rahimzadeh |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 50 minutes. [Estimated!] |
Music | None. |
Style | A one act adult comedy. (First published in August 2013, Revised edition in March 2014.) |
Synopsis | Lewis hopes for a peaceful time to enjoy his sandwiches in the park, but his idyll is irritatingly cut short by the intrusion of the peculiar Otto followed by the mysterious Jo. This is a lunch break Lewis is not going to forget. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Nothing Extravagant by Gerald P. Murphy |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 3 minutes. [Estimated!] |
Music | None. |
Style | A short comedy sketch. |
Synopsis | A blind date where these two have figured it all out! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Nothing Old Nothing New by Anne Graham |
Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | A farce with a single-setting - set over two acts, though could be performed in one. Some strong language |
Synopsis | Valerie is dead but unable to leave her house, now occupied by her son and his wife Zoe - the cause of her fury and her enforced sit-in. Her grandson arrives to find his mother making plans for his sister’s wedding. When the bride and groom and his father arrive for the weekend along with the groom’s psychic mother, scandalous revelations lead to the wedding plans being blown apart and a ruined weekend, although chaotic events lead to Valerie’s happy release. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Notice How Young I Look by Gerald P. Murphy |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 4 minutes. [Estimated!] |
Music | None. |
Style | A short comedy sketch. |
Synopsis | A blind date turns into a commercial endorsement. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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O, What A Lovers' War! by Karen Ince |
Roles | Minimum Male roles = 7. Minimum Female roles = 7. Minimum total with doubling = 16. Minimum total without doubling = 20. No chorus. Optional numbers of non-speaking women and soldiers. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | A one act drama, evoking times of the First World War, in various settings. |
Synopsis | A story of love during the Great War, told through a series of vignettes, looking at the Home Front through the lives of two families from different social classes - for whom the conflict has parallel effects. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Oh Frabjous Day by Maeve Edwards |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 12 minutes. [Estimated!] |
Music | None. |
Style | A short drama on a simple set. |
Synopsis | Emma visits her ex Mark in a hospice to tell him she had his baby when she was eighteen and kept it a secret from him. The girl, Alice, had been adopted but has now come looking for her biological parents. Mark, whose life could possibly be saved if a bone marrow donor is found, is angry at Emma’s deceit, not getting the significance that Alice could possibly be his saviour. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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