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| Cyrano and Roxane by David Pemberton |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | Two tracks are suggested in the producer's script - one to be played in the background at the end of a scene, one to be played from an instrumental recording as a character sings the lyrics. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full length comedy drama with various settings. |
| Synopsis | A modern reworking of the romantic classic, bringing to life the story of Cyrano de Bergerac - a French soldier known for his poetic skills, bold adventures and large nose - his friend Christian and their love for Roxane. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Dawn Of A New Day by Richard Hills |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama with a single setting. |
| Synopsis | During the second world war a disparate group of people find themselves entering an amorphous place, somewhere between life and death. Meaningful relationships develop as they await their destiny and the futility of war becomes clear. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Dawn of Remembrance by Damian Woods |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A nicely written single-set short with a good handle on the tragedies of war and how they affect the mind. |
| Synopsis | Two soldiers in France, during World War 2, discuss what they have been through and what they miss about home, ruminating on how war has changed them forever. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Death of an Angel by Young Theatre, edited by Helen Sharman
Best Seller |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | An emotionally charged one-act play for a youth theatre group set in a war zone. |
| Synopsis | A group of children are on the run in a war zone when a man saves one of the girls and joins the group. Can he be trusted, or is he leading them all into a trap? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Der Vordere Platz (The Forward Place) by Henry P. Gravelle
Winner - Avalonia monologue competition, November 14, 2017. 'Captains monologue Der Vordere Platz' |
| Roles | Minimum Male roles = 11. Minimum Female roles = 2. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 21 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama set in a submarine and a bedroom. US English. Some adult content. |
| Synopsis | The crew of a WW2 German U-boat under enemy fire contemplate their bleak future. Each individual battles to find his own ‘forward place’ and one of them leaves a surprising final legacy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| The Emperor's Last Victory by Vithal Rajan |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. The characters are Ramanujan Varadachary, an old Indian story-teller - a sutradhari, as he is called in Indian drama tradition, an Indian museum curator, the Emperor Napoleon, Napoleon's Aide de camp and his wife. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A combination of Indian storytelling and chess! Simple props, but needs a means of displaying the chess moves to the audience. |
| Synopsis | Game Two in the Varadachary Chess Cycle. Napoleon, exiled on St. Helena, uses a chess game with Bertrand, his aid de camp, to review his career, philosophy and military strategy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Entrenched by Samantha Lierens |
| Roles | Minimum Male roles = 10. Minimum Female roles = 7. Minimum total with doubling = 17. Minimum total without doubling = 19. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | A song is suggested to be sung and accompanied on piano at beginning and end the performance. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full length play, divided into three acts, with many short scenes in different locations. |
| Synopsis | A re-telling of a true story about Elsie Knocker and her friend Mairi Chisholm, who were instrumental in establishing and maintaining a hospital, close to the front line at Ypres during the First World War. They were both awarded the Military Medal, were decorated by the Belgian King, and probably became the most photographed women of their time. This play follows them from their first meeting to the irrevocable breakdown of their friendship in 1919. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Far Away and Long Ago by Shari Gledhill |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | An emotional script with well-written dialogue that allows exploration of issues such as PTSD and family relationships without becoming overly sentimental. Good, thoughtful representation of deafness. |
| Synopsis | Harry, a homeless and deaf war veteran, intervenes when he sees Val being mugged at the bus stop. Harry is injured and so Val invites him home. But the arguments between Val's family cause great stress to Harry, which is worsened when Harry meets teenage Katie's new boyfriend. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Fifty-Minute Cymbeline by Shakespeare, abridged Bill Tordoff |
| Roles | Minimum Male roles = 14. Minimum Female roles = 3. Minimum total with doubling = 17. Minimum total without doubling = 29. Chorus. Thre are 29 speaking roles (with considerable doubling possible), plus a non-speaking chorus with plenty of roles on offer! |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'Cymbeline', with the original text cut down to 50 minutes or so.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | Posthumus Leonatus has married Imogen, daughter of Cymbeline, the King of Britain, without permission. That gets Posthumus banished, leaving Imogen behind. Meanwhile, the King's second wife is trying to engineer her son's route to the throne. An Italian braggart causes a rift between Posthumus and Imogen, and with Cybeline's court in disarray, the Romans mount an invasion. How then can the kingdom be saved? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Fifty-Minute Henry VI Part 3 by Shakespeare, abridged Bill Tordoff |
| Roles | Minimum Male roles = 21. Minimum Female roles = 3. Minimum total with doubling = 24. Minimum total without doubling = 41. Chorus. As with most of the history plays, the cast of characters is huge, with over 30 speaking parts, but lots of doubling is possible. (They are also mainly male, but don't let that put you off.) |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'The Third Part of King Henry VI', with the original text cut down to 50 minutes or so.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | The Wars of the Roses in full force, with the Duke of York rebelling against the weak Henry VI. York is killed, but his three sons continue the fight. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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