|
| The Gloves Are Off by Cheryl Barrett |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama with a single (kitchen) setting. |
| Synopsis | What looks like marital bliss to the outside world is a facade to a hidden world of domestic violence, one that Jack and Natalie live with every day. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| God's Minstrel by Joseph P. Ritz |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four of the characters are intended to be doubled by one actor (though they need not be). The roles of Clare's Cousin and the Soldier are optional. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | You can think of this either as a short two-act play, or a long one-act play. Single set. |
| Synopsis | Mixed in with a little tale from modern times, this is the story of how Francis of Assisi became a saint. A moving and honest telling. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Going Digital by E. C. Chapman |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | A monologue set in an armchair surrounded by remote controls. |
| Synopsis | Patricia, in her eighties, struggles to adapt to the increasingly complex technology which threatens to leave her generation behind. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Gold Cup Week by Peter Green |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | None. |
| Style | A full length play. |
| Synopsis | Suzanne and her three friends agree to provide lodgings in their houses for jockeys attending the Cheltenham race meeting. Their guests have a significant influence on the families' lives, particularly on Suzanne - who experiences a poignant life changing effect. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Gold! by Kate Stafford |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 7. No chorus. Two on-stage actors plus one female on video and 4 offstage male voices. So this is essentially a two-hander plus recordings. |
| Run Time | Around 42 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play with elements of comedy, drama and romance (plus a serious fight, and some swearing). |
| Synopsis | Julie and Dave are a couple in their 60s who have been hiding a secret for decades - the stash of gold they stole as part of the Brink's-Mat robbery 40 years previously. With their daughter relying on them to fund her expensive wedding, they may finally have to cash it in, but someone from the past is following them. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Good Advice by Olivia Arieti |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama with a single (coffee shop) setting. |
| Synopsis | Encouraged by her worldly friend Alice, ageing spinster Norma starts to think about her love life, or the lack of it, when former sweetheart Bill comes into the café. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Good Enough by Karen Ankers |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 19 minutes. [Estimated!] |
| Music | None. |
| Style | A hard-hitting one act drama |
| Synopsis | Single mother Janine struggles desperately with severe lack of confidence brought about by the derogatory voices of her parents, ex-husband and son which she relives in her head. These voices are played out on stage. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Good For Something by George Freek |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Both in their seventies |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A short, one act play, set in a center for the retired. |
| Synopsis | Lizzie and Max meet regularly for a game of checkers during which they come closer together and are able to confide in and advise each other. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Good King Richard by Ian Dixon Potter |
| Roles | Minimum Male roles = 10. Minimum Female roles = 3. Minimum total with doubling = 13. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 108 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length historical drama. (A lot of locations, but simple to stage, give or take the butt of malmsey.) |
| Synopsis | After the death of Edward IV, his brother Richard becomes Lord Protector and then King. Richard III is determined to be a good king, but his principles - out of place in the royal court - enable challengers including Henry Tudor to plot his downfall. A counterpoint to Shakespeare's Richard III (which was based on the testimony of Richard's greatest enemy), Good King Richard sets the historical record straight. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| A Good Man by Megan Ott |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama, set in 1930s New England, with various settings. |
| Synopsis | Katherine and her husband Robert are apprehensive about the forthcoming visit of Katherine's sister Margaret, who has a psychological problem which may cause difficulties for them. Tension rises inexorably - as their worst fears are met. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|