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| The Twa Sisters by Tom Guest |
| Roles | Minimum Male roles = 1. Minimum Female roles = 6. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | Lyrics for four (out-of-copyright) Northumbrian folk songs are included in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A grim but well told tale, with some nice moments of black humour. Five locations, but with minimal sets. |
| Synopsis | Jealousy and resentment leads Ailsa and Blyth to murder their sister Corinne. But Corinne’s absence doesn't get Blyth the respect she craves from their mother, nor does it win back Duncan for Ailsa.
Based on a North East folk tale, with a backdrop of folk songs from the region. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Two by Stephen O'Sullivan |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Two retirees. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act play for a cast of two. Set on a seaside bench. Gentle exploration of the characters of a retired couple. |
| Synopsis | Frank and Rosie are at the seaside, trying to enjoy the environment around their new home. Frank is upbeat, but Rosie is more cautious. They talk about their life and family, then round off their visit with an ice cream from a proper ice cream van. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Two For The Price Of One by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play with a single (kitchen-dining room) setting. |
| Synopsis | Sarah is beginning to worry that her lorry-driver husband has a fancy woman in Coventry. Their daughter thinks 'augmentation' will help her keep a boyfriend, and Sarah wonders if it'll help her too. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Uneven Surfaces by Gill Medway |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 13 minutes. [Estimated!] |
| Music | None. |
| Style | A short play for two female actors (and an off-stage male). |
| Synopsis | Visiting her widowed grandmother Grace, who lives alone by the sea, Emily discovers the meaning of true love as Grace expounds on her vast collection of sea shells. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Until Death Do Us Part by Catherine Hurd |
| Roles | Minimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 16. No chorus. |
| Run Time | Around 89 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length drama with various sets. |
| Synopsis | George and Jean have been happily married for many years and, as dementia starts its grip on George, Jean is determined that she will care for him despite their daughters' insistence that he should be placed in residential care. Jean’s determination is severely tested when an old flame, Harry Holmes, former detective and now successful novelist, comes to town for a book tour and tries to rekindle his romance with her. Matters get further complicated when an ex-con bent on revenge stalks Harry, and becomes convinced that Harry and Jean are trying to murder George. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| View from the Prom by Neville Judson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama of a three-way conversation. Easy to stage, requiring just a bench for the three women to sit on. |
| Synopsis | Three women, from three generations of a family, sit on a bench overlooking the beach in Tenby. Tegwyn has decided to send her mother Gwendolyn to an old people's home for a few days, but is uncomfortable about it. Tegwyn's daughter Celyn is not happy being away doing research and wants to come home. Gwendolyn sees four swimmers whom she believes she had last seen many years before.
[Gwendolyn has seen the swimmers before - their meeeting is told from the swimmers' perspective in The Barrier. Knowledge of this is completely irrelevant to the content of this play, but nevertheless, the two plays would work well together.] |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Villains by Shari Gledhill |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 16 minutes. [Estimated!] |
| Music | None. |
| Style | A 15-minute drama on a single office set. A good, easy to stage, two-person play with the shifts in power dynamic providing some good material for the two actors to work with. |
| Synopsis | Hardened criminal Reid is summoned to the office of prison governor Dawson. Dawson intends to blackmail Reid into assisting him with a personal problem, but Reid is not so easily coerced. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Wakefields at War by Tom Mather |
| Roles | Minimum Male roles = 10. Minimum Female roles = 4. Minimum total with doubling = 14. Minimum total without doubling = 23. No chorus. Characters are mainly adults, but include three children (who age two years from 9, 10 and 12 during the course of the play). |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | None. |
| Style | Drama in three acts with multiple settings depicting the horrors of World War One through its effect on one family. |
| Synopsis | The true story of the Wakefields, an ordinary Lancashire working class family whose three eldest sons were all killed in action fighting in the First World War. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Wedding Day by John F. Glen
Performance by Thurso Players won two trophies and came second overall in the SCDA Caithness Adult Festival of One Act Plays, Feb 2008 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Range of ages - three adult generations of one family. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Simple set (two pieces of furniture - so easy to stage as a competition piece). Contains mild swearing. |
| Synopsis | Annie, elderly matriarch of a family, looks back on a long life on the day her granddaughter gets married. She recalls the wedding of her daughter and her own wedding day, as well as some sadder memories. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Weir of Hermiston by David McVey from Robert Louis Stevenson |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. Chorus. Characters are adults, plus one boy with a playing age of around 10, as the young Archie Weir. The chorus (non-speaking townspeople, servants, etc.) is optional. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama, focusing on the relationship between Archie Weir and his tyrannical father. Adapted from an unfinished novel by Robert Louis Stevenson. Uses broad Scots (though omitting the less fathomable language from Stevenson's draft.) |
| Synopsis | Archie Weir is the son of the Lord Justice Clerk and in training to be a lawyer himself, though he is fearful of his hard father. Following advice from a family friend, Archie watches a trial held by his father and is horrified at the old man's apparent glee at hanging the poor wretch. He speaks out in public against the death penalty and is exiled to the family's country estate. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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