|
| For the Good of the Family by George Douglas Lee |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Domestic interior settings. |
| Synopsis | A family reunion becomes a fraught affair as Jack and Virginia's son can't resist bringing up the subject of the effect his profoundly disabled sister had on his childhood. The discord leads to an astonishing revelation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| For Your Tomorrow by Peter Ayre |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Whilst there are nine characters, doubling of three is invited (for example, the young Albert Parker is intended to be played by the actor who plays David, the older Albert's son.) |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Two domestic sets (in the original production this was one box set, with the location change was achieved by using an upstage curtain to conceal or reveal additional set details). Contains a little swearing. |
| Synopsis | Albert is getting old and forgetful, so he's moving in with son and daughter-in-law. His presence and decline add to the problems they're already having with their son. But the play also shows how Albert lived as a young man and husband, and tells of some of the experiences that made him who he was - in particular a little-known second world war campaign that marked a turning-point in the war with Japan. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
Frogs by Karen Ankers
Production by Port Macquarie players won Best Male Actor (John Hincks) at Port Macquarie One Act Festival, 2017. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Emotive one-act drama in a single living room set. |
| Synopsis | Gerald is suffering from dementia, and Dorothy is struggling to cope. They're expecting David, Gerald's son, to call around, but Gerald is having a bad day. Dorothy tries to keep him under control while worrying about the future and her own safety. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
|
|
| Funeral for the Cat by B. G. Craig |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Elizabeth is written female, but could be played male (and renamed Elliot). |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A good mix of emotional drama and dark but gentle comedy. Easy to stage on a single living room set.
US English. |
| Synopsis | Judy, an elderly widow, is holding a funeral for her beloved and recently departed cat. Her daughter and granddaughter are alarmed to find that, since a pet coffin was too expensive, Miss Mopsy is lying on the coffee table. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Getting It Right by Roger Lee |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 124 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedy drama, aimed at adult audiences, on a full stage set - with practical doors. |
| Synopsis | Chris and Di have been together for some time, and are getting by - on Di's salon and Chris's small removals business, but they've never hosted both sets of parents. Di thinks now is the time. In fact, there's a lot she's thinking about that Chris hasn't considered... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Getting On by Frank Gibbons |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | None. |
| Style | Short play for one actor - a good, subtle character piece. Minimal set requirements (a chair). |
| Synopsis | Sixty-something Joyce is a lonely widow, but she remains remarkably tolerant despite being neglected by her ambitious son. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Glass Spider by Cressida Peever |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 9 minutes. [Estimated!] |
| Music | None. |
| Style | A short play |
| Synopsis | After years of separation, Matthew visits his dying mother, looking for some kind of connection. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Glitz by Damian Woods |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama on a single theatre dressing room set. |
| Synopsis | When a former Hollywood star attempts a stage combeack, the young reporter sent to interview her finds the actress determined to put things right with the family she left behind in pursuit of fame and fortune. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Good Enough by Karen Ankers |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 19 minutes. [Estimated!] |
| Music | None. |
| Style | A hard-hitting one act drama |
| Synopsis | Single mother Janine struggles desperately with severe lack of confidence brought about by the derogatory voices of her parents, ex-husband and son which she relives in her head. These voices are played out on stage. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| A Good Man by Megan Ott |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama, set in 1930s New England, with various settings. |
| Synopsis | Katherine and her husband Robert are apprehensive about the forthcoming visit of Katherine's sister Margaret, who has a psychological problem which may cause difficulties for them. Tension rises inexorably - as their worst fears are met. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|