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| Happy Families by David Allan |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 111 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length comedy with elements of farce as well as family drama. |
| Synopsis | Two families are brought together by the engagement of their children. The future in-laws meet for the first time, and could not be more different - but two of them hold a secret past. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Heedless Spirits by Jenny Gilbert |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. Characters are older teenagers or young adults. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for teenagers. Single, simple set, few props. Contains mild swearing. |
| Synopsis | Six young people in a cinema, waiting for a film to start. Two were once an item and are trying to ignore each other. Two are attracted to each other, to the disdain of their friends. Two aren't sure why they're there. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Here I Sit All Alone, I Think I'll Play My Xylophone by Martin Alcock |
| Roles | Minimum Male roles = 6. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. One character is an offstage voice. |
| Run Time | Around 135 minutes. [Estimated!] |
| Music | None. |
| Style | A full length drama, with a single (theatre dressing room) setting. |
| Synopsis | Once famous comedy duo Wild and Wooley have been relegated to dead end provincial panto. They are excited to learn that their new agent has negotiated a possible television show for them when their erstwhile, crooked agent turns up - to rain on their parade with secrets from the past. They deal with his blackmail in a surprisingly shocking way, after which they are able to come to terms with the past and go forward to a brighter future. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Holding Up A Mirror by Wally Smith |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute play. No set requirements (unless three chairs count as a set - in this case, I would count them as props). Contains mild swearing. |
| Synopsis | A discussion about theatre and the nature of drama... but are you watching them, or are they watching you? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Hologram by Jonathan Edgington
Selected for and performed at DK Delight Production's DELIGHT NIGHT 2 playwriting festival in London in 2019. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 9 minutes. [Estimated!] |
| Music | The producer's copy of the script suggests one piece of incidental music. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A very short play set at a bar in a restaurant. |
| Synopsis | Pensioners William and Barbara are on a blind date. Things are a little frosty until William demonstrates a new app on his phone which gives them a glimpse of their past - or is it their future? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| How Did That Get In My Locker? by Andrew M. Frodahl |
| Roles | Minimum Male roles = 7. Minimum Female roles = 8. Minimum total with doubling = 14. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 63 minutes. [Estimated!] |
| Music | None. |
| Style | A one act school play - chiefly American in theme and content, though could be adapted for other audiences. |
| Synopsis | When prom queen Emily goes missing and her bra turns up in Dullon Bland’s locker, only teen PI Ithaca Shue can help him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Illusion/Delusion by David Pollard |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 78 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of three one-act plays, all of which are also available separately. |
| Synopsis | Three stories which question the reality of their situations. In 'Can Malone Die?', a best-selling author is confronted by his character brought to life. In 'Aspects of a Betrayal', Dolly is visited by a colleague of her late husband, who was a spy and defector. And in 'Clause Fourteen', aging actor Clifford finds himself playing opposite his ex-wife in a production which, against all probability, is a smash hit. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In Profile by Gill Medway |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A light-hearted short with good roles for 2F, 1M. Easy to stage (two locations in one set, but just created by furniture and lighting) and could fit easily into a programme of shorts. |
| Synopsis | Emma hopes to find the perfect partner for her brother Chris. So when she hijacks his laptop and starts chatting to Sally, what better way than to pretend to be him? This could be Emma's best effort at matchmaking since Jane Austen. But when Chris gets home, he's not amused. He thought she was only dog-sitting. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In the Mood by Frank Gibbons |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (café) setting. |
| Synopsis | Jeanie's little café is struggling to survive and a pending family problem could easily prove to be the last straw. Also, her apparent reluctance to tackle issues such as poor hygiene, inferior cooking, power supply malfunctions and a mischievous deaf cat isn't helping the situation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In The White Time by Tony Frier |
| Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 25. No chorus. |
| Run Time | Around 62 minutes. [Estimated!] Structurally in one act, but could be performed as a full evening's entertainment. |
| Music | None. |
| Style | A Victorian historical drama, based on a true murder case |
| Synopsis | As a young teenager Mary Wheeler had witnessed her father being convicted and hanged for murder. The trauma resulted in her having intermittent blackouts which she termed her ‘White Time’. Mary invites her lover's mistress Phoebe around one afternoon, leading to her disappearance. Mary is trialled for murder, and only a mysterious letter may reveal the truth of the case. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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