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| For Your Tomorrow by Peter Ayre |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Whilst there are nine characters, doubling of three is invited (for example, the young Albert Parker is intended to be played by the actor who plays David, the older Albert's son.) |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Two domestic sets (in the original production this was one box set, with the location change was achieved by using an upstage curtain to conceal or reveal additional set details). Contains a little swearing. |
| Synopsis | Albert is getting old and forgetful, so he's moving in with son and daughter-in-law. His presence and decline add to the problems they're already having with their son. But the play also shows how Albert lived as a young man and husband, and tells of some of the experiences that made him who he was - in particular a little-known second world war campaign that marked a turning-point in the war with Japan. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Just Like Us by Bill Tordoff |
| Roles | Minimum Male roles = 13. Minimum Female roles = 13. Minimum total with doubling = 27. Minimum total without doubling = 29. No chorus. The characters are children plus two teachers (who could be offstage voices) and a voice on the radio |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | Large cast play about children in World War 2 (covering areas of the English National Curriculum Key Stage 2 topic on WW2). Simple sets, simple props. Includes robust language which some may find inappropriate. |
| Synopsis | Conflict between a group of London evacuees and the children whose school they join. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Keep Smiling Through by Suzan Holder |
| Roles | Minimum Male roles = 14. Minimum Female roles = 15. Minimum total with doubling = 33. Minimum total without doubling = 33. Chorus. Chorus size at Producer's discretion |
| Run Time | Around 75 minutes. [Estimated!] Variable timing possible with songs used |
| Music | Well known songs from the wartime era. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A play for schools, with songs, set in a theatre in Britain in World War 2. |
| Synopsis | A Theatre Company preparing and presenting a variety show evokes life in wartime Britain through drama, song, dance and some pathos. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Remember Scarborough by James Baynes |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. One M and one F are non-speaking. Second F is small speaking role. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | One piece of music is suggested, integral to the play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | An affecting one act play, largely spoken by a sole actor, with three cameo roles. |
| Synopsis | In a one-sided conversation with his long dead friend, an old man recalls the war years - the excitement, adventure and loss of being an RAF bombardier. The other parts included - two dancers appear briefly, and at the end, the old man's daughter joins him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Room for Another by Gill Medway |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | A well-written 65-minute ensemble drama on a single set, with stories developing naturally for all the characters. Suited to groups with a range of playing ages, with good roles for all. |
| Synopsis | It's November 1940 and Hitler's bombs are raining down on London. Elsie and her daughter Carrie have their favourite night-time spot on a platform in the Underground - and on two successive nights they welcome a motley group of strangers to join them. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Secret Agent Scout by David Pemberton |
| Roles | Minimum Male roles = 7. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Educational and entertaining play for kids, set in WW2. Very much in the style of the era - a sort of 'boys own' yarn. Contains two mild swearwords. |
| Synopsis | Like many boys during World War Two, Peter Smith is eager to do his part, and he loves the radio adventures of 'Secret Agent Scout' who helps keep Britain safe from invasion. Little does Peter know that the radio show is based on his own adventures and attitude - and he gets to meet someone very important. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Shelter Secrets by Deborah Heath |
| Roles | Minimum Male roles = 7. Minimum Female roles = 6. Minimum total with doubling = 13. Minimum total without doubling = 17. No chorus. Doubling possible for two characters, plus two offstage voices. |
| Run Time | Around 102 minutes. [Estimated!] |
| Music | None. |
| Style | A full length play, suitable for secondary age or youth theatre, with split staging to enable multiple rapid scene changes. |
| Synopsis | Taking shelter from an air raid in their school's boiler room, four children swap secrets in the form of stories. They're surprised to find their tales all meet up and form a larger narrative, one that's completed by their teacher. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sin by C Henchley |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The play is written for two characters, but there is an option of adding a crowd of silent extras. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Unusual, short holocaust drama in a single minimal set. |
| Synopsis | Two men on their way to Belsen debate the morality of lying to a couple wanting to marry. Is the joy they can impart before the horror of the camps worth the cost to the liar’s immortal soul? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Sixpenny War by Allan Williams |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama set during World War Two in the staff restroom of a Woolworths store in London. |
| Synopsis | The horror of war (and the specific horros of the Second World War), seen through the eyes of a group of girls working at Woolworths each one of whom is personally affected, is dramatically evoked using contemporary political speeches as a background for the girls' experiences. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Smell of Almonds by Nigel Holloway |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. One (gender non-specific) character is an offstage voice only. |
| Run Time | Around 41 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama with no set necessary, using cyclorama effects. |
| Synopsis | A play charting the dark and unexpected secrets which hide behind the disjointed memories and imaginings of an old man and his cat. Set during the Second World War, the play tells the story of Yitzhak, a migrant Jewish worker in the bulb fields near Amsterdam, his cat, Pushka, his son, Ibrahim, and his wife, Esther. Despite the apparently placid exterior of a man in the Autumn of his life, Yitzhak’s past has been dominated by violent and tragic events, both internal and external. What is the true nature of justice, and the price of survival? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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