|
| Love in the Time of Zombies by Damian Trasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | One of the few one-act stage treatments of the zombie apocalypse. Single living room set. Contains mild (especially for a world over-run by the living dead) swearing. |
| Synopsis | Sometime in the near future. As flesh eating zombies terrorise the world, Brian and Susan attempt to maintain a normal life... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Love Me Tender by Roger Woodcock |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | Four Elvis Presley songs are suggested, to be sung by character within the play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act drama with a mix of comedy and pathos. A single kitchen setting. |
| Synopsis | In an economic downturn, a fish and chip shop owner and his wife can't decide whether to stay open or move to Spain, while their part-time potato peeler Billy happily sings Elvis songs and dreams of what's under Olga Pike's duffle coat. A tragedy will turn all their lives upside down. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
Lunch Break by Frances A. Lewis
Performance by The British Players gained an 'Oustanding Production' award at the Eastern States Theatre Association Original Works Festival, 2010 |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Short play with a simple set. |
| Synopsis | Two very different people meet on a park bench - a man of the road and a music lover. Can they find enough common ground for the music lover to explain his fascination with 'The Phantom of the Opera'? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
Macbeth [75-Minute Abridgement] by Shakespeare, abridged Jack Shaw
New |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 29. No chorus. Twenty-nine roles, but playable by a cast of ten. (The producer's copy of the script includes a table of roles per scene to help figure out the doubling options.) |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | A 75-minute abridgement of Shakespeare's Scottish play.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
| Synopsis | Witchcraft, prophecies, hallucination, regicide, porterage, portents, usurpation, amicide, phantom at the feast, apparitions, equivocations, blood-boltered spectre, family massacre, somnambulation, suicide, tyrannicide, decapitation.
All good clean fun. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Macbeth [a 60-minute abridgement] by Shakespeare abridged by Dwayne Lawler |
| Roles | Minimum Male roles = 8. Minimum Female roles = 2. Minimum total with doubling = 10. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'Macbeth', with the original text of around three hours cut down to 60 minutes.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | Witches, prophesies, murders, battles and ghosts. Shakespeare's Macbeth compressed to the compass of a small cast. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Magdalen Whitewash by Valerie Goodwin |
| Roles | Minimum Male roles = 2. Minimum Female roles = 11. Minimum total with doubling = 13. Minimum total without doubling = 21. Chorus. Optional female chorus. |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Multiple locations, but simple set requirements, with main scenes played on the full stage and smaller scenes downstage with a few pieces of furniture. |
| Synopsis | In 1946, teenage Nancy tracks down her birth mother Mary to one of the many 'Magdalen laundries' set up in Ireland to house women shunned by society for unmarried pregnancies. But why doesn't Mary want to leave with Nancy? Sixteen years earlier, during Mary's first days at the laundry, she and the other women deal with isolation, pregnancies, and mistreatment from the nuns and priests. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Magic Apple Tree by Brian Coyle |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on a compound (living room/city street) set. Adult themes, strong language. |
| Synopsis | Nadia’s brother has gone missing in London and can hardly speak a word of English. He appears to be a lost soul, but who are the real lost souls in the city? A magical tale about how when you leave your home and move to a foreign country, you don’t leave what’s happened to you behind. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| A Magic Paint Brush by Gerald P. Murphy |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 13. No chorus. Whilst Chen is written as a girl, the character could easily be switched to a boy (likewise Old Sing and the Magician are written male but could be female). Cast includes a cow and a small flock of (talking) chickens. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for children, based on a Chinese folk tale. Simple set (the set calls for a hut upstage, but that could merely be implied by an upstage exit), simple props. |
| Synopsis | In feudal China, Chen and her mother are oppressed by their landlord and his greedy, vindictive family. Then a magician arrives and gives Chen a magic paint brush, painting with it makes dreams come true... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Make Up by Terry Adlam |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 3. No chorus. One offstage voice, could be pre-recorded. |
| Run Time | Around 21 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play, with a simple set. |
| Synopsis | Partners in comedy for many years, Bob and Roy have reached a crisis point. Bob has had enough of the club circuit, but Roy isn't ready to give up. Will the two be able to compromise, or is it the end of the road? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Mam by Allan Williams |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. Three on-stage characters, and an off-stage - disembodied - voice. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act play with a single set and strong characters. Contains mild swearing. |
| Synopsis | Two brothers have taken different paths in life. Richard, the younger, went off to University and made it big in London, married and divorced. Peter stood in for his late father, raising Richard and going out to work to bring in some money. Now they say things long kept secret. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|