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| Doctor Hoof by Diana Kimpton |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 6. Minimum total without doubling = 8. Chorus. All characters are animals behaving as humans (with options for any mix of gender). Flexible singing chorus (from none to lots). |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | Choruses set to traditional tunes are included in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Short play for children. (It might be described as a light comedy or a light morality play.) Minimal set requirements. |
| Synopsis | Doctor Hoof only treats other horses. When he moves to a new town, he finds he's the only horse around, so there's no one for him to treat. Helped by the other animals, he gradually learns they are not as different from him as he thought. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Dog in the Manger by Raymond Blakesley |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 12. Minimum total without doubling = 19. Chorus. Characters include a dog, a camel, a donkey, three stars and a flock of sheep! |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | Lyrics to simple songs (to well-known children's tunes) are included in the script. Additional (optional) carols are suggested. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Simple Nativity play for young children, told from the point of view of the animals! (No set or prop requirements.) |
| Synopsis | A dog, a camel a donkey and a star are all complaining about their lot in life, but they have important roles to play in Bethlehem. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Doggy Noire by Jamie Hope |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. All the characters are animals. (All literally, some figuratively.) The characters are nominally 4M, 1F, but in the context, there's a lot of flexibility. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play in a single setting. Contains adult themes and language (although in the context of dogs, 'bitch' is not necessarily a term of abuse).
Noire as in 'bête noire' rather than 'film noir'. (No hard-boiled detectives.) |
| Synopsis | Bonzo the enforcer has brought Paulette the Poodle to the bridge, as arranged, but who is being set up for a fall? When Big Fido arrives, it turns out there may not be any winners, since the rats that come with him have grudges of their own. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Doing Shakespeare by Louise Wade |
| Roles | Minimum Male roles = 3. Minimum Female roles = 6. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama for a small high-school theatre group. There are two sets, but they are a drama studio and stage, so there is very little change required from one to the other - essentially only furniture. |
| Synopsis | Caroline is anticipating being busy enough with the latest school production, but now the Head wants her to include the school problem child, Dean Squires. Will he cope with Shakespeare? Will he disrupt the whole thing? Or perhaps, surprise everyone? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Don't Bury The Banjo by John Peel |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Five speaking roles and two non-speaking pallbearers. |
| Run Time | Around 130 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama - with comedy and pathos - with a single kitchen/store room setting. |
| Synopsis | Ruth Thwaites is preparing for her husband's funeral, and is delighted her son Jake has come home for it. But Jake's life in the big city isn't all he's made it out to be, and his 'friend' Roiseen has tracked him down to break some big news. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Don't Look Back by Liz Dobson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | A drama of one-act play length (though structurally it's in three acts). Single domestic set. |
| Synopsis | A young couple, John and Suzan, stranded in a remote village cut off from the outside world by blizzards are given warm hospitality in her charming little cottage by seemingly kind old lady, Mrs Latham. It is gradually revealed that, in the past, her cottage was the scene of an unsolved murder in which she may have been involved and that intriguingly Suzan bears an uncanny resemblance to the victim. This gives the play the germ of a Gothic feel and sets the scene for an exciting, at times gripping and ultimately heart-warming tale. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Don't Mention the Dream by Damian Trasler |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Single set, modern realism, character, explores approaches to staging Shakespeare. Contains mild swearing. |
| Synopsis | It's the annual meeting of the Drama Society, but they're a bit thin on the ground this year. Will Russell get his way and produce a period 'A Midsummer Night's Dream' or will Lucy put a spanner in the works? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
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| Don't Touch the King by Anna Russon |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama with a single (living room) setting. |
| Synopsis | Recovering from psychiatric difficulties, Danny finds solace in playing chess with his friend Aiden. As the game progresses, it becomes clear that Aiden is not the person Danny thought he was. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Don't You Get It? by Herb Hasler |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. Whilst the central character is written (addressed as) male, it is the author's intention that all the characters could be played by either gender. The characters are two adults, two children, though all could be played by secondary school students. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | A complex short (in that it has three locations - though each could be created by minimal indications) with lots of scope for interpretation. |
| Synopsis | A schoolchild encounters a few examples of communication failure during a typical day. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Donegal Calling by John Peel |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 11. No chorus. Six on-stage characters, five off-stage voices. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama in a single set (which needs only furniture). |
| Synopsis | Roisin and Johnny, strangers, are thrown together one evening in the busy foyer of a hotel. They share a bottle of wine and conversation brings out major events in their lives. Both had fallen in love - both relationships ended tragically, for very different reasons - but Donegal keeps calling them back. One year later in the same hotel, the same busy foyer, they meet again as friends. More information about past events comes to light - enough to clear the way to give them a future together? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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