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| The Magdalen Whitewash by Valerie Goodwin |
| Roles | Minimum Male roles = 2. Minimum Female roles = 11. Minimum total with doubling = 13. Minimum total without doubling = 21. Chorus. Optional female chorus. |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Multiple locations, but simple set requirements, with main scenes played on the full stage and smaller scenes downstage with a few pieces of furniture. |
| Synopsis | In 1946, teenage Nancy tracks down her birth mother Mary to one of the many 'Magdalen laundries' set up in Ireland to house women shunned by society for unmarried pregnancies. But why doesn't Mary want to leave with Nancy? Sixteen years earlier, during Mary's first days at the laundry, she and the other women deal with isolation, pregnancies, and mistreatment from the nuns and priests. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Mark Twain and Livy by Joseph P. Ritz |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Poignant full-length biographical play. Contains mild swearing (from an era when it was probably called 'cussing'). |
| Synopsis | An elderly Mark Twain escorts us through the early days of his marriage to Livy Langdon, from their first night in their new house, through to the day they left it with their first child. An emotional and insightful play about two strong-willed characters. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
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| Mary Anning: Lost in Time by Peter John Cooper |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | Historical drama. Structurally in two acts, but on the boundary between one-act and two-act length.
Dorset rocks. |
| Synopsis | Nineteenth-century palaeontologist Mary Anning is dying of breast cancer. Under the care of a local woman, she takes laudanum for pain relief, which induces hallucinations that cause her to reflect on her past and her struggle to make a name for herself in a man’s world. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Master Shakeshafte by Peter Parkinson |
| Roles | Minimum Male roles = 8. Minimum Female roles = 5. Minimum total with doubling = 13. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | A full length play, with a variety of settings, generally indicated by furniture and atmosphere. |
| Synopsis | There is much speculation over the 'missing years' of Shakespeare's life, and this play offers a glimpse into what may have happened if the bard of Avon really did spend time as a tutor in Hoghton Hall, before becoming a playwright in earnest. There are numerous nods to familiar plays and characters, and also lines or titles which may delight an alert audience. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Matt Freeman's San Antonio by Sandy Radford |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Drama, running somewhere on the boundary between a one-act and a full-length play, though structured in four acts. Multiple sets, but described very feasibly. Contains mild swearing. |
| Synopsis | Matt is a playwright, but he's not happy with his level of success, either in his professional or his personal life. He decides to throw everything into a new play and a trip to San Antonio to try and recapture a lost love.
A play that plays with theatre to lead the audience on a journey through what is, what chould be, and what might have been. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A May Dream by Sally Kinnell |
| Roles | Minimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 14. Minimum total without doubling = 32. No chorus. In addition to the 32 human roles (playable by a cast of 14) there is Crumble the Dog who can double as Starveling's Dog. There are two brief (silent) appreances of children ('School Boy' and 'Child' who could probably be doubled). |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Multiple locations but simple settings. Contains mild (Shakespearean) swearing. |
| Synopsis | A collection of Shakespeare's Rustics pursue their own plotlines outside their plays, converging on Hecate's shop and Doll Tearsheet's bar. Philosophy, love, conspiracy and the unmasking of a villain, in genuine Shakespearian language.
A May Dream was specially written in response to the Royal Shakespeare Company's Open Stages Project in 2012. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Merchant of Venice [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 9. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 16. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Every word is Shakespeare's, but the cast list has been reduced, with four minor characters and all servants/court officials removed.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | Bassanio needs money so that he can court the noble lady Portia. He goes to his friend Antonio, who helps negotiate a loan from the moneylender Shylock. If the money is not repaid, Shylock will demand a pound of Antonio's flesh. This leads to a court case with an unexpected judge.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Mo by Tyler Mathews |
| Roles | Minimum Male roles = 8. Minimum Female roles = 8. Minimum total with doubling = 19. Minimum total without doubling = 27. No chorus. The characters are a mixture of teenagers and adults. Could be played to age or by a youth theatre company. |
| Run Time | Around 125 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Multiple settings, but locations indicated by minimal furniture rather than realistic sets. |
| Synopsis | Mo is the boy who thinks - knows - he can fly. With an exceptional IQ but a difficulty fitting in, he battles prejudice, a dysfunctional foster family, school bullies and himself. With imaginative staging and a vividly powerful, atmospheric plot the play describes Mo's tortuous journey of self-discovery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Mr Micawber Down Under by David Barry |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Five narrating voices also have numerous character roles. |
| Run Time | Around 135 minutes. [Estimated!] |
| Music | Five musical pieces are suggested in the Producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full length play with various (simple) settings. |
| Synopsis | In this Dickens spin-off, the Micawber family find themselves in Australia, where Mr Micawber's incorrigible optimism continues - he is sure that something will turn up. In many twists and turns the story, assisted by innovative narration here and there, unfolds - as the family, pursued by creditors finally sails into the sunset, convinced that something will turn up in New Zealand. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Mrs Adapta Iago's Knitting Circle by Peter John Cooper |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 98 minutes. [Estimated!] |
| Music | None. |
| Style | A full length drama with a single (living room) setting. Containing strong adult language. |
| Synopsis | The knitting circle has been meeting in the front room of Mrs Adapta Iago's bungalow every Tuesday and Thursday evening for the past forty years. But everything is not as it seems - there's conspiracy in the air. What is the project they've been working on all that time? Why are the knitting circle members all intellectual women graduates from one of Oxford's top colleges? What is the secret they want to keep from Michael, the bus driver? What actually did happen to Magda? What is the solution to the four colour problem? And what happened to Connie's rash? This darkly comic tale is as full of twists and turns as a ball of wool. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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