Lazy Bee Scripts
Full-Length Play Script - Search Results


All the scripts described below can be read in full on the Lazy Bee Scripts web site (click on the titles).
However, all the scripts on this site are copyrighted. They may not be printed, quoted or performed without the permission of Lazy Bee Scripts.
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Scripts 101 to 110 of 167
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Lions Versus Elephants by Graham Dillistone
RolesMinimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. 4 onstage characters (2M, 2F), plus 5 (2M, 3F) who are voice only and may be pre-recorded.
Run TimeAround 95 minutes. [Estimated!]
MusicNone.
StyleA full-length comedy, presented as three acts, on a single (living room) set.
SynopsisBernard follows the book 'Man is a lion, woman is an elephant', but his dinner guests Gerald, Ann and Peggy will test his beliefs. Gerald and Ann’s marriage falls apart, Peggy preys on both men, and Bernard misses the simple life.
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Little Women [Full Length Play] by Louisa May Alcott ad. Richard Hills
RolesMinimum Male roles = 4. Minimum Female roles = 7. Minimum total with doubling = 11. Minimum total without doubling = 14. No chorus. 11 onstage characters and 3 offstage voices
Run TimeAround 156 minutes. [Estimated!]
MusicNone.
StyleFull-length drama, adapted from the novel of Louisa May Alcott, set in the 1860s, in a single composite set.
SynopsisA faithful adaptation of Louisa May Alcott's classic novel, following a mother and her daughters during the American Civil War. With their father away in the war, the four sisters must support the household at the same time as they each deal with the transition to adulthood.
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The Loft by James Brosnahan
RolesMinimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 17. No chorus.
Run TimeAround 90 minutes. [Estimated!]
MusicNone.
StyleFull-length play, with plenty of challenges for the actors! (Contains mild swearing.)
SynopsisAn apartment building (the Loft of the title) is scheduled for demolition, and shares a few of the stories he has witnessed before the button is pressed.
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Lord Byron: Mad, Bad, And Dangerous To Know by Jim and Bronwyn Jameson
RolesMinimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus.
Run TimeAround 91 minutes. [Estimated!]
MusicNone.
StyleA full length historical drama with multiple sets adult themes.
SynopsisSet in the early 19th century, this is the gripping story of Lord Byron’s turbulent life and loves, told largely from the female perspective, and including Byron - in vivid language.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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The Magdalen Whitewash by Valerie Goodwin
RolesMinimum Male roles = 2. Minimum Female roles = 11. Minimum total with doubling = 13. Minimum total without doubling = 21. Chorus. Optional female chorus.
Run TimeAround 84 minutes. [Estimated!]
MusicNone.
StyleFull-length drama. Multiple locations, but simple set requirements, with main scenes played on the full stage and smaller scenes downstage with a few pieces of furniture.
SynopsisIn 1946, teenage Nancy tracks down her birth mother Mary to one of the many 'Magdalen laundries' set up in Ireland to house women shunned by society for unmarried pregnancies. But why doesn't Mary want to leave with Nancy? Sixteen years earlier, during Mary's first days at the laundry, she and the other women deal with isolation, pregnancies, and mistreatment from the nuns and priests.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Mark Twain and Livy by Joseph P. Ritz
RolesMinimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus.
Run TimeAround 110 minutes. [Estimated!]
MusicNone.
StylePoignant full-length biographical play. Contains mild swearing (from an era when it was probably called 'cussing').
SynopsisAn elderly Mark Twain escorts us through the early days of his marriage to Livy Langdon, from their first night in their new house, through to the day they left it with their first child. An emotional and insightful play about two strong-willed characters.
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Mary Anning: Lost in Time by Peter John Cooper
RolesMinimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus.
Run TimeAround 66 minutes. [Estimated!]
MusicNone.
StyleHistorical drama. Structurally in two acts, but on the boundary between one-act and two-act length.
Dorset rocks.
SynopsisNineteenth-century palaeontologist Mary Anning is dying of breast cancer. Under the care of a local woman, she takes laudanum for pain relief, which induces hallucinations that cause her to reflect on her past and her struggle to make a name for herself in a man’s world.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Master Shakeshafte by Peter Parkinson
RolesMinimum Male roles = 8. Minimum Female roles = 5. Minimum total with doubling = 13. Minimum total without doubling = 18. No chorus.
Run TimeAround 84 minutes. [Estimated!]
MusicNone.
StyleA full length play, with a variety of settings, generally indicated by furniture and atmosphere.
SynopsisThere is much speculation over the 'missing years' of Shakespeare's life, and this play offers a glimpse into what may have happened if the bard of Avon really did spend time as a tutor in Hoghton Hall, before becoming a playwright in earnest. There are numerous nods to familiar plays and characters, and also lines or titles which may delight an alert audience.
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Matt Freeman's San Antonio by Sandy Radford
RolesMinimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 18. No chorus.
Run TimeAround 60 minutes. [Estimated!]
MusicNone.
StyleDrama, running somewhere on the boundary between a one-act and a full-length play, though structured in four acts. Multiple sets, but described very feasibly. Contains mild swearing.
SynopsisMatt is a playwright, but he's not happy with his level of success, either in his professional or his personal life. He decides to throw everything into a new play and a trip to San Antonio to try and recapture a lost love.
A play that plays with theatre to lead the audience on a journey through what is, what chould be, and what might have been.
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A May Dream by Sally Kinnell
RolesMinimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 14. Minimum total without doubling = 32. No chorus. In addition to the 32 human roles (playable by a cast of 14) there is Crumble the Dog who can double as Starveling's Dog. There are two brief (silent) appreances of children ('School Boy' and 'Child' who could probably be doubled).
Run TimeAround 110 minutes. [Estimated!]
MusicNone.
StyleFull-length drama. Multiple locations but simple settings. Contains mild (Shakespearean) swearing.
SynopsisA collection of Shakespeare's Rustics pursue their own plotlines outside their plays, converging on Hecate's shop and Doll Tearsheet's bar. Philosophy, love, conspiracy and the unmasking of a villain, in genuine Shakespearian language.
A May Dream was specially written in response to the Royal Shakespeare Company's Open Stages Project in 2012.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Scripts 101 to 110 of 167
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17  7 8 9 10 11 12 13 14 15 16 
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