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He's Dead by Peter John Cooper |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 85 minutes. [Estimated!] |
Music | None. |
Style | A full length murder thriller. |
Synopsis | Rose's horrific nightmares become reality when her friend Maria is fatally stabbed. As the plot twists and turns ulterior motives are gradually revealed. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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His Shoes Were Far Too Tight by John Chambers |
Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The ages of the two characters vary considerably (and not sequentially!) during the play! |
Run Time | Around 85 minutes. [Estimated!] |
Music | None. |
Style | Full-length play for two actors. A study of character and relationships. Contains some swearing. |
Synopsis | The English eccentric (artist, musician and writer of nonsense verse) Edward Lear takes a sentimental journey back through his relationship with his loyal Albanian servant Giorgis Kokalis. They recall their first meeting, their travels, arguments and understandings. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Home, Sweet Home by Adam Croft |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. Three on-stage characters and an off-stage voice. |
Run Time | Around 78 minutes. [Estimated!] |
Music | None. |
Style | Drama in two acts in a single living-room setting. Contains (appropriately) strong language. |
Synopsis | Richard and wife Claire act as Samaritans as they give homeless Boz a bed for the night in their garage. Their act of kindness rebounds as Boz gradually makes himself at home and Claire is left with a life changing dilemma. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Illusion/Delusion by David Pollard |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
Run Time | Around 78 minutes. [Estimated!] |
Music | None. |
Style | A collection of three one-act plays, all of which are also available separately. |
Synopsis | Three stories which question the reality of their situations. In 'Can Malone Die?', a best-selling author is confronted by his character brought to life. In 'Aspects of a Betrayal', Dolly is visited by a colleague of her late husband, who was a spy and defector. And in 'Clause Fourteen', aging actor Clifford finds himself playing opposite his ex-wife in a production which, against all probability, is a smash hit. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Inspector Whalley's Casebook by Barry Lambert |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 80 minutes. [Estimated!] |
Music | None. |
Style | A play in three episodes. (Think of this as three acts!) |
Synopsis | Three cases involving Inspector Whalley and the hapless PC Hitchcock. They try to catch the Battersea Batterer, the Wandsworth Weirdo, and solve the mystery of Hitchcock's breakdown. All with the help of a profiler and Doctor Boffin. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Invisible Man by Rob Johnston |
Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 8. No chorus. 8 characters, designed to be split between 3 actors. |
Run Time | Around 84 minutes. [Estimated!] |
Music | None. |
Style | A full-length gothic thriller, based on the novel by H. G. Wells, on a split stage. |
Synopsis | When a new guest arrives at the Coach and Horses in swathed in bandages, he is assumed to be a shy accident victim. But Griffin is in fact a scientist who has turned himself invisible, and not yet found the antidote. His condition, and the refusal of others to help, is destined to drive Griffin to violent madness. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Kalifa's Amazing Adventures by Nikki Harmon |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 17. No chorus. The lead character is a young elephant and various others are animals. These are supposed to be indicated by costumes props or masks, rather than being entirely realistic! (There's a photographic example on the script page.) |
Run Time | Around 90 minutes. [Estimated!] |
Music | None. |
Style | Full length play - a fable along the lines of the Just So stories or Brer Rabbit. Aimed at a young audience, but to be played by adults or teenagers. |
Synopsis | The growing pains of an inquisitive young elephant, as she learns about the dangers of her environment and the value of friendship. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Katiana Was Here by Laura Guthrie |
Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Mixed aged cast required for this play. |
Run Time | Around 77 minutes. [Estimated!] |
Music | None. |
Style | A powerful full length play, with numerous scene changes and some strong language. |
Synopsis | Katiana is a bright and popular schoolgirl, but a small accident reveals a much more serious condition. As Katiana's health declines, her broken family must come together and resolve old issues. The play shows the effect that even a short life can have. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Killing Of Richard by Roger Mathewson |
Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
Run Time | Around 77 minutes. [Estimated!] |
Music | None. |
Style | A two act drama with a single (rehearsal stage) set. |
Synopsis | Casting is in progress for Shakespeare's Richard III. Obnoxious leading actor Richard is auditioning for the part of King Richard, in opposition to Harry Richmond. In a subtle mirroring of the Bard's work we witness Richard's end. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Last Séance by Herb Hasler |
Roles | Minimum Male roles = 3. Minimum Female roles = 6. Minimum total with doubling = 9. Minimum total without doubling = 12. No chorus. |
Run Time | Around 85 minutes. [Estimated!] |
Music | None. |
Style | A slick farce with a single domestic set. (Nominally in the USA, but could work in any location.) Contains mild swearing. |
Synopsis | A family-operated séance scam is laid out before us. Attempts to conceal the swindle lead to a number of surprising twists amid frenetic action. The final startling twist of the play reveals to us - and the family - why this must be the last séance. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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