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| Eating Out by Roger Hodge |
| Roles | Minimum Male roles = 4. Minimum Female roles = 6. Minimum total with doubling = 10. Minimum total without doubling = 20. No chorus. The parts of Dennis and Donald must be played by the same actor. The parts of Jade and Jane must be played by the same actor. (Several other roles might be doubled.) There is a walk-on with a mop and opportunity for extras. |
| Run Time | Around 101 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy play in three acts, with one split set. Contains mild swearing. |
| Synopsis | Two couples encounter each other in a café at a stately home where a pompous gentleman's dignity is bruised. One of those couples meets another couple in a French restaurant in the suburbs where love first blossoms. Finally all three couples visit the same Greek holiday island and find themselves together in a Greek taverna where embarrassments of the previous encounters are brought to the table and mayhem reigns as their hotel burns down. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Click here to read the script or Click here for more details. |
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| An Elliot Steinway Mystery by Gary Diamond |
| Roles | Minimum Male roles = 11. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 20. No chorus. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length farce, a parody of murder mysteries with labyrinthine plots! Contains mild swearing and many shots in the dark. |
| Synopsis | Henri Gilbert is dead, and his will asserts that he was murdered. Unless all those who stood to gain for his death remain at his mansion for a fortnight, his money will go to charity. During those two weeks, Elliot Steinway, the TV detective (or rather, Donald Smart, the actor who portrayed him) must unmask the murderer and win the fortune for himself. Aided only by the solicitor and his faithful sidekick Badger, he struggles through labyrinthine plots to get to the truth... probably. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Emma by Jane Austen dramatised by Michael Baulch |
| Roles | Minimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 11. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 150 minutes. [Estimated!] A slick production should be able to reduce this considerably! |
| Music | None. |
| Style | Full-length period drama. Three locations created by simple variations on a single physical set. |
| Synopsis | Dramatization of Jane Austen's work, capturing the essence of the period as we see Emma's intriguing matchmaking unfold and her own marital future fulfilled. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Emporium - The Story of the Store by Bob Tucker |
| Roles | Minimum Male roles = 1. Minimum Female roles = 6. Minimum total with doubling = 8. Minimum total without doubling = 9. No chorus. A crowd of indeterminate number enters towards the end of the final act. (The minimum is one, which is small, as crowds go, but in this case feasible!) |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy play (in three acts). Single set. A combination of the five short plays of the Emporium series. |
| Synopsis | In a strange retail outlet (no matter what the problem, our happy smiling staff are always here to blame the customer!) romance blossoms between one of the staff and a policeman brought-in to investigate a break-in. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| End of the Ban by Anne Graham |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 63 minutes. [Estimated!] |
| Music | None. |
| Style | A one-hour comedy set in 1980s England. |
| Synopsis | It is 1987. Coal miner Les Varley and his family are typical of the many mining families of North Nottinghamshire. Les and his wife Rita's slow drift apart is accelerated by conflicts over their daughter's sex life and their son's criminal activities. Then comes the news that Les is trapped in an underground roof fall. His family, the neighbours and the whole village can only wait. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Entrenched by Samantha Lierens |
| Roles | Minimum Male roles = 10. Minimum Female roles = 7. Minimum total with doubling = 17. Minimum total without doubling = 19. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | A song is suggested to be sung and accompanied on piano at beginning and end the performance. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full length play, divided into three acts, with many short scenes in different locations. |
| Synopsis | A re-telling of a true story about Elsie Knocker and her friend Mairi Chisholm, who were instrumental in establishing and maintaining a hospital, close to the front line at Ypres during the First World War. They were both awarded the Military Medal, were decorated by the Belgian King, and probably became the most photographed women of their time. This play follows them from their first meeting to the irrevocable breakdown of their friendship in 1919. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Epic of Gilgamesh by Adrian Jarvis |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 28. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Four thousand-year-old Sumerian epic brought to life. This play skilfully combines dance, mime and music with challenging acting and technical opportunities together with a gripping story, ideal for Secondary Schools, Drama Acadamies, and Youth Groups. |
| Synopsis | King Gilgamesh is convinced that he can find the secret of eternal life and his dramatic odyssey is brought to life as he wanders the mythological world in his quest for immortality. We travel with him as his travails become ever more arduous and he becmes embroiled in ever more dramatic conflicts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| An Evening to Forget by Rupert Dick |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | The 'Boss coming to dinner' trope is one that has been used for years, but this script succeeds in taking it in a new direction in spectacular fashion with elements of light comedy, farce and thriller. |
| Synopsis | Olivia is worried, because her boss is coming to dinner and it’s very short notice. And he’s bringing a companion. And it’s a very important dinner. But when things really go wrong, it’s not any of the issues she was imagining. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Exercise In Discretion by Geoff Fulford |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 125 minutes. [Estimated!] |
| Music | None. |
| Style | A full length drama with a single gym rest room setting. |
| Synopsis | Take 5 ladies of varying backgrounds and put them in the rest room at an exercise class. They talk about their lives, their hopes and fears openly and unashamedly. Add into the mix a young, single, male fitness instructor and see what happens. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Extended Relations by Eric Scott |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. Characters ages are especially relevant. |
| Run Time | Around 127 minutes. [Estimated!] |
| Music | None. |
| Style | A farce-style comedy, in two acts, with a single set. |
| Synopsis | Hillary has tracked down her birth Mother and has arranged a meeting - after six months of phone calls. Unfortunately for her, her adoptive Mother doesn't take the hint and comes round to visit on the same day. It doesn't help matters when her newly-discovered birth Dad drops by too! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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