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| The Magdalen Whitewash by Valerie Goodwin |
| Roles | Minimum Male roles = 2. Minimum Female roles = 11. Minimum total with doubling = 13. Minimum total without doubling = 21. Chorus. Optional female chorus. |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Multiple locations, but simple set requirements, with main scenes played on the full stage and smaller scenes downstage with a few pieces of furniture. |
| Synopsis | In 1946, teenage Nancy tracks down her birth mother Mary to one of the many 'Magdalen laundries' set up in Ireland to house women shunned by society for unmarried pregnancies. But why doesn't Mary want to leave with Nancy? Sixteen years earlier, during Mary's first days at the laundry, she and the other women deal with isolation, pregnancies, and mistreatment from the nuns and priests. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Magic Carpet by Andrew Yates |
| Roles | Minimum Male roles = 4. Minimum Female roles = 9. Minimum total with doubling = 17. Minimum total without doubling = 23. No chorus. |
| Run Time | Around 95 minutes. [Estimated!] |
| Music | None. |
| Style | Family entertainment, designed to fill a similar slot to a British panto (but not sharing all the features of pantomime - more story and less 'variety show'). |
| Synopsis | Ahmed, the Great Mufti of Itsnothatabad, is an old style Middle Eastern potentate whose main aim in life is to out-do his cousin Faisal, particularly when it comes to their wealth and wives. With a visit from Faisal imminent, Ahmed is determined to trump his cousin once and for all with a special new addition to his harem. Tired of brown-eyed beauties with dark hair he sends his hapless servant Saleem on a quest for a blue-eyed blonde. A magic carpet comes to Saleem's rescue and transports him to modern day London but the bombshell he returns with has no intention of fitting into Ahmed's plans. His life is turned upside down in this comedy of sexes and cultures with consequences he could never have imagined. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Man Walks Into a Bra by Jonathan Goodson |
| Roles | Minimum Male roles = 3. Minimum Female roles = 9. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy-thriller with a single set (plus front-of-curtain prologue). |
| Synopsis | A pair of detectives investigate suspicious activity in Bar Harmony, uncovering fraud, theft, deceit, administering a noxious substance and very poor taste in trousers. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Mark Twain and Livy by Joseph P. Ritz |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Poignant full-length biographical play. Contains mild swearing (from an era when it was probably called 'cussing'). |
| Synopsis | An elderly Mark Twain escorts us through the early days of his marriage to Livy Langdon, from their first night in their new house, through to the day they left it with their first child. An emotional and insightful play about two strong-willed characters. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Click here to read the script or Click here for more details. |
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| Mary Anning: Lost in Time by Peter John Cooper |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | Historical drama. Structurally in two acts, but on the boundary between one-act and two-act length.
Dorset rocks. |
| Synopsis | Nineteenth-century palaeontologist Mary Anning is dying of breast cancer. Under the care of a local woman, she takes laudanum for pain relief, which induces hallucinations that cause her to reflect on her past and her struggle to make a name for herself in a man’s world. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Master Shakeshafte by Peter Parkinson |
| Roles | Minimum Male roles = 8. Minimum Female roles = 5. Minimum total with doubling = 13. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | A full length play, with a variety of settings, generally indicated by furniture and atmosphere. |
| Synopsis | There is much speculation over the 'missing years' of Shakespeare's life, and this play offers a glimpse into what may have happened if the bard of Avon really did spend time as a tutor in Hoghton Hall, before becoming a playwright in earnest. There are numerous nods to familiar plays and characters, and also lines or titles which may delight an alert audience. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Matchmakers by Robert M. Barr |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. A range of ages and plenty of opportunity for characterisation. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Full length play set in the Jewish community in 19th century Eastern Europe. Clever and funny, with a plot that twists and turns. Multiple locations, but easy to realise without elaborate scenery. |
| Synopsis | Reuven, the son of a Rabbi, is studying to be a Rabbi too. He needs a wife to support him, but also to prevent him being drafted into the Czar's army. Unfortunately he and his family have to move to another village where their matchmaker runs into another Matchmaker. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Matt Freeman's San Antonio by Sandy Radford |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Drama, running somewhere on the boundary between a one-act and a full-length play, though structured in four acts. Multiple sets, but described very feasibly. Contains mild swearing. |
| Synopsis | Matt is a playwright, but he's not happy with his level of success, either in his professional or his personal life. He decides to throw everything into a new play and a trip to San Antonio to try and recapture a lost love.
A play that plays with theatre to lead the audience on a journey through what is, what chould be, and what might have been. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Maverick Cop by Paul John Matthews |
| Roles | Minimum Male roles = 6. Minimum Female roles = 5. Minimum total with doubling = 11. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 93 minutes. [Estimated!] |
| Music | None. |
| Style | A full length madcap comedy caper with various (simple) settings. |
| Synopsis | When the local police force is baffled by a series of seemingly unrelated murders they decide that the only answer is to recall the rule-breaking individualist detective Bob Marsland to take over. His Clouseau-like antics somehow achieve the breakthrough the police have been seeking. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A May Dream by Sally Kinnell |
| Roles | Minimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 14. Minimum total without doubling = 32. No chorus. In addition to the 32 human roles (playable by a cast of 14) there is Crumble the Dog who can double as Starveling's Dog. There are two brief (silent) appreances of children ('School Boy' and 'Child' who could probably be doubled). |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Multiple locations but simple settings. Contains mild (Shakespearean) swearing. |
| Synopsis | A collection of Shakespeare's Rustics pursue their own plotlines outside their plays, converging on Hecate's shop and Doll Tearsheet's bar. Philosophy, love, conspiracy and the unmasking of a villain, in genuine Shakespearian language.
A May Dream was specially written in response to the Royal Shakespeare Company's Open Stages Project in 2012. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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