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| A Girl Next Door by Rupert Dick |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | Very funny full-length farce set in three apartments in the same block. (So a single set, redressed for each scene.) |
| Synopsis | Tom's trying to have a quiet morning, but his new neighbour on one side brings his marital suspicions, while the woman on the other side brings her mother and fake boyfriend, all followed by Tom's estranged wife and property damage. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Give Us A Sign by Tony Domaille
Best Seller NODA South West Best Comedy nomination 2022. Octopus, Thornbury. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. One (gender non-specific) character is voice-only and could be pre-recorded. |
| Run Time | Around 107 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy on a single (dining room) set. |
| Synopsis | Ken is out of work and decides he will become a clairvoyant to make money. How hard could it be? What he doesn’t reckon on is MI5, the Russians and the Americans all wanting to use his skills to contact a dead scientist who has secrets they all need. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Gladiator In The House by John Waterhouse |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedy (reminiscent of a Restoration Comedy) with various settings in Ancient Rome designed to be created simply (even in the round). |
| Synopsis | Ancient Rome is brought to life as the love affair between escaped gladiator, Marcus, and Livia, daughter of high ranking citizen Gallus, develops despite the efforts of gladiator owner Proculus and the lecherous banker Carus. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| God's Minstrel by Joseph P. Ritz |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four of the characters are intended to be doubled by one actor (though they need not be). The roles of Clare's Cousin and the Soldier are optional. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | You can think of this either as a short two-act play, or a long one-act play. Single set. |
| Synopsis | Mixed in with a little tale from modern times, this is the story of how Francis of Assisi became a saint. A moving and honest telling. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Gold Cup Week by Peter Green |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | None. |
| Style | A full length play. |
| Synopsis | Suzanne and her three friends agree to provide lodgings in their houses for jockeys attending the Cheltenham race meeting. Their guests have a significant influence on the families' lives, particularly on Suzanne - who experiences a poignant life changing effect. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Goldilocks, Three Bears and the Detectives by Juliet Devon |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Family show, structurally in two acts, but run-time on the boundary between one-act and full-length. (Could be expanded with songs at the discretion of the production.) |
| Synopsis | The Bears' cottage has been ransacked - porridge eaten, furniture wrecked, and someone looking a lot like Goldilocks fled the scene when the Bears came home. But is she really guilty? The detectives investigate. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Good King Richard by Ian Dixon Potter |
| Roles | Minimum Male roles = 10. Minimum Female roles = 3. Minimum total with doubling = 13. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 108 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length historical drama. (A lot of locations, but simple to stage, give or take the butt of malmsey.) |
| Synopsis | After the death of Edward IV, his brother Richard becomes Lord Protector and then King. Richard III is determined to be a good king, but his principles - out of place in the royal court - enable challengers including Henry Tudor to plot his downfall. A counterpoint to Shakespeare's Richard III (which was based on the testimony of Richard's greatest enemy), Good King Richard sets the historical record straight. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Goodbridge Million by Sean Dooley |
| Roles | Minimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy play. One set, split between three distinct locations. |
| Synopsis | After years of discussing the same old issues, the Parish Council of the hamlet of Goodbridge is suddenly handed the amazing news that a foreign benefactor is giving the village one million pounds to be spent according to the villagers' wishes. The councillors organise a meeting to allow people to present their proposals for the use of the money, then hold a secret ballot. Unfortunately for the nursery extension, the sports hall and the new church organ, there is an outbreak of tactical voting and the proposal to host the world Scrabble championships wins by a landslide. But never mind all that - the important questions are: can Will ever pluck up enough courage to ask Persephone to marry him? and how will his school play turn out? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Great Mallard by Martin Clare |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 131 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy on two sets (hotel reception and bedroom). |
| Synopsis | Ginny arrives at The Great Mallard, a dilapidated hotel in a failing British seaside resort. Surprised to have any guests during the off-season, the manager reluctantly accommodates her, but soon finds himself faced with more unexpected guests, all requesting to stay in the same specific room. It rapidly becomes clear that ulterior motives are at play in this tongue-in-cheek thriller. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Greatest Form of Flattery by Amelia Armande |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Either a short full-length play, or a long one-act play! Figurative sets (scenery kept to the minimum needed to indicate the location) but props include a set of shop-window dummies. Contains swearing. |
| Synopsis | Brendan is a struggling artist who is horrified to see someone he went to Art College with hit the big time with an exhibition of work that looks terribly familiar. When the centrepiece of the exhibition gets stolen and turns up in Brendan's studio, potential disaster is turned to success for everyone. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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