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| Suite 145 by Paul Bovino |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 12. No chorus. There is no overlap between the characters in the four plays - which does not exclude the possibility that they are played by the same actors. |
| Run Time | Around 130 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of 4 one-act plays, each with a single (New York apartment) setting. The plays function independently, so could be performed separately or together. Contains swearing (but only as an incidental attribute of character, situation and comedy). |
| Synopsis | Four plays, linked by the setting - Suite 145 - a New York apartment address (although it is not necessarily the same building!) The plays take place in different eras, with different occupants and certainly different tastes in decor! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Surprise Me Darling by Bob Heather |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. There are four or five 'extras' specied in the script but not included in the cast numbers here. They appear only at the end of the final scene. (These might be omitted if the rest of the cast make enough impact!) |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Full length domestic comedy. Single living-room set. Contains swearing and mild adult themes. |
| Synopsis | John and Chrissie have been married for nearly two years. With a pending anniversary, buying presents has never been John's good point, so he tries the easy way out by trying to give Chrissie the money to by her own present. Chrissie insists that she would prefer a surprise. After a rushed dinner party where everything goes wrong, John decides to change his ways and surprise Chrissie more often, but he finds the element of surprise is not easy to master.
'This witty comedy will have you wincing at times with the near pin-point accuracy of the relationship comments it makes. It is sure to delight audiences in search of a great nights entertainment.' - Amateur Stage |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Surprise! Surprise! by Philippa Smith |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 15. No chorus. Nine on-stage characters plus six off-stage voices (which could be recorded). |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | A fun comedy with a variety of strong characters, who are all developed well over the play. A good balance of verbal and physical humour, and of comedy and drama. |
| Synopsis | Jess's son has arranged a weekend getaway in a Derbyshire cottage for her seventieth birthday, with surprise guests in attendance. The problem is, neither her husband nor the son have bothered to turn up themselves, and the guests he's randomly picked from her contacts aren't the ones she'd have chosen to spend her special day with. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tainted Love by Johnny Grim |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | Thirteen song suggestions, to be played between scenes. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | An irreverent full-length comedy for adults with a single (living room) setting. Potentially offensive language. |
| Synopsis | Julie has invited her friends Vanessa, Sheila, and Carol over to her house, on the pretence of showing off her recently installed gazebo. Unbeknownst to her friends, Julie has something far more tantalising to share with them. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Taming of the Shrew [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 9. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Shakespeare's play efficiently cut down without damaging the flow of the story. A comedy in the renaissance sense of ordinary people, witty dialogue and a happy ending.
Contains Shakespearean insults. |
| Synopsis | Bianca has many suitors, but her father won't let her marry until he has also given away the hand of her hot-tempered and uncontrollable elder sister Katharina. While Lucentio concocts a plan to win Bianca as his wife, Petruchio decides to wed Katharina and subdue her shrewish nature. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Tempest [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 7. Minimum Female roles = 1. Minimum total with doubling = 11. Minimum total without doubling = 13. No chorus. The character list, like all of Shakespeare's work, is male-heavy. That has not prevented excellent productions by majority female casts! |
| Run Time | Around 61 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of Shakespeare on the boundary between a one-act and a full-lengh play. All words remain Shakespeare's, with one short speech added by the abridger to facilitate a character exit. |
| Synopsis | Since being usurped as Duke of Milan by his brother, Prospero and his daughter Miranda have lived on a deserted island. With the help of the spirit Ariel, he causes a tempest that shipwrecks his passing enemies. He aims to regain his dukedom and marry Miranda to Ferdinand, son of the King of Naples. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tempting Fête! by Alan Robinson |
| Roles | Minimum Male roles = 7. Minimum Female roles = 6. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | A full length action-packed farce with a single (village fete) set. |
| Synopsis | Cathy is trapped in an idyllic country nightmare. Her husband's gone native and she's been taken hostage by the ladies from the local Cake Club. Forced to run their cake stall, she decides to make her escape, only to find herself thwarted by squashed confections, tangled bunting, rampaging bullocks and irresistible temptation. Contains adult themes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Thar's Gold in Them Hills by Gerald P. Murphy |
| Roles | Minimum Male roles = 6. Minimum Female roles = 10. Minimum total with doubling = 16. Minimum total without doubling = 16. No chorus. Characters are adults plus one child (to be played either by teenagers or a mixture of adults and one or more children). Whilst there isn't a chorus specified, there is scope for extras. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | The clash of innocence and villainy and the 19th century setting bring this close to melodrama, from where it is diverted by a large volume of preposterous jokes! Single (California gold rush saloon) setting. Simple props include a cougar's ear! |
| Synopsis | Howard Huff and Betty Bristle are the villainous owners of the Shotgun Saloon in Sonora, California. Their ambition is to get rich fleecing the miners in the late days of the California gold rush, but it doesn't seem to be working. Into the bar walk Mary Ann and her daughter, Goldie, looking for work. Goldie immediately displays comic talent and the villains set about disposing of the mother and exploiting the innocent Goldie… Corny jokes and a happy ending ensue! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| That's the Spirit by Eileen Clark |
| Roles | Minimum Male roles = 2. Minimum Female roles = 6. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. The Reverend Timms is written male, but might be played female. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | A funny and farcical script which has a great selection of characters, a fast pace, and a good mix of physical and verbal humour. Well contained on one set. |
| Synopsis | Bertie and his sister Harriet are trying to sell off their dilapidated family mansion, but the discovery of a skeleton in the cellar, and the subsequent appearance of a ghostly maid, throws a spanner in the works. Can they send Ruby back to her rest without alerting their fey sister Emily, sly council official Jones or nosy neighbour Miss Potts? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| There's One in Every Show by George Douglas Lee |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. One of the characters is a young boy, the rest are adults (mainly over-the-top thespians). |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy, set around a struggling (American) theatre company. Contains very minor swearing. |
| Synopsis | For years Sheldon has held together his troupe of actors with the promise of a show, but now his accountant has signed up a producer, who's found a backer and they're going to have to perform at last. But the script is bad - worse than the actors themselves - and they have the Sponsor's idiot son involved too... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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