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| Sherlock Holmes: The Hound of the Baskervilles [Version 3] by Bart Lovins |
| Roles | Minimum Male roles = 5. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 18. No chorus. There are 18 roles (including a puppet hound), but they are playable by a cast of 6. (The author gives options for casting 6, 7 or 8 actors.) |
| Run Time | Around 114 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length adaptation of Conan Doyle's detective novel. Continuous action with multiple settings indicated by lighting, action and a few chairs. Minimal props. Actors produce the sound effects.
(US English spelling.) |
| Synopsis | As Watson investigates the curse of a supernatural beast out on the moors, Holmes confronts demons of his own back in London. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sherlock Holmes: The Sign of Four by Bart Lovins |
| Roles | Minimum Male roles = 7. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 28. No chorus. Twenty-eight roles plus offstage voices, but designed to be played by a cast of 10 (one of whom plays several roles incluing a 12-year-old girl.) |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length adaptation of Conan Doyle's detective novel. Continuous action with the multitude of settings indicated by lighting, action and a few chairs. Minimal props. Actors produce the sound effects. |
| Synopsis | Two British officers of the Andaman Islands Penal Colony encounter the group of three Sikh natives and a British prisoner forming 'The Four' who have access to stolen treasure. Years later Holmes and Watson are set the seemingly impossible task of unravelling the final destination of the treasure. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sherlock Holmes: The Valley of Fear by Bart Lovins |
| Roles | Minimum Male roles = 10. Minimum Female roles = 1. Minimum total with doubling = 11. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | The Producer's copy of the song suggests 5 folk songs to be sung by The Brotherhood (plus a list of suggested incidental music). Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | The Novel Stage Adventures of Sherlock Holmes continue with the fourth in the series of full-length adaptations. (Adapted from The Valley of Fear but including elements of The Final Problem). Designed to be performed with minimal set and no props. |
| Synopsis | Sherlock's Last Bow! Summoned by a coded message to a Sussex manor, Conan Doyle's great detective finds that he and his faithful friend are too late - John Douglas has been murdered. Scotland Yard is stumped, but Holmes and Watson deduce a link to a secret American Brotherhood, and to a mastermind behind it all - Moriarty. Can Holmes escape the final problem? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Shivers by Peter Harrison |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 105 minutes. [Estimated!] |
| Music | None. |
| Style | Trilogy of one-act plays with a supernatural theme. Two interior sets plus the interior of an elevator cabin. A mixture of comedy and ghostly melodrama. |
| Synopsis | The three scripts - Falling Apart, All Hallows Eve and Knock Knock, Who's There? - are all available separately.
Whilst there is no set order to the plays, Falling Apart - with a couple trapped in a lift - might be performed front-of-curtain between the other two plays, which each require an interior setting with a practical window. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Showdown at Shuddering Heights by Anne Graham |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. One optional M or F |
| Run Time | Around 77 minutes. [Estimated!] |
| Music | None. |
| Style | A full length farce, in three acts. |
| Synopsis | Faced with bankruptcy Ella, the owner of the isolated Bear Inn, takes to the bottle. An unexpected visitor arrives and the contents of his luggage - a plastic carrier bag - starts a madcap sequence of events. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Siege of Manchester by Ben Alexander |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 12. Minimum total without doubling = 38. No chorus. 38 speaking roles plus an offstage voice, 2 non-speaking soldiers and various opportunities for crowds. Can be performed with a minimum of 12 actors, though 18 or more would be optimum. |
| Run Time | Around 125 minutes. [Estimated!] |
| Music | None. |
| Style | A historical thriller with various settings. |
| Synopsis | King Charles I, at loggerheads with his Parliament, is faced with rebellion. Lord Strange, Lord Lieutenant for Lancashire and a Royalist, attempts to take military command in Lancashire. Manchester, Protestant by persuasion and for Parliament, resists under the leadership of some of the deputy-lieutenants. The play recounts their resistance, culminating in Derby's siege of the town in September 1642. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Skeleton in the Cupboard by Martin Ward |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 112 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length thriller, set in the lounge of a seaside guesthouse in 1958. |
| Synopsis | Sussex, 1958. The Seaview Guesthouse has seen better days and owner Charles is worried the business is over, until a surprise visit from Hollywood star Joseph Fleming. But when another guest goes missing, police descend on the guesthouse and suspicion falls on Fleming. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Snow Queen [Version 4] by Hilary Mackelden |
| Roles | Minimum Male roles = 12. Minimum Female roles = 11. Minimum total with doubling = 28. Minimum total without doubling = 40. Chorus. Variable chorus size at Producer's discretion. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | In two acts, this is a new look at the Hans Christian Andersen tale. |
| Synopsis | When the Snow Queen breaks her magic mirror, shards fly out into the world. She'll only see herself as ugly in every mirror, unless she retrieves every last shard from the hearts and eyes of men... Kay has the last two shards and the Snow Queen takes him prisoner, so Gerda must rescue her love from the queen. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Snow White and the Seven Dwarfs [Play] by Dave Jeanes |
| Roles | Minimum Male roles = 3. Minimum Female roles = 8. Minimum total with doubling = 18. Minimum total without doubling = 18. Chorus. The chorus is optional. The dwarves are all written male but have not been included in the count of definitely male characters. |
| Run Time | Around 85 minutes. [Estimated!] |
| Music | None. |
| Style | Full length play (with the option of music if a production wishes to add it!) This is not a British Pantomime version of the story, but fits much the same purpose - entertainment for a family audience. |
| Synopsis | The fairytale of the princess driven out by her wicked stepmother, finding refuge with a company of miners. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Soldjer by Pete Benson |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 20. Minimum total without doubling = 30. Chorus. Mixed-age cast, with the central character played at various ages. The chorus is flexible, but the author recommends five principals plus a minimum of 15 in the chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Drama. Structurally in two acts, but in length on the boundary between one-act and full-length. No set as such, but requires some specific staging. |
| Synopsis | Mike struggles against his contradictory upbringing - a father who encouraged him to question and learn about everything but faith - and finds his whole life affected. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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