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| I Have A Vision by Stewart Boston |
| Roles | Minimum Male roles = 5. Minimum Female roles = 1. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Drama in two acts, informed by the three years the author spent working on two reserves in Saskatchewan. |
| Synopsis | Two years on a reservation in Canada, as the elections bring a new chief with a new vision, but Richard can't offer the people the same good times his predecessor Gerald did. He wants them to think long term and to make changes for their children's future.
A moving play, throwing new light on an old struggle. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| I Stand Alone by Kevin Broughton |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Drama in two acts. Four locations, but designed for minimal staging. Contains mild swearing. |
| Synopsis | An allegorical play.
In the far future, Britain has been ravaged by an external conflict and a civil war between the returning Celts, who restored the country, and the native Saxons who feel they have been pushed aside. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Illusion/Delusion by David Pollard |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 78 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of three one-act plays, all of which are also available separately. |
| Synopsis | Three stories which question the reality of their situations. In 'Can Malone Die?', a best-selling author is confronted by his character brought to life. In 'Aspects of a Betrayal', Dolly is visited by a colleague of her late husband, who was a spy and defector. And in 'Clause Fourteen', aging actor Clifford finds himself playing opposite his ex-wife in a production which, against all probability, is a smash hit. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In A Hole by Rupert Dick |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | None. |
| Style | A fun and wildly unusual full-length play in two sets - one on the inside, looking out, and the second in the garden. |
| Synopsis | Woody Woodward is mildly interested in why his neighbour has dug a huge hole in the back garden, but when he involves his friend Benny in the mystery, things get serious. Is it a grave? A bunker? The answer leads to more questions. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In My Lady's Chamber by Giles Scott |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | None. |
| Style | Bedroom farce in the form of a medieval romp. Single (castle bedchamber) set. Contains adult goings on and the occasional French accent. |
| Synopsis | While Lord William has been away, Lady Jane has been dallying with his Squire, but now his Lordship has returned and intends to relieve Her Ladyship of the chastity belt she is no longer wearing and cannot find. This is just the start of the troubles... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
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| In The White Time by Tony Frier |
| Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 25. No chorus. |
| Run Time | Around 62 minutes. [Estimated!] Structurally in one act, but could be performed as a full evening's entertainment. |
| Music | None. |
| Style | A Victorian historical drama, based on a true murder case |
| Synopsis | As a young teenager Mary Wheeler had witnessed her father being convicted and hanged for murder. The trauma resulted in her having intermittent blackouts which she termed her ‘White Time’. Mary invites her lover's mistress Phoebe around one afternoon, leading to her disappearance. Mary is trialled for murder, and only a mysterious letter may reveal the truth of the case. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| An Incorrigible Irishman by James Skivington |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 94 minutes. [Estimated!] |
| Music | None. |
| Style | A full length historical drama with a single setting. |
| Synopsis | Sir Roger Casement’s flagging enthusiasm for the cause of Irish Home Rule is rekindled with encouragement from his friend Ada McNeill and the tragic events suffered by young serving girl Theresa and her family at the hands of the British. Casement's fervour grows, despite knowing too well that he will be walking into a den of lions. After going to America in order to raise support from the Irish population, the die is cast for the events that will lead him to disgrace, humiliation, a heart-wrenching parting from Ada and the hangman’s noose. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Inspector Whalley's Casebook by Barry Lambert |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | A play in three episodes. (Think of this as three acts!) |
| Synopsis | Three cases involving Inspector Whalley and the hapless PC Hitchcock. They try to catch the Battersea Batterer, the Wandsworth Weirdo, and solve the mystery of Hitchcock's breakdown. All with the help of a profiler and Doctor Boffin. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Inspector Whalley's Casebook - Volume 2 by Barry Lambert |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 8. No chorus. Same principal characters as Inspector Whalley's Casebook, but functions completely independently. |
| Run Time | Around 96 minutes. [Estimated!] |
| Music | None. |
| Style | Single set - a police operations room with a single entrance (which need not be a practical door). |
| Synopsis | Inspector 'Bloodhound' Whalley and his team take on a trio of tricky cases - missing persons, ATM cash theft, and ...Team Building! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Invisible Man by Rob Johnston |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 8. No chorus. 8 characters, designed to be split between 3 actors. |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length gothic thriller, based on the novel by H. G. Wells, on a split stage. |
| Synopsis | When a new guest arrives at the Coach and Horses in swathed in bandages, he is assumed to be a shy accident victim. But Griffin is in fact a scientist who has turned himself invisible, and not yet found the antidote. His condition, and the refusal of others to help, is destined to drive Griffin to violent madness. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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