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Lucky Balls by Louise Roche |
Roles | Minimum Male roles = 5. Minimum Female roles = 8. Minimum total with doubling = 13. Minimum total without doubling = 14. Chorus. The chorus is optional (bar staff and band members). The script includes an on-stage band. |
Run Time | Around 90 minutes. [Estimated!] |
Music | Suggested songs (titles only) are embedded in the script. These are intended to be played by the on-stage band. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | Full-length comedy play. Single set (with various locations within a wedding reception indicated by lighting and set dressing). Contains mild swearing. |
Synopsis | Nine wedding guests are the victims of a really bad seating plan. They try to get along, then one suggests they chip in to buy a lottery ticket. When they win all their masks slip away to reveal who they really are. The poor maitre d' tries to keep the reception on track but in the end he can only watch as relationships unravel. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Macbeth [75-Minute Abridgement] by Shakespeare, abridged Jack Shaw |
Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 29. No chorus. Twenty-nine roles, but playable by a cast of ten. (The producer's copy of the script includes a table of roles per scene to help figure out the doubling options.) |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | A 75-minute abridgement of Shakespeare's Scottish play. (The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
Synopsis | Witchcraft, prophecies, hallucination, regicide, porterage, portents, usurpation, amicide, phantom at the feast, apparitions, equivocations, blood-boltered spectre, family massacre, somnambulation, suicide, tyrannicide, decapitation. All good clean fun. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Madame Blavatsky Lives by Joan Greening Production by Spotlight Theatre Company won Best Play, Best Actress and Best Director at Havering Drama Festival, 2018 |
Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Four women with playing ages of 50 to 60. |
Run Time | Around 120 minutes. [Estimated!] |
Music | None. |
Style | A sparkling comedy in two acts (and four seasons) for an all-female cast. Single domestic set. Contains swearing. |
Synopsis | Three lifelong friends, Pam who is unhappily married, Jane whose marriage appears to be perfect and their batty spinster friend Lily regularly meet for girlie nights in. All of their lives change dramatically over the course of a year after they meet psychic Maureen who takes on the persona of Madam Blavatsky. Has she really predicted these events? Is she genuinely second sighted as Lily believes or is she the charlatan Pam and Jane are convinced she is? The answers to these questions, and more, are to be found in this hilarious look at the lives of these women of a certain age. Their mirthful journey towards a happy ending is tempered with a tender comic treatment of what otherwise could be tragic events. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Magdalen Whitewash by Valerie Goodwin |
Roles | Minimum Male roles = 2. Minimum Female roles = 11. Minimum total with doubling = 13. Minimum total without doubling = 21. Chorus. Optional female chorus. |
Run Time | Around 84 minutes. [Estimated!] |
Music | None. |
Style | Full-length drama. Multiple locations, but simple set requirements, with main scenes played on the full stage and smaller scenes downstage with a few pieces of furniture. |
Synopsis | In 1946, teenage Nancy tracks down her birth mother Mary to one of the many 'Magdalen laundries' set up in Ireland to house women shunned by society for unmarried pregnancies. But why doesn't Mary want to leave with Nancy? Sixteen years earlier, during Mary's first days at the laundry, she and the other women deal with isolation, pregnancies, and mistreatment from the nuns and priests. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Magic Carpet by Andrew Yates |
Roles | Minimum Male roles = 4. Minimum Female roles = 9. Minimum total with doubling = 17. Minimum total without doubling = 23. No chorus. |
Run Time | Around 95 minutes. [Estimated!] |
Music | None. |
Style | Family entertainment, designed to fill a similar slot to a British panto (but not sharing all the features of pantomime - more story and less 'variety show'). |
Synopsis | Ahmed, the Great Mufti of Itsnothatabad, is an old style Middle Eastern potentate whose main aim in life is to out-do his cousin Faisal, particularly when it comes to their wealth and wives. With a visit from Faisal imminent, Ahmed is determined to trump his cousin once and for all with a special new addition to his harem. Tired of brown-eyed beauties with dark hair he sends his hapless servant Saleem on a quest for a blue-eyed blonde. A magic carpet comes to Saleem's rescue and transports him to modern day London but the bombshell he returns with has no intention of fitting into Ahmed's plans. His life is turned upside down in this comedy of sexes and cultures with consequences he could never have imagined. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Making The Wrong Call by Ian McCutcheon |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 78 minutes. [Estimated!] |
Music | None. |
Style | A well-plotted farce of the sort in which characters have very good reasons to hide in cupboards. Single set with multiple practical doors (see above). |
Synopsis | Robina suspects her husband Bill is having an affair and confides in her friend Marion, who suggests she hire a private detective. Coincidentally, Marion's husband Paul suspects she is having an affair, and hires the same detective. Errors, misunderstandings, and a few minor injuries ensue. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Man Walks Into a Bra by Jonathan Goodson |
Roles | Minimum Male roles = 3. Minimum Female roles = 9. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. |
Run Time | Around 110 minutes. [Estimated!] |
Music | None. |
Style | Full-length comedy-thriller with a single set (plus front-of-curtain prologue). |
Synopsis | A pair of detectives investigate suspicious activity in Bar Harmony, uncovering fraud, theft, deceit, administering a noxious substance and very poor taste in trousers. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Mark Twain and Livy by Joseph P. Ritz |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
Run Time | Around 110 minutes. [Estimated!] |
Music | None. |
Style | Poignant full-length biographical play. Contains mild swearing (from an era when it was probably called 'cussing'). |
Synopsis | An elderly Mark Twain escorts us through the early days of his marriage to Livy Langdon, from their first night in their new house, through to the day they left it with their first child. An emotional and insightful play about two strong-willed characters. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Click here to read the script or Click here for more details. |
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Mary Anning: Lost in Time by Peter John Cooper |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 66 minutes. [Estimated!] |
Music | None. |
Style | Historical drama. Structurally in two acts, but on the boundary between one-act and two-act length. Dorset rocks. |
Synopsis | Nineteenth-century palaeontologist Mary Anning is dying of breast cancer. Under the care of a local woman, she takes laudanum for pain relief, which induces hallucinations that cause her to reflect on her past and her struggle to make a name for herself in a man’s world. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Master Shakeshafte by Peter Parkinson |
Roles | Minimum Male roles = 8. Minimum Female roles = 5. Minimum total with doubling = 13. Minimum total without doubling = 18. No chorus. |
Run Time | Around 84 minutes. [Estimated!] |
Music | None. |
Style | A full length play, with a variety of settings, generally indicated by furniture and atmosphere. |
Synopsis | There is much speculation over the 'missing years' of Shakespeare's life, and this play offers a glimpse into what may have happened if the bard of Avon really did spend time as a tutor in Hoghton Hall, before becoming a playwright in earnest. There are numerous nods to familiar plays and characters, and also lines or titles which may delight an alert audience. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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