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| The Great Mallard by Martin Clare |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 131 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy on two sets (hotel reception and bedroom). |
| Synopsis | Ginny arrives at The Great Mallard, a dilapidated hotel in a failing British seaside resort. Surprised to have any guests during the off-season, the manager reluctantly accommodates her, but soon finds himself faced with more unexpected guests, all requesting to stay in the same specific room. It rapidly becomes clear that ulterior motives are at play in this tongue-in-cheek thriller. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Green Things in Space by Paul Gisby |
| Roles | Minimum Male roles = 5. Minimum Female roles = 7. Minimum total with doubling = 12. Minimum total without doubling = 14. No chorus. In addition to the on-stage characters, two people appear on video and there are several voice-overs. |
| Run Time | Around 105 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play. Simultaneously comic and poignant. Stage (and action) split between a modern hospital and the deck of a sci-fi spaceship! |
| Synopsis | Stan is in hospital, suffering from the effects of years of working with asbestos, but he lives on in his unpublished science fiction epic - an unintentionally hilarious account of a galactic war. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Greeting Cards by Frank Flynn |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 127 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedy drama with a single setting and some adult themes. |
| Synopsis | Greeting card artist Robbie has suffered a stroke and his room mate Max is struggling to care for him and encourage him to get back to work. Two women, Mandy and Max’s sister Gertie are the catalyst for life saving changes for both Robbie and Max. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Grimm Night for Hans Christian Andersen (Play) by Sue Gordon
Best Seller |
| Roles | Minimum Male roles = 8. Minimum Female roles = 10. Minimum total with doubling = 23. Minimum total without doubling = 40. No chorus. Lots of speaking parts, but few characters per scene so easy to structure small rehearsals. Whilst it does not require a chorus, there is scope for extra characters in a few of the scenes. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Comic retelling of fairytales - many scenes, but using the same few pieces of 'set furniture'. Simple props. |
| Synopsis | Hans Christian Andersen gets an unexpected visit from the Brothers Grimm - who seem to be upset over the matter of stealing story lines. A competition ensues, with characters from Andersen and Grimm stories taking the stage - often in unexpected ways. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Guest House by P. B. Stenson |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 16. No chorus. Fifteen on-stage roles plus an offstage voice. |
| Run Time | Around 87 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play in a single bedroom set. An episodic structure (because all the guests can't occupy the same bedroom at the same time.) |
| Synopsis | Clara and Will have bought the Guest House at Number 13, a new business venture for them. They find that there is a lot of on-the-job learning to do - for example, they have to decide what to do with the stash of old twenty pound notes in the hidden wall safe, not to mention the peculiar behaviour of their guests. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hair of the Dog by Molly McCluskey |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length romantic comedy. Single set, simple props. |
| Synopsis | In Las Vegas to celebrate the upcoming wedding of his older brother, Keith drinks way too much and wakes up with no memory of the night before. Why is his best friend Amy in his room and acting so strangely? Why was his wallet left in a wedding chapel? And where are his pants? [The last question points out that this is written in American English!] |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Happiness by Paul Mathews |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. In addition to the on-stage characters, there is an opening voiceover from a priest (which, for casting purposes, is assumed to be arecording.) |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play. Is this a romantic comedy? Probably! It's well-plotted, with serious and comedic moments and plenty of scope for character acting. Single living-room set. Contains mild swearing. |
| Synopsis | The countdown to Philippa's marriage to Christopher is almost up, but they're just coming back from a funeral. The death of her beloved Aunt Susan is just the first event of many that makes Philippa reconsider her future plans for happiness. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Happy Campers by Richard James |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Characters range in age from 15 to 60. |
| Run Time | Around 95 minutes. [Estimated!] |
| Music | None. |
| Style | Two-act comedy drama. Single outdoor set (a campsite with tents!) Contains mild swearing. |
| Synopsis | A comedy with a bite to it, this tells the story of a family gathering in the Yorkshire countryside to scatter the ashes of a man with a dark history. There are revelations all round and an unexpected treasure hunt.
As the tag line for one of the productions put it, The excitement is in tents. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Click here to read the script or Click here for more details. |
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| Happy Christmas Shirley by Louise Roche |
| Roles | Minimum Male roles = 5. Minimum Female roles = 8. Minimum total with doubling = 13. Minimum total without doubling = 14. No chorus. Characters are adults, with a broad range of ages. The Auxiliary (who appears in two scenes) might double with Peggy. |
| Run Time | Around 95 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy play (and tear-jerker) about a family Christmas. Single set (divided, largely by lighting, into several playing areas, for which there are stage diagrams in the Producer's copy of the script). |
| Synopsis | It's Christmas Eve and the outside of Shirley's house looks like the Blackpool Illuminations. Inside, everything is ready and Shirley is determined to have the perfect Christmas day. But will she be able to keep a lid on family feuds? Will grumpy Nan go too far this year? Will heavily pregnant daughter Donna give birth? And how on earth will Shirley react when her other daughter tells her she has invited a lonely old man to share their Christmas dinner? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Happy Families by David Allan |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 111 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length comedy with elements of farce as well as family drama. |
| Synopsis | Two families are brought together by the engagement of their children. The future in-laws meet for the first time, and could not be more different - but two of them hold a secret past. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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