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| The Lambton Worm by Timothy Hallett and Nicholas Richards |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 19. Chorus. Very flexible casting. There is one narrator role, but this could be shared out. Equally, the chorus could be 'all the actors'. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | A 40-page musical score is included with the Producer's Copy of the script. |
| Style | Short musical retelling of an English folk tale. (The music plays throughout, even though some of the narration is spoken rather than sung.) No real set requirements, but the ideal performance would put some effort into creating a fearsome worm! |
| Synopsis | The tale of the wild worm of Wearside and its grisly end.
It should be emphasised that 'worm' is used in its old sense of 'serpent' - so this is a story of knights fighting dragons. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
** CD with backing track for the whole musical The Lambton Worm by Timothy Hallett and Nicholas Richards. Plus simple rehearsal tracks for each individual section (accompaniment on piano with vocal line played on another instrument.)
** Complete recording of The Lambton Worm by Timothy Hallett and Nicholas Richards including all songs and the spoken narration.
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| Click here to read the script or Click here for more details. |
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| The Landing Party by Karen Fitzsimmons |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play with optional set - suggested by the actors.
Part of the Aliens collection of short plays for youth people. |
| Synopsis | A young alien boy lands on earth and falls for Claire. As their relationship develops he realises he is on the wrong planet. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Language Lessons by Nicholas Richards |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 23. No chorus. There are two consistent characters throughout (plus an offstage voice). The rest are brought on for each 'lesson' so the 'Englishman' could be played by a different character in each scene (and need not be male). |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | Prologue and eleven short comedy skits with no requirements for set. Could be done as written (one continuous performance) or could be split across a sketch show as a running gag. (Contains caricatures, silly accents and foreign words!) |
| Synopsis | Polly and Glott present an informative (and amusing) look into the necessity for having some skill with a foreign tongue. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Last Gateway by Sarah Pemberton |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 19. Minimum total without doubling = 25. Chorus. Roles are a mixture of children and adults, but all played by children. Two principal characters and three narrators, with a (flexible) company playing the rest of the roles. At times chorus members become parts of the set, including trees and a car. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Realism morphing into fantasy. Minimal set and props, with the company creating atmosphere and locations. Scope for improvisation, dance and creative chorus work. |
| Synopsis | Bullied Faith and newcomer Tom form a friendship which leads to adventure uncovering a shared past in a parallel world. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Legend Of Beowulf by Roger Hurn
Received a 5-star award from the TES resources site. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 8. Minimum total without doubling = 22. No chorus. Flexibility of numbers of narrators can be achieved by doubling. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama suggested as an assembly piece for schools, with a single (Norse hall) setting. |
| Synopsis | The hero Beowulf comes to the aid of his friend Hrothgar, an elderly King, whose Hall is being attacked on a nightly basis by the monster Grendel. The legend is brought to life with narration and stirring action. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Legend of Santa Claus by Olivia Arieti |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Characters include two elves. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A fifteen-minute play suited to both performance by schools and also adult (or mixed company) presentation to schools. |
| Synopsis | A charming and thought-provoking dramatisation of the origins of the worldwide legend of Santa Claus. 'Tis the night before Christmas and two young girls, Betty and Ruth, are excitedly finalising preparations for the big day as their daddy tells the story of Santa Claus with a reading of Clement Moore's poem. The tale is magically brought to life as first St Nicholas and then Santa Claus arrive to tell their stories, with the help of two of Santa's elves. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Lesson Learnt by Jackie Fitton |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 10. No chorus. All roles are intended to be played by children. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | The Producer's Copy of the script includes a list of suggested songs and one set of modified lyrics. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act play for kids. No set requirements. A set of four short scenes (with separate casts) tied together by a final vignette which delivers the message of the piece. |
| Synopsis | Four short sketches written for children leaving Primary school, dealing with fears about starting Secondary school and the long holiday to come. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Let's Be Friends by Iris Winston |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 8. Chorus. The characters are all animals. The chorus of woodland animals could be performed live or could be puppets or silhouettes. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Simple morality play for young children about making friends despite differences. (To be performed by children, or possibly an older group playing to young children.) |
| Synopsis | Sammy Skunk tries to make friends with some squirrels, but is rejected - at least until the squirrels get lost in the forest, and realise just how useful a friend like Sammy can be. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Letter to Santa by Sue Gordon
Best Seller |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 15. Minimum total without doubling = 15. Chorus. Two of the characters are nominally adults. It is written so that the cast can be divided into two - a school class and Santa's elves. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | Sheet music for 5 original songs is provided with the producer's copy of the script. |
| Style | A light musical for young children. Basic sets. |
| Synopsis | A school class write Christmas letters to Santa, and we discover that they are dealt with by Mrs. Santa and a bunch of fractious elves. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| Like You've Never Seen It Before by Christine Harvey & Elisha Lee |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 16. Minimum total without doubling = 37. Chorus. 12 speaking parts, the rest mime. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | Minimum set. Simple props. Intended as a junior school full-class play. Opportunities for mime, improvisation and dance. |
| Synopsis | Jo and Mel are trying to write a play for their school, but, unknown to them, they are being fought over by a muse and Professor Block, the personification of writer's block. Unfortunately for the professor, he is in entirely the wrong place. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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