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| The Big Night IN by Richard Marsh |
| Roles | Minimum Male roles = 4. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedy, with adult themes and language, set in a living room. |
| Synopsis | Great pals Tony, Rob, Simon and Gary meet for another of their usual - nights out. They become dismayed when they realise that they are getting older, girlfriends are getting serious and marriage, kids, slippers, and mortgages beckon. But even staying IN is not as simple as it used to be. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Board Meeting by Alexis Coward |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 13 minutes. [Estimated!] |
| Music | One traditional song is suggested in the Producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A short comedy drama on a simple (meeting room) set. |
| Synopsis | A group of imaginary friends from Layla’s childhood desperately try to come up with a plan to revive an adult Layla from a coma. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Cabinet Meeting by Seán Lang |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. All characters are written as elderly men, but can be played by actors of any gender. |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | A small historical backwater provides the backdrop for a moving, compelling drama. One-act play in a single setting (a dining room used for a formal meeting). |
| Synopsis | The President of Poland and his cabinet fled to London after the Nazi occupation. Fifty years later, they are still living in exile, and holding regular meetings, despite having no control over what's going on in their homeland. Some of the ministers believe it is time to end it, but the senile President doesn’t want to move on. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Chess as Felony by Vithal Rajan |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A combination of Indian storytelling and chess! Simple props, but needs a means of displaying the chess moves to the audience. |
| Synopsis | Game Ten in the Varadachary Chess Cycle. Convicts Claude Bloodgood and Ram Varadachary take a train with their guard to a chess tournament, but on the train they play a game for high stakes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Christmas Carol In 60 Minutes Or Less! by Martin Prest |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 29. No chorus. Various doubling alternatives suggested in the Producer's copy of the script. |
| Run Time | Around 51 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play in various settings. |
| Synopsis | Staying as true to the original Dickens story as time allows, it unfolds neatly through narration and action. Originally published in 2014, revised edition published September 2017. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Last Birthday Party by Susie Casson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. All four characters are written female - a mother and her three adult daughters - but any could be changed to male with appropriate tweaks to the text. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A strong dramatic sketch with themes of grief, memories and mother-child relationships, which offers an opportunity for four actors to show some emotional range. Minimal set. |
| Synopsis | Jo, Chris and Sam are in the attic, sorting out the last box of their Mum's possessions on what would have been her birthday. They can’t figure out why she kept that strange old toby jug. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Leaving Tommy by Mark Seaman
Winner of seven awards during original 2005 production, including 3 festival awards (Wiltshire, Avon and Gloucestershire) for best original script. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, set in a prison cell during the first world war. (Minimal set requirements.) |
| Synopsis | A young man has been tried and found guilty of cowardice and desertion at the front during World War One, and awaits his death by firing squad. He is visited by the army Chaplain, a Captain who hears about his reasons for joining up and what really happened on the front line. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| More by Ness Owen |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama piece for three actors (and an offstage voice!) |
| Synopsis | Three workers have drawn lots to decide on who will take on an unpleasant task. Now the unlucky one has been chosen, the other two try to bolster their confidence ahead of the other's venture. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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No Occasion To by David Weir
Kenneth Branagh award for new dramatic writing, Windsor Fringe, 2011
Joy Goun award for best new play, Arundel Festival, 2011 |
| Roles | Minimum Male roles = 4. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 42 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama with a single (pub bar) setting. |
| Synopsis | A trio of award-winning journalists gather annually to remember the night they received their prestigious award. Their tenth anniversary is gate-crashed by a mysterious stranger whose relevance is gradually and chillingly revealed. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Shakespeare Lite by Robert Black |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Very short historical play. |
| Synopsis | An Elizabethan narrator introduces three Saxon 'mechanicals' who discuss their lives and the state of their country in the aftermath of the Norman invasion. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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