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Dialogue by Stewart Boston |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The two characters are written as male, but could be played female without changing the nature of the piece. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | Unnerving and disturbing, but gripping one-act play. Single simple set. |
Synopsis | Two immortal beings argue about the pros and cons of passing the time by experimenting with creation. Eventually the one who has worked hard on his people and his vision has to admit it's all gone horribly wrong. The other is happy to bring things to a close. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Does My Bum Look Big In This? by Johnny Grim |
Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act adult comedy set at a café table. Australian settings but with opportunities for customising to other locations. |
Synopsis | Long-time Aussie friends Donna, Janice and Sharon meet for coffee, prior to Janice flying off to attend her sister's wedding. Their get together is suddenly interrupted with news that the wedding has been called off. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Dreaming by Richard James Performance by Maidenhead Drama Guild won Best Play and Best Actor at the Henley Drama Festival, 2017. |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The characters are written male, but could be either. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act play, suitable for a bare stage presentation. |
Synopsis | Two men find themselves in a featureless room, with no memory of how they arrived there, or even who they are. Their only clues come from scraps of paper on the floor, that seem to mirror words they have spoken. Can it be true that they're just characters in an unwritten play? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
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Emporium [One-Act Version] by Bob Tucker |
Roles | Minimum Male roles = 0. Minimum Female roles = 6. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | One-act play, single set - the interior of a small and very odd store. (An expanded version of Bob Tucker's original ten minute Emporium.) |
Synopsis | A few minutes in the day of a very peculiar shop...excuse me, I mean Emporium. Befuddled employees and confused customers combine with disdainful management to provide a unique shopping experience. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The End of the Pier by Richard James |
Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Three generations - target ages, 20, early 40s and early 60s. (Whilst this is intended to be played 'to age', it might be within the compass of the older echelons of a youth theatre group.) |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act drama. Single set (enough to suggest the location). |
Synopsis | An exploration of the relationships and struggles of three generations of women. Cynthia has experienced a betrayal that changes her life dramatically and her daughter Mandy is determined to stay strong and pull her family back together. Billie, Mandy's daughter, is preparing to leave for university but has a secret to reveal before she goes. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Even Numbers by Tony Domaille Best Seller Winner of the Derek Jacobi Award for New Playwriting 2023. |
Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Dr Vincent is written male, but could be played female. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | Multi-award-winning thriller with strongly written dialogue and good roles for three actors. One-act, one set (prison consulting room) with a scene in a prison cell created purely by lighting. |
Synopsis | Mary-Ann has poisoned and killed five people and Doctor Vincent must make an assessment of her mental state for the court. In trying to establish if she is insane, or just plain evil, a shocking truth is discovered. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
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Five Black Marks by Deborah Hugill Production by Allerton Players won Best Production, Best Actress, Best Technical Achievement award and the Audience Award at Richmond Drama Festival 2014 |
Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. Three on-stage characters and one recorded voice. |
Run Time | Around 28 minutes. [Estimated!] |
Music | None. |
Style | An atmospheric supernatural drama. |
Synopsis | Three friends are spending the night in an abandoned school on Halloween. A teacher died in fire there, many years ago, and at least one of the girls is hoping the ghost will appear. What they don't know is how the fire started. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Fog of War by Joanne Higginson |
Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 44 minutes. [Estimated!] |
Music | One track, to be played from a stereo at the opening of the play, is suggested in the producer's script. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A one-act drama with a single (living room) setting. Strong language. |
Synopsis | 21 year old Tanya has recently lost her husband in Afghanistan due to friendly fire. Her cousin Anna, who she hasn't seen for some time, visits from Canada for the funeral. As the cousins discuss the past, unexpected truths are revealed and Anna realises Tanya isn't the grieving widow the press expect her to be. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Funeral for the Cat by B. G. Craig |
Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Elizabeth is written female, but could be played male (and renamed Elliot). |
Run Time | Around 28 minutes. [Estimated!] |
Music | None. |
Style | A good mix of emotional drama and dark but gentle comedy. Easy to stage on a single living room set. US English. |
Synopsis | Judy, an elderly widow, is holding a funeral for her beloved and recently departed cat. Her daughter and granddaughter are alarmed to find that, since a pet coffin was too expensive, Miss Mopsy is lying on the coffee table. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Get to Dance by Frank Gibbons |
Roles | Minimum Male roles = 0. Minimum Female roles = 8. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. The characters are 7 female youth actor-dancers (playing ages 14-16) and one 1 adult female actor (playing age aroung 50) |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | One-act play for a youth-theatre company. |
Synopsis | A window in to the lives of the members of a dance academy and their 'welcome' for new member Georgina, an overweight teenager who has decided to try dancing as a last resort in her determination to overcome her weight problem. This one act play deals with bullying in all of its forms with humour, music, dance and pathos as Georgina's journey progresses to its uplifting conclusion. Along the way her stoic strength of character enables her to peel away repressed emotions in others and helps them to come to terms with their own difficulties. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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