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About Sylvia by Cheryl Barrett |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 6 minutes. [Estimated!] |
Music | None. |
Style | Short monologue - a tender mix of comedy and pathos. |
Synopsis | Busy mum and housewife Sylvia is sitting in her kitchen reflecting on her life. She wants to 'find her voice' and decides to take up a rather exotic hobby. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Annie's Love by Robert Scott |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 9 minutes. [Estimated!] |
Music | None. |
Style | A serious prose monologue with no required set, but a few essential props. |
Synopsis | Annie is speaking into a camcorder, recording a message for the future - for someone she loves very much. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Bag Lady by Jamesine Cundell Walker |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 6 minutes. [Estimated!] |
Music | None. |
Style | Short drama set on and around a bench. (An individual short play from the Chance Encounters collection.) |
Synopsis | A bag lady, with a park bench for company, ruminates about her life as she prepares to sleep. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Body Confident by E. C. Chapman |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 12 minutes. [Estimated!] |
Music | None. |
Style | Short dramatic monologue, with no set requirements (assuming that a pilates mat counts as a prop rather than set). |
Synopsis | Caroline, a Pilates teacher, attempts to counter ugly rumours which threaten to destroy her reputation and luxury lifestyle. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Cissie Encountering The Gods by Sandra Horn |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | A one act monologue. |
Synopsis | Cissie tells us of her life and her strange neighbour Thea. Thea and her daughter Cory have had a big effect on Cissie's life. They bring an interest beyond her brief and boring marriage and the prying eyes of her other neighbours, as well as a genuinely unexpected intimate encounter. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Definition of Love by Benoni Holt |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. The monologue is in the voice of a sixteen-year-old English girl. (There is some room for manoeuvre - with minor tweaks to the script - in the specific age, and in the nationality). |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One-act monologue. No set or props required. Contains swearing and sensitive issues. |
Synopsis | An angry sixteen-year-old rages about her sister's cancer and the many other trials in her life, all brought about by the ability to love. She argues for and against in an eloquent, sometimes poignant, monologue with an unexpectedly positive ending. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Duchess of Argyle by Chris Hicks |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Dramatic monologue with a simple (furniture-only) set. |
Synopsis | A middle-aged woman with a flamboyant alter-ego and expensive tastes, confesses to a theft in which she and her husband are complicit. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Dutch Courage by Elizabeth Bell |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | A poignant monologue with a single (bedroom) setting. |
Synopsis | Maggie is preparing to leave for Holland where her husband Geoff, at his own request, will enter a euthanasia clinic. Her feelings and emotions bubble under the surface and gather tension as the transport arrives. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Feeding the Pigs by Hilary Mackelden |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 5 minutes. [Estimated!] |
Music | None. |
Style | An enjoyably grim monologue. |
Synopsis | Mara has killed her husband and needs to get rid of the body. She takes him, at dead of night, to a pig farm ten miles away to feed him to the pigs. She succeeds, but makes a potentially damning mistake. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The First Born by Jamesine Cundell Walker |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Short monologue set on and around a bench. (An individual short play from the Chance Encounters collection.) |
Synopsis | A woman reflects on her life and that of her child. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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