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| Voice of a Flea by Gill Medway |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | The fifth in Gill Medway's series of monologues about cleaning lady, Violet Brimley. Minimal set (a chair). |
| Synopsis | Violet's latest job finds her at the house of a celebrated actor, whose chances of a prestigious TV award are in serious jeopardy when he appears to jump into some very hot water. Can Violet's famous tact and diplomacy save the day? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Walk on the Wild Side by Cheryl Barrett |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | A short monologue with minimal set requirements. |
| Synopsis | Mary is feeding the birds in the park and bemoaning the local council’s latest ruling, whilst contemplating her arthritic hip. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| What Becomes of the Broken Hearted? by Cheryl Barrett |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | Short, biiter-sweet piece for a cast of one. No set, but a few simple props. |
| Synopsis | Anne is in her sixties and talking about how she coped with suddenly becoming single again. She's not letting a second man leaving her for another woman get her down, she's picking herself up and living life for herself. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| What's in a Name? by Cheryl Barrett |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy monologue (requiring a few props but no set). |
| Synopsis | Pam doesn't like her name and reflects on the various pseudonyms she has used over the years. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Who Ate All the Pies? by Geoff Parker |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 9 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy monologue (prose) with no set requirements and no props. |
| Synopsis | Our heroine has put up with a lot in her marriage, most recently her slob of a husband moving in with her best friend Eileen. But when Eileen announces she can't stand him anymore, the pair realise there’s only one other option... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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