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Singled Out by Geoff Rose-Michael
Nominated for New Writing Award and Set Design Award, and winner of Best Actress Award (Jo) at Leatherhead Drama Festival 2014 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. There are two principal characters, one non-speaking (and largely immobile) character and an opening voice-over (which could be recorded, omitted or consigned to programme notes!) |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | One-act thriller with a single (meeting room) setting. |
| Synopsis | When SODA, the Singles Online Dating Agency, arranges a social night for some of its members, the first two girls to arrive soon discover they have both previously suffered a similar disturbing experience, and that they have been lured there by person or persons unknown, and then locked in. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Split Infinitives by JJ Crossley |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. All three characers are written as male, but need not be! |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | Simple-to-stage one-act comedy play (packed with sci-fi silliness.) |
| Synopsis | An unscrupulous pair of business executives hatch a plan to establish once and for all the exact age of the universe, and reap the fame and rewards, by recruiting a test pilot for their recently acquired, but rather unreliable time machine. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Straight Play by Natalia Knowlton |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama in a single (simple) set. Contains adult themes. |
| Synopsis | In Colorado, 2003, newly married Kate joins a support group for married women, and finds it less than supportive. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Swan Queen by Frank Canino |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 3. No chorus. There is one speaking voice, Lenore. She addresses the audience as a friend, but also addresses two other people (1M, 1F) who might appear on stage. There is also an option for a group of male dancers. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | Two pieces (associated with classical ballet) are suggested as accompaniment. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Powerful, brilliantly-written one act play. Single set with simple furniture representing multiple locations. |
| Synopsis | A former Prima Ballerina navigates the final months of her life, balancing her health concerns with those of her stepson, an artist with AIDS. Despite some stark differences at first, the pair find common ground and become allies as they each cope with their diagnoses. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Three Women and Shakespeare's Will by Joan Greening
2022 Edinburgh Fringe production received a 5-Star review from Arts Reviews Edinburgh. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | Quick-witted one-act comedy. Single set requiring only a few items of furniture. |
| Synopsis | After the death of William Shakespeare, Anne Hathaway is visited by two women with shocking revelations. Both claim to have known her husband intimately, and each want a piece of Will's will. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tissues and Wine by Johnny Grim |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Single domestic setting. Set in Australia, though the situation is universal, and it could easily be moved. Contains swearing. |
| Synopsis | Sonia has just caught her husband having an affair, and has retreated to her mother's house for solace. That's not quite what she gets when Julia, the nosey neighbour, invites herself over to share in the bottle of wine and the advice. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Truth and Reconciliation by Cassandra Newman |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | Emotionally-charged one-act drama set in a basement office. |
| Synopsis | Anita has come to the Baltimore Truth and Reconciliation Commission to tell the story of her son's death, only to find one of the people there to record her statement witnessed the death. The three characters struggle to find a path to peace and forgiveness in the aftermath of violence and fear. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| View from the Prom by Neville Judson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama of a three-way conversation. Easy to stage, requiring just a bench for the three women to sit on. |
| Synopsis | Three women, from three generations of a family, sit on a bench overlooking the beach in Tenby. Tegwyn has decided to send her mother Gwendolyn to an old people's home for a few days, but is uncomfortable about it. Tegwyn's daughter Celyn is not happy being away doing research and wants to come home. Gwendolyn sees four swimmers whom she believes she had last seen many years before.
[Gwendolyn has seen the swimmers before - their meeeting is told from the swimmers' perspective in The Barrier. Knowledge of this is completely irrelevant to the content of this play, but nevertheless, the two plays would work well together.] |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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