|
| Truth and Reconciliation by Cassandra Newman |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | Emotionally-charged one-act drama set in a basement office. |
| Synopsis | Anita has come to the Baltimore Truth and Reconciliation Commission to tell the story of her son's death, only to find one of the people there to record her statement witnessed the death. The three characters struggle to find a path to peace and forgiveness in the aftermath of violence and fear. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Turing Test by Stuart Ardern |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Three principal females. The cafe manager, carer and social services manager could be male or female and could be played by one actor. Equally, the carer could be played by two actors, each taking a scene. |
| Run Time | Around 49 minutes. [Estimated!] |
| Music | None. |
| Style | An emotional one-act drama in which a family confronts dementia.. (Could be staged with just furniture, making it a good festival piece.) |
| Synopsis | Alison Grove, an artificial Inteligence researcher, is struggling to cope with her mother's Alzheimer's disease when she should be focused on the question of whether machines are capable of rational thought. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Ugly Duckling by Ann Taylor |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play for schools with a single (playground) setting. |
| Synopsis | This anti-bullying play tells the story of a child who is bullied because he looks different. A resolution is reached when classmates step in to help. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| A Vampire Play by Graham Jones |
| Roles | Minimum Male roles = 0. Minimum Female roles = 5. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Characters are four teenagers and one adult. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A short play with a gothic heart. (Muahahahaaa!) |
| Synopsis | Four girls gather in a forgotten garden shed to await a present promised to one of them by a boy who may or may not be a vampire. But beware, nothing is quite what it seems... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| View from the Prom by Neville Judson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama of a three-way conversation. Easy to stage, requiring just a bench for the three women to sit on. |
| Synopsis | Three women, from three generations of a family, sit on a bench overlooking the beach in Tenby. Tegwyn has decided to send her mother Gwendolyn to an old people's home for a few days, but is uncomfortable about it. Tegwyn's daughter Celyn is not happy being away doing research and wants to come home. Gwendolyn sees four swimmers whom she believes she had last seen many years before.
[Gwendolyn has seen the swimmers before - their meeeting is told from the swimmers' perspective in The Barrier. Knowledge of this is completely irrelevant to the content of this play, but nevertheless, the two plays would work well together.] |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The W.I. Blues by John Peel |
| Roles | Minimum Male roles = 0. Minimum Female roles = 5. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 125 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama - with plenty of comedy to lighten the darkness! |
| Synopsis | Grace is hosting an unofficial WI meeting to discuss the threat to the local organisation by 'the wrong sort of people' in the village. Unfortunately, it turns out that her husband isn't just out for the evening - he's gone for good. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The W.I. by Liz Dobson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 6. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, simple (minimal meeting room) setting. |
| Synopsis | An undercover reporter is trying to gather material that will prove her theory that the WI is a collection of useless women filling their empty lives with trivia, tea and jumble sales. For her, it's going to be an eye-opener, but for the other women, it's regular day at the WI... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| You Should Have Told Me by Iris Winston |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Could be played by a mixed-age group or as a youth theatre piece. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A fifteen-minute drama for young audiences. (An issue-driven piece which might be used as a lead-in to classroom discusisons.) |
| Synopsis | Teri is excited at the prospect of being a bridesmaid at her aunt's wedding. Joy turns to misery when she finds out that she is adopted and learns the truth about her relationship to the bride. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|