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| Scriptaholic by Billy Doyle |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. Chorus. In the author's draft of the script, the 'New Member' is male and the 'Group Leader' female, but there doesn't seem to be any necessity for this! |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | Very short comedy sketch with no specific requirements for set or props. |
| Synopsis | When a new member joins Scriptaholic, a support group for script writers who have lost sight of the boundaries between fantasy and reality, even the group leader finds him too far gone for help. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Singled Out by Geoff Rose-Michael
Nominated for New Writing Award and Set Design Award, and winner of Best Actress Award (Jo) at Leatherhead Drama Festival 2014 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. There are two principal characters, one non-speaking (and largely immobile) character and an opening voice-over (which could be recorded, omitted or consigned to programme notes!) |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | One-act thriller with a single (meeting room) setting. |
| Synopsis | When SODA, the Singles Online Dating Agency, arranges a social night for some of its members, the first two girls to arrive soon discover they have both previously suffered a similar disturbing experience, and that they have been lured there by person or persons unknown, and then locked in. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Sixpenny War by Allan Williams |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama set during World War Two in the staff restroom of a Woolworths store in London. |
| Synopsis | The horror of war (and the specific horros of the Second World War), seen through the eyes of a group of girls working at Woolworths each one of whom is personally affected, is dramatically evoked using contemporary political speeches as a background for the girls' experiences. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Something of a Stir by Joseph A. Jones |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy, single domestic set. |
| Synopsis | Dora is expecting her friend Paula for a cup of tea and a chat, but Paula brings Maisie Day, a card reader who Dora is convinced is a charlatan. Can Dora pull off a little tea leaf trickery of her own to put Maisie in her place? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tainted Love by Johnny Grim |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | Thirteen song suggestions, to be played between scenes. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | An irreverent full-length comedy for adults with a single (living room) setting. Potentially offensive language. |
| Synopsis | Julie has invited her friends Vanessa, Sheila, and Carol over to her house, on the pretence of showing off her recently installed gazebo. Unbeknownst to her friends, Julie has something far more tantalising to share with them. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tea With Mrs Pankhurst by Ruth Urquhart & James Douglas |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 19. No chorus. The minimum with doubling omits two non-speaking waitresses and has two actors playing the female principals and two playing the rest (both male and female roles). |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play, designed to be played without a formal set. |
| Synopsis | The stories of Emmeline Pankhurst and Selina Cooper are compared in an attempt to judge who gave most to the cause of votes for women. The story is told in flashback, with minimal sets and audience interaction, mostly in the cake-eating sense. An educational journey through the history of British Women's Suffrage. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Three Billy Goats Cyber by Richard L. Sanders |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | A politically satirical take on the classic fairy tale. |
| Synopsis | Three Billy Goats discuss strategies to get past the troll under the bridge and munch the lovely grass on the other side. The use of present day cyber technologies becomes part of the scheming. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Tide is Coming In by Michael C. Appleby
Production by The Edinburgh Makars won First Prize (and the Edith Forbes Trophy) in the Scottish Community Drama Association's One Act Play Festival, Edinburgh, 2020 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Characters written as 2m, 2F, but can be played by any combination with permissible tweaks to names and pronouns. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A witty one-act comedy with funny characters and plenty of action. Set on a beach, furnished with rocks and (not necessarily visibly) sand! |
| Synopsis | Angela gets stuck in quicksand while walking along the beach. Her friend Brian helpfully explains the physics of thixotropy, but can’t think of a way to get her out. Deirdre and Colin pass by and are recruited into the rescue, but are more interested in a nearby black-throated diver. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Tony and Bee-ing Cleopatra by Fiona Scott Patrick |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Lindsay is dressed in a bumble bee costume with a Cleopatra wig. (Just in case you need a hint about the provenance of the strange title.) The cast includes four numbered tourists. Others might drift through! |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute character-driven play, minimal set. (I realise that the residents of Edinburgh might be offended by the description of one of their streets as minimal, but it doesn't need to be a realistic set!) |
| Synopsis | Lindsay is handing out flyers for her show at the Edinburgh Fringe, but she feels she's too old to be there - she's a serious actress. Then she meets Tony, a little drunk and recently dumped by her boyfriend, and the pair find a new enthusiasm for acting. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Turing Test by Stuart Ardern |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Three principal females. The cafe manager, carer and social services manager could be male or female and could be played by one actor. Equally, the carer could be played by two actors, each taking a scene. |
| Run Time | Around 49 minutes. [Estimated!] |
| Music | None. |
| Style | An emotional one-act drama in which a family confronts dementia.. (Could be staged with just furniture, making it a good festival piece.) |
| Synopsis | Alison Grove, an artificial Inteligence researcher, is struggling to cope with her mother's Alzheimer's disease when she should be focused on the question of whether machines are capable of rational thought. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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