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| Tainted Love by Johnny Grim |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | Thirteen song suggestions, to be played between scenes. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | An irreverent full-length comedy for adults with a single (living room) setting. Potentially offensive language. |
| Synopsis | Julie has invited her friends Vanessa, Sheila, and Carol over to her house, on the pretence of showing off her recently installed gazebo. Unbeknownst to her friends, Julie has something far more tantalising to share with them. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Three Billy Goats Cyber by Richard L. Sanders |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | A politically satirical take on the classic fairy tale. |
| Synopsis | Three Billy Goats discuss strategies to get past the troll under the bridge and munch the lovely grass on the other side. The use of present day cyber technologies becomes part of the scheming. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Tide is Coming In by Michael C. Appleby
Production by The Edinburgh Makars won First Prize (and the Edith Forbes Trophy) in the Scottish Community Drama Association's One Act Play Festival, Edinburgh, 2020 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Characters written as 2m, 2F, but can be played by any combination with permissible tweaks to names and pronouns. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A witty one-act comedy with funny characters and plenty of action. Set on a beach, furnished with rocks and (not necessarily visibly) sand! |
| Synopsis | Angela gets stuck in quicksand while walking along the beach. Her friend Brian helpfully explains the physics of thixotropy, but can’t think of a way to get her out. Deirdre and Colin pass by and are recruited into the rescue, but are more interested in a nearby black-throated diver. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Tony and Bee-ing Cleopatra by Fiona Scott Patrick |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Lindsay is dressed in a bumble bee costume with a Cleopatra wig. (Just in case you need a hint about the provenance of the strange title.) The cast includes four numbered tourists. Others might drift through! |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute character-driven play, minimal set. (I realise that the residents of Edinburgh might be offended by the description of one of their streets as minimal, but it doesn't need to be a realistic set!) |
| Synopsis | Lindsay is handing out flyers for her show at the Edinburgh Fringe, but she feels she's too old to be there - she's a serious actress. Then she meets Tony, a little drunk and recently dumped by her boyfriend, and the pair find a new enthusiasm for acting. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Whose Baby? by John Collings |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy with a single (hospital waiting room) setting. Adult themes. |
| Synopsis | Three pregnant women from very different backgrounds have come for a routine check-up. As they wait to be seen, they discuss their various experiences whilst conceiving. One of them goes into labour, with shocking results. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Wrong Regulator by Barry Lambert |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy short in a single office setting. (Confusingly, the production notes include the features of a featureless office.) |
| Synopsis | A routine stocktake reveals that the numbers of one important and resource-hungry item have risen enormously to eight billion. The control room team must find a way to reduce the number. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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