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| The Room by Graham Jones |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. The characters cover a range of ages from twenties to seventies. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act play, single set - character study with a rather sinister edge! |
| Synopsis | Four women of varying ages and infirmities enter a room, supposedly in a rest home/hospice called 'Pleasantways'. They're told to enter the room but not to leave. The women open up to each other about the circumstances that brought them to this place and their feelings about the treatment they have received. Exploration of their current position leads to a sinister discovery... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Saint Nicholas and the Three Purses of Gold by Timothy Hallett and Nicholas Richards |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 9. Chorus. Technically, there are no characters - that is to say, it could be sung by a soloist. In practice, the intention is for the singing to be shared between several narrators and a chorus whilst the story is mimed by actors. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | The Producer's Copy of the script comes with a complete piano and vocal score. |
| Style | A sung story. (Technically, that makes it a Cantata, but don't let the fancy name put you off!) Does not require any set or props, but props could be used as part of a mime of the story. |
| Synopsis | Where does our modern Santa Claus come from? He's descended from legends of Saint Nicholas, the fourth century Bishop of Myra - legends such as this one! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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Sleepover Secrets by Tony Domaille
Plockton Amdram Youth Society - Intermediate section trophy winner Scottish Community Drama Association one act play youth festival, Highlands 2018. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 5. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. One character is an offstage female voice. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama for youth theatre with a single (bedroom) setting. |
| Synopsis | Five sixteen-year-old girls are having a sleepover when they decide to share their most closely guarded secrets. Who has the biggest secret and who will believe whom? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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Snow White Goes Dating by Jonathan Goodson
New |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Four on-stage characters (ostensibly three princesses and a frog) and the off-stage voice of a pantomime dame turned TV presenter. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy in a simple set. Despite the fairy tale nature of the characters, the language and subject matter make it very definitely an adult production for an adult audience. |
| Synopsis | Preparing to take the stage for a dating show, three very different princesses compare notes on the princes they've known, Charming and otherwise. Only one will walk away with the man behind the screen, unless they find an alternative. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tea With Mrs Pankhurst by Ruth Urquhart & James Douglas |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 19. No chorus. The minimum with doubling omits two non-speaking waitresses and has two actors playing the female principals and two playing the rest (both male and female roles). |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play, designed to be played without a formal set. |
| Synopsis | The stories of Emmeline Pankhurst and Selina Cooper are compared in an attempt to judge who gave most to the cause of votes for women. The story is told in flashback, with minimal sets and audience interaction, mostly in the cake-eating sense. An educational journey through the history of British Women's Suffrage. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Team Building by Liz Dobson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 5. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 33 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play with an all-female cast. |
| Synopsis | When new boss Carter insists on a team building day comprising a run through a wood, one group of employees is less than impressed. The reluctant women soon find ways to avoid joining in, but eventually find that unity can be achieved. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Three Little Pigs... I Mean The Three Little Hogs by Larry Brumer |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | Small-cast comedy play intended for performance by an adult or high school company to an elementary school audience. Simple sets, costumes and props. |
| Synopsis | The tale of the Three Little Pigs (building houses, wolves huffing and blowing - that sort of thing) retold for elementary pupils with audience interaction and a surprise ending. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tony and Bee-ing Cleopatra by Fiona Scott Patrick |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Lindsay is dressed in a bumble bee costume with a Cleopatra wig. (Just in case you need a hint about the provenance of the strange title.) The cast includes four numbered tourists. Others might drift through! |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute character-driven play, minimal set. (I realise that the residents of Edinburgh might be offended by the description of one of their streets as minimal, but it doesn't need to be a realistic set!) |
| Synopsis | Lindsay is handing out flyers for her show at the Edinburgh Fringe, but she feels she's too old to be there - she's a serious actress. Then she meets Tony, a little drunk and recently dumped by her boyfriend, and the pair find a new enthusiasm for acting. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Turing Test by Stuart Ardern |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Three principal females. The cafe manager, carer and social services manager could be male or female and could be played by one actor. Equally, the carer could be played by two actors, each taking a scene. |
| Run Time | Around 49 minutes. [Estimated!] |
| Music | None. |
| Style | An emotional one-act drama in which a family confronts dementia.. (Could be staged with just furniture, making it a good festival piece.) |
| Synopsis | Alison Grove, an artificial Inteligence researcher, is struggling to cope with her mother's Alzheimer's disease when she should be focused on the question of whether machines are capable of rational thought. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Vampire Play by Graham Jones |
| Roles | Minimum Male roles = 0. Minimum Female roles = 5. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Characters are four teenagers and one adult. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A short play with a gothic heart. (Muahahahaaa!) |
| Synopsis | Four girls gather in a forgotten garden shed to await a present promised to one of them by a boy who may or may not be a vampire. But beware, nothing is quite what it seems... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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